Vidocq (North American DVD title: Dark Portals: The Chronicles of Vidocq) is a 2001 mystery film, directed by Pitof, starring Gérard Depardieu as historical figure Eugène François Vidocq pursuing a supernatural serial killer. It is notable as being the first major fantasy film to be released that was shot entirely with digital cinematography, using a Sony HDW-F900 CineAlta camera.
The band Apocalyptica, did a music video for their song "Hope Vol. 2" from their album Cult, which features scenes of this film.
In 19th century Paris, the famed detective Vidocq (Gérard Depardieu) disappears while pursuing a murderer called the Alchemist.
Etienne Boisset (Guillaume Canet), a young biographer of Vidocq's, follows in his footsteps and progressively uncovers Vidocq's investigations. He learns how Vidocq was first called in to investigate a series of assassinations by lightning, which led him to pursue the Alchemist. Etienne discovers that the Alchemist is a wizard of sorts who wears a mirrored mask and kills virgins to maintain eternal youth. Even the sex of the Alchemist is a mystery, because it sometimes utters mocking feminine sighs during combat with Vidocq. Etienne probes deeper into Vidocq's investigations and eventually comes to learn that the Alchemist uses virgin blood to make magical mirrors that consume human souls.
The year 2001 in film involved some significant events, including the first of the Harry Potter series and also the first of The Lord of the Rings trilogy. Significant non-English language films released included Monsoon Wedding and Amélie.
Harry Potter and the Philosopher's Stone has grossed $974.7 million; it was the highest-grossing film in the Harry Potter film franchise until Harry Potter and the Deathly Hallows – Part 2 surpassed it in 2011.
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Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.
Vidocq may refer to: