Visa or VISA may refer to:
Visa is a 1983 Indian Malayalam film, directed by Balu Kiriyath and produced by NP Abu. The film stars Mohanlal, Mammootty, T. R. Omana and Sathaar in lead roles. The film had musical score by Jithin Shyam.
The music was composed by Jithin Shyam and lyrics was written by Bichu Thirumala.
The Female Boss is the debut studio album by British singer and former N-Dubz member Tulisa. It was released on 3 December 2012 via All Around the World and Island Records. The album's artwork was revealed on 6 October 2012 via Tulisa's official Facebook page. The Female Boss originally was to be released on 26 November but was pushed back by one week. It incorporates hip hop, dance and R&B styles while enlisting a variety of producers; The-Dream, Fazer, Stereotypes, Rico Love, Diane Warren and Ed White, among others. The album features guests appearances from British rapper Wiley, American rapper Tyga and Nines. Three singles preceded the album's release; the lead single "Young" peaked at number 1 while "Live It Up" and "Sight of You" peaked within the top 20 of the UK Singles Chart.
Upon its release, The Female Boss has received generally negative reviews from most music critics, with many critics panning the themes, intro of the album, production and some lyrical content, while some critics felt the dance songs were highlights. Commercially, the album opened with poor sales, debuting at number 35 on the UK Albums Chart and number 55 in Ireland.
EROS (The Extremely Reliable Operating System) is an operating system developed beginning in 1991 by The EROS Group, LLC., the Johns Hopkins University, and the University of Pennsylvania. Features include automatic data and process persistence, some preliminary real-time support, and capability-based security. EROS is purely a research operating system, and was never deployed in real world use. As of 2005, development has stopped in favor of two successor systems, CapROS and Coyotos.
The overriding goal of the EROS system (and its relatives) is to provide strong support at the operating system level for the efficient restructuring of critical applications into small communicating components. Each component can communicate with the others only through protected interfaces, and is isolated from the rest of the system. A "protected interface", in this context, is one that is enforced by the lowest level part of the operating system (the kernel). The kernel is the only portion of the system that can move information from one process to another. It also has complete control of the machine and (if properly constructed) cannot be bypassed. In EROS, the kernel-provided mechanism by which one component names and invokes the services of another is capabilities using inter-process communication (IPC). By enforcing capability-protected interfaces, the kernel ensures that all communications to a process arrive via an intentionally exported interface. It also ensures that no invocation is possible unless the invoking component holds a valid capability to the invokee. Protection in capability systems is achieved by restricting the propagation of capabilities from one component to another, often through a security policy known as confinement.
The Shaftesbury Memorial Fountain is located at the southeastern side of Piccadilly Circus in London, United Kingdom. Moved after World War II from its original position in the centre, it was erected in 1892–1893 to commemorate the philanthropic works of Lord Shaftesbury, who was a famous Victorian politician and philanthropist.
The monument is surmounted by Alfred Gilbert's winged nude statue generally known as Eros. This has been called "London's most famous work of sculpture"; a graphical illustration of it is used as the symbol of the Evening Standard newspaper and appears on its masthead. It was the first sculpture in the world to be cast in aluminium and is set on a bronze fountain, which itself inspired the marine motifs that Gilbert carved on the statue.
The use of a nude figure on a public monument was controversial at the time of its construction, but it was generally well received by the public. The Magazine of Art described it as "...a striking contrast to the dull ugliness of the generality of our street sculpture, ... a work which, while beautifying one of our hitherto desolate open spaces, should do much towards the elevation of public taste in the direction of decorative sculpture, and serve freedom for the metropolis from any further additions of the old order of monumental monstrosities."
Eros is a 2004 anthology film consisting of three short segments: The Hand directed by Wong Kar-wai in Mandarin, Equilibrium by Steven Soderbergh in English, and The Dangerous Thread of Things by Michelangelo Antonioni in Italian. Each of the three segments addresses the themes of love and sex.
Miss Hua, a beautiful, 1960s high-end call girl is visited by a shy dressmaker's assistant Zhang, to take her measure. He hears the sounds of sex, as he waits in her living room. He is drawn towards her but there is no meeting ground between the two individuals from completely different classes. She summons him when her client leaves. She tells him, she will supply him with an aid to his memory. He will think about her while designing her clothes, she says.
Nick Penrose is an advertising executive under enormous pressure at work. He tells his psychiatrist Dr Pearl about a recurring dream of a beautiful naked woman in his apartment, as they discuss the possible reasons why his stress seems to manifest itself in the erotic dream.
Por cuando te vi enfermo con mentiras
Este ladrón cuenta se dio
Trapa mal hecho de trampas
Te lo juro que yo si te mato
Y con cada dia que se pase recuerdate
Quien era el mas poderoso
Don't let me, don't let me go
There is a venom in numerical lies
Your convalescent thorns
Are but a crown of magnets
They fold the shakes inside that third glass eye
Come on and give it to me
Come on and die
In your viscera eyes
Cateracts close the blinds
Let me let comfort come drown by your side
Ay mi hija me llores
Porque yo te quito de esta cruz
A noche te vi caminando
Sin la alma de tu cuerpo
En los brasos
Sin luz
Stains fall into the brick wall severed
Four of them were watching
While the other three did hide
The culprit spat the seed
From a podium of glass
Shattering the sigil
That you thought was deitized
Don't let me, don't let me go
There is a venom in numerical lies
Your convalescent thorns
Are but a crown of maggots
They rot the shakes inside that third glass eye
Come on and give it to me
Come on and die
In your viscera eyes
Cateracts close the blinds
Let me let comfort come drown by your side
In your viscera eyes
Cateracts close the blinds
Let me let comfort come drown by your side
Wait
I've seen the arc shake
From your mnemonic tongue
But the braille
That you weave
Of itself, it shall read aloud
Yes it will
I said she's falling, she's still falling
But no one wants to come
She's crawling, she's still crawling
On your burial ground
I said she's falling, she's still falling
But no one wants to come
She's crawling, she's still crawling