VidFIRE (Video Field Interpolation Restoration Effect) is a restoration technique intended to restore the video-like motion of footage originally shot with television cameras now existing only in formats with telerecording as their basis. The word is both a noun and a verb. (In a sense it is the exact opposite of filmizing which makes video look like film.)
Film recorded for the purposes of United Kingdom television production is usually recorded at 25 frames per second; there is an unrecorded temporal gap between each frame and the next. In contrast, video pictures are recorded as a stream of video fields. Each field can be loosely seen as half a frame, but each field is also a discrete image separated from the previous field by 1/50 second. This difference in the rate of change of the image is one of the factors contributing to the "video look", familiar to viewers as the more immediate, "live" feel seen in many soap operas and sports programmes.
When videotape technology was first created, in the 1950s, tapes were extremely costly; but their reusability meant that the cost of a single tape could be spread across several productions, with each successive production erasing and then reusing the tape from a previous one, with the result that relatively few programmes produced on videotape in the 1950s and 1960s still exist in their original format.
Makeshift moon mends a broken sky
Fields of fallow still stands dry
Night not gentle, soon for the night
Her mistake was to trust in him
His bodily excuse again
Yeah, the voices hard like the wind
Said, "I'm tired of you coming home late"
"I will do as I please, Kate
"There's no one gon' tell me how to be"
"Not for my sake, Tom, for the family"
He read guilt when she pled love
Got anxious and began to shove
Clouds have been kept loomed above
Curses raise the kids from bed
They fell down the stairs in time to see
The blood run (?) down Kate's head
While the wounds in silence came to scars
Tom kept hitting and (?) (?) bars
All the love vanished in the air