Kes may refer to:
KES may refer to:
Kes /kɛs/ is a 1969 drama film directed by Ken Loach and produced by Tony Garnett. The film is based on the 1968 novel A Kestrel for a Knave, written by the Barnsley-born author Barry Hines. The film is ranked seventh in the British Film Institute's Top Ten (British) Films and among the top ten in its list of the 50 films you should see by the age of 14.
The film focuses on 15-year-old Billy Casper, who has little hope in life and is bullied, both at home by his physically and verbally abusive older half-brother, Jud, and at school. He is constantly held to account for some prior run-ins with the police, although he insists that his mischief is behind him. Yet we see evidence of his mischievous side as he carries out his morning newspaper delivery, stealing eggs and milk from milk floats. He has difficulty paying attention in school and is often provoked into tussles with classmates. Billy comes across as an emotionally neglected boy with little self-respect. Billy's father has left the family some time ago, and his mother refers to him in the film as a "hopeless case."
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Kes (commonly known as Kes the Band or KTB) is a Caribbean pop/soca group known for a unique blend of soulful vocals, calypso-inspired melodies, rock riffs and island beats. The band hails from Trinidad and Tobago and consists of founding members Kees Dieffenthaller (lead vocals), Hans Dieffenthaller (drums), Jon Dieffenthaller (guitar) and Riad Boochoon (bass guitar). Kees, Hans and Jon are brothers.
Kes was formed in 2005. Hans, Jon, Kees and Riad are alumni of Presentation College, San Fernando in Trinidad & Tobago.
KES music incorporates a unique blend of soulful vocals and calypso-inspired melodies, over a fusion of rock riffs and island beats, hints of soca and reggae, and can best be described as Caribbean Pop. This style has elevated them to mainstream popularity, allowing KES to become a household name in Trinidad & Tobago and throughout the Caribbean circuit, where they consistently win over audiences with their electric and high-energy performances.
In database theory, a view is the result set of a stored query on the data, which the database users can query just as they would in a persistent database collection object. This pre-established query command is kept in the database dictionary. Unlike ordinary base tables in a relational database, a view does not form part of the physical schema: as a result set, it is a virtual table computed or collated dynamically from data in the database when access to that view is requested. Changes applied to the data in a relevant underlying table are reflected in the data shown in subsequent invocations of the view. In some NoSQL databases, views are the only way to query data.
Views can provide advantages over tables:
View is the debut album by bassist Bryan Beller, known for his work with Mike Keneally, Steve Vai and Dethklok. The album was released in 2003 under Onion Boy Records. The album featured guest composers such as John Patitucci and Wes Wehmiller.
Model–view–controller (MVC) is a software architectural pattern mostly (but not exclusively) for implementing user interfaces on computers. It divides a given software application into three interconnected parts, so as to separate internal representations of information from the ways that information is presented to or accepted from the user.
Traditionally used for desktop graphical user interfaces (GUIs), this architecture has become extremely popular for designing web applications.
MVC was one of the seminal insights in the early development of graphical user interfaces, and one of the first approaches to describe and implement software constructs in terms of their responsibilities.
Trygve Reenskaug introduced MVC into Smalltalk-76 while visiting the Xerox Palo Alto Research Center (PARC) in the 1970s. In the 1980s, Jim Althoff and others implemented a version of MVC for the Smalltalk-80 class library. It was only later, in a 1988 article in The Journal of Object Technology (JOT), that MVC was expressed as a general concept.