Vintage Duets is an album by American jazz saxophonist Fred Anderson with drummer Steve McCall.
Before joining Henry Threadgill's Air trio, McCall worked with Anderson at various points from early in his career, playing together in 1966 on Joseph Jarman's Song For, a seminal document of the AACM. Vintage Duets was recorded in 1980 at the request of the tiny Austrian Message label, but the company went out of business before the album was released and finally the tapes were the primary instigation that started Bruno Johnson's Okka Disk label in 1994. The album was Anderson's first recording released in a decade.
In her review for AllMusic, Joslyn Layne states "is not only energetic and masterful, but somehow so full, warm, and grounded that (to free-jazz ears) it is also soothing."
Vintage, in winemaking, is the process of picking grapes and creating the finished product (see Harvest (wine)). A vintage wine is one made from grapes that were all, or primarily, grown and harvested in a single specified year. In certain wines, it can denote quality, as in Port wine, where Port houses make and declare vintage Port in their best years. From this tradition, a common, though incorrect, usage applies the term to any wine that is perceived to be particularly old or of a particularly high quality.
Most countries allow a vintage wine to include a portion of wine that is not from the year denoted on the label. In Chile and South Africa, the requirement is 75% same-year content for vintage-dated wine. In Australia, New Zealand, and the member states of the European Union, the requirement is 85%. In the United States, the requirement is 85%, unless the wine is designated with an AVA, (e.g., Napa Valley), in which case it is 95%. Technically, the 85% rule in the United States applies equally to imports, but there are obvious difficulties in enforcing the regulation.
Vintage is a process or quality in wine-making.
Vintage may also refer to:
Vintage is an album by Michael Bolton, released in 2003.
The album debuted at #76 in the Billboard 200 chart and selling under 250,000 copies in the US.
The Clavier-Übung III, sometimes referred to as the German Organ Mass, is a collection of compositions for organ by Johann Sebastian Bach, started in 1735–36 and published in 1739. It is considered Bach's most significant and extensive work for organ, containing some of his musically most complex and technically most demanding compositions for that instrument.
In its use of modal forms, motet-style and canons, it looks back to the religious music of masters of the stile antico, such as Frescobaldi, Palestrina, Lotti and Caldara. At the same time, Bach was forward-looking, incorporating and distilling modern baroque musical forms, such as the French-style chorale.
The work has the form of an Organ Mass: between its opening and closing movements—the prelude and "St Anne" fugue in E-flat, BWV 552—are 21 chorale preludes, BWV 669–689, setting parts of the Lutheran mass and catechisms, followed by four duets, BWV 802–805. The chorale preludes range from compositions for single keyboard to a six-part fugal prelude with two parts in the pedal.
Reba: Duets is the twenty fourth studio album by American country music artist, Reba McEntire. The album was released September 18, 2007 on MCA Nashville Records and September 24, 2007 on Humphead Records in the UK, and was produced by Tony Brown, Dann Huff, McEntire, and Justin Timberlake.
Reba: Duets was McEntire's second album to appear in the new millennium decade and one of her most successful crossover albums,as it is her first studio album to chart in Australia and her 3rd to chart in the UK. It was her first album to peak at #1 on the Billboard 200, while also reaching #1 on the Top Country Albums chart, and was also her final release for the MCA Nashville label. The album featured collaborations from eleven different artists in the genres of Country, Pop, and Rock.
The album debuted at #1 on the Billboard Top Country Albums chart and the Billboard Top 200 Albums chart with sales of 300,000.
Reba: Duets was recorded at Starstruck Studios in Nashville, Tennessee. Allmusic reviewer, Thom Jurek considered that the quality of the album's tracks was different from that of most other collaboration projects, calling it a "mixed bag" of material. The first collaborator on the album was LeAnn Rimes, who recorded the track, "When You Love Someone Like That" which also appeared on LeAnn Rimes's Family album that same year. Jurek called the duet between the pair "stellar," while about.com called the pairing "an undeniable outcome of perfection. Reba's strong country voice with LeAnn's young, soulful sound created a new sound like no other."
Duets was a special 1984 album released by Liberty Records from Kenny Rogers. It was issued after Rogers left the label and signed to RCA Records.
Duets opens with "We've Got Tonight", a hit 1983 single with Sheena Easton. Side two begins with another classic duet, "Don't Fall in Love with a Dreamer" with Kim Carnes from the 1980 album Gideon. All of the remaining eight songs on the album are with Dottie West and come from his two collaboration albums with West, including the 1978 hit "Every Time Two Fools Collide" from the 1978 album of the same name. However, their duet "What Are We Doin' in Love" (a #1 country and top 40 pop hit) from 1981 is missing.
Also included on this album is Sonny and Cher's "All I Ever Need Is You". Rogers' producer Larry Butler co-wrote "(Hey Won't You Play) Another Somebody Done Somebody Wrong Song" with Chips Moman. "'Til I Can Make It On My Own" and "That's the Way It Could Have Been" are two Tammy Wynette numbers.
While this is a compilation album, there was still a single released from it. "Together Again", one of the many duets with West and which first appeared on Classics, reached #19 on the US country chart and #29 in Canada.