ØØ Void (pronounced in interviews as Double-O Void) is the debut studio album by Sunn O))). The album was recorded to 24 track 2" tape at Grandmaster studios in Hollywood, a large step forward in production values from the band's demo The Grimmrobe Demos.
The third track, "Rabbits' Revenge", is an interpretation of an early version of the song "Hung Bunny" by the Melvins from the album Lysol.
The album was originally released in 2000, by Hydra Head in the USA, and by Rise Above in Europe and the United Kingdom. In 2008, ØØ Void was reissued, and released in Japan only, through Japanese record label Daymare Recordings. The reissue was a two-disc set, with the first disc containing all of the original tracks from ØØ Void and the second disc containing a collaboration between Sunn O))) and experimental/industrial group Nurse with Wound. The album was re-released in the original single-disc format in 2011 by Southern Lord Recordings, with new album artwork by Stephen Kasner.
According to ancient and medieval science, aether (Greek: αἰθήρ aithēr), also spelled æther or ether, also called quintessence, is the material that fills the region of the universe above the terrestrial sphere. The concept of aether was used in several theories to explain several natural phenomena, such as the traveling of light and gravity. In the late 19th century, physicists postulated that aether permeated all throughout space, providing a medium through which light could travel in a vacuum, but evidence for the presence of such a medium was not found in the Michelson–Morley experiment.
The word αἰθήρ (aithēr) in Homeric Greek means "pure, fresh air" or "clear sky". In Greek mythology, it was thought to be the pure essence that the gods breathed, filling the space where they lived, analogous to the air breathed by mortals. It is also personified as a deity, Aether, the son of Erebus and Nyx in traditional Greek mythology. Aether is related to αἴθω "to incinerate", and intransitive "to burn, to shine" (related is the name Aithiopes (Ethiopians; see Aethiopia), meaning "people with a burnt (black) visage"). See also Empyrean.
Void was a Washington D.C.-based hardcore punk/crossover thrash band. They were one of the first hardcore bands popular in the D.C. scene that was from outside the Beltway, hailing from Columbia, Maryland, a suburb located between D.C. and Baltimore.
The band formed in 1980 with lead singer John Weiffenbach, guitarist Jon "Bubba" Dupree, bassist Chris Stover, and drummer Sean Finnegan. They immediately acquired a cult following, in part due to Bubba Dupree's chaotic guitar style, wild performances, and John Weiffenbach's violent lyrics and frenzied behavior. In November 1981, they cut a demo tape at Inner Ear Studios which was produced by Alec MacKaye of The Faith, with whom they would share a split. They were soon picked up by Ian MacKaye and Jeff Nelson's label Dischord Records. In February 1982, they made their vinyl debut on Dischord with three songs on the Flex Your Head compilation. That spring, they went into the studio to cut twelve songs that were released in September 1982 as half of the Faith/Void split album released by Dischord Records.
Destiny or Fate is a predetermined course of events. It may be conceived as a predetermined future, whether in general or of an individual.
Although often used interchangeably, the words "fate" and "destiny" have distinct connotations.
Fate commonly refers to destiny, a predetermined course of events.
Fate may also refer to:
Destiny (also known as Fate, Czech: Osud) is an opera in three acts by Leoš Janáček to a Czech libretto by the composer and Fedora Bartošová. Janáček began the work in 1903 and completed it in 1907. The inspiration for the opera came from a visit by Janáček in the summer of 1903, after the death of his daughter Olga, to the spa at Luhačovice. There, Janáček met Kamila Urválková, who had been the subject of an opera by Ludvík Čelanský, Kamila, where she felt that Čelanský had falsely depicted her personality. After learning that Janáček was a composer, Urválková persuaded Janáček to write another opera to counteract Čelanský's portrait of her.
Janáček submitted the opera to the Brno Theatre in 1906, and to the Vinohrady Theatre in Prague in 1907, but both theatres rejected the score. The score stayed with the Vinohrady Theatre even after Janáček had threatened lawsuits against the theatre and after the Brno theatre made offers of a possible production.
The work did not receive a hearing until after Janáček's death, in 1934 on Brno Radio.