A morgen was a unit of measurement of land area in Germany, the Netherlands, Poland and the Dutch colonies, including South Africa and Taiwan. The size of a morgen varies from 1⁄2 to 2 1⁄2 acres, which equals approximately 0.2 to 1 hectare. It was also used in old Prussia, in the Balkans, Norway and Denmark, where it was equal to about two-thirds of an acre (0.27 ha).
The word is usually taken to be the same as the German and Dutch word for "morning". Similarly to the Imperial acre, it was approximately the amount of land tillable by one man behind an ox in the morning hours of a day. The morgen was commonly set at about 60–70% of the tagwerk (literally "day work") referring to a full day of ploughing. In 1869, the North German Confederation fixed the morgen at a quarter hectare (i.e. 2500 square meters) but in modern times most farmland work is measured in full hectares. The next lower measurement unit was the German "rute" or Imperial rod but the metric rod length of 5 metres never became popular. The morgen is still used in Taiwan today, called "kah"; 1 kah is roughly 2 acres or 9,000 m2.
Morgen was an American psychedelic rock band formed in Long Island. Their only album, "Morgen", is considered one of the best (though obscure) heavy American psychedelic rock albums of the 1960s.
Morgen was founded in 1968 by Steve Morgen, Bobby Rizzo, Murray Schiffrin, Mike Ratti, and Barry Stock. Originally, the band was named "Morgen’s Dreame Spectrum" but was later changed to simply "Morgen".
"Morgen" ("Tomorrow") was the Dutch entry in the Eurovision Song Contest 1968, performed in Dutch by Ronnie Tober.
The song is a ballad, with Tober telling his "far-away wife" how he feels to be separated from her. He expresses his desire for "tomorrow" to arrive as soon as possible, enabling them to be reunited. Tober also recorded the song in English, as "Someday".
The song was performed second on the night, following Portugal's Carlos Mendes with "Verão" and preceding Belgium's Claude Lombard with "Quand tu reviendras". At the close of voting, it had received 1 point, placing 16th (equal last) in a field of 17.
It was succeeded as Dutch representative at the 1969 Contest by Lenny Kuhr with "De troubadour".
Visions is the second studio album of progressive metal band Haken. The album was released mostly for the attention of people at ProgPower USA on 17 September 2011, with an official release date set for 24 October 2011.
All lyrics written by Ross Jennings, all music composed by Richard Henshall, except where noted.
Visions received high praise from Sea of Tranquility webzine. It was described as "a staggeringly brilliant example of progressive metal" by Pete Pardo and "probably the final progressive masterpiece of 2011" by Murat Batmaz.
Visions is a progressive rock album by Clearlight, released in 1978 on Celluloid / LTM Records in France. (LTM Records is specified on the cover, but the label says Celluloid Records.)
Clearlight's final album set off in yet another new direction: while previous albums incorporated a new age element blended with other styles, this one is primarily a new age album, reflecting the emergence of new age music as a popular genre. The album is mostly instrumental, but has one song with lyrics and another with spoken word, both in French. Indian instruments such as sitar and tablas are prominent. "Fullmoon Raga" expands upon musical themes from "Master Builder" from Gong's You album, blending Indian music with rock music. The album also incorporates Clearlight's usual psychedelic jazz fusion jamming.
This edition of Clearlight played only one concert (the first since its UK tour in late 1975), at the Olympia in Paris on April 8, 1978, with a variation of the album's line-up: Verdeaux, Malherbe, Lockwood, Mandin, Melkonian and Bouladoux plus Jean-Michel Kajdan (guitar) and Mico Nissim (keyboards). It was badly attended, putting a premature end to the project. This would be the last manifestation of Clearlight until a one-off performance in 1988.
Visions of Dennis Brown (also known as Visions) is a 1978 reggae album by Dennis Brown.
The album was the first to come out of Brown's second stint with producer Joe Gibbs, with whom he would have his breakthrough international success, and the album played a major part in establishing the dominant position of both Brown and Gibbs in late 1970s reggae. The album mixes roots reggae themes such as economic hardship, African oppression, religion, and politics, with lovers rock material ("Love Me Always") and a cover version of Ray Charles' "This Little Girl of Mine". The album was engineered by Errol Thompson and features veteran musicians Bobby Ellis (trumpet), Vin Gordon (trombone), Herman Marquis (alto saxophone), and Tommy McCook (tenor saxophone).
The album was originally released in 1978 on the Lightning, Laser, and Joe Gibbs labels. It was reissued on JGML in 1980 and issued for the first time on compact disc in 1989 by Shanachie Records. It was reissued in expanded form in 2006 on the Joe Gibbs Europe label, and reissued again in 2007 on the VP Records subsidiary 17 North Parade.