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Victor Klemperer | |
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Born | Landsberg an der Warthe, Brandenburg, Prussia, Germany, today Gorzów Wielkopolski, Poland |
9 October 1881
Died | 11 February 1960 Dresden, East Germany |
(aged 78)
Occupation | Professor |
Spouse | Eva Klemperer née Schlemmer (1882-07-12-->–1951) Hadwig Klemperer née Kirchner (1952–1960) |
Parents | Wilhelm Klemperer Henriette Klemperer née Frankel |
Victor Klemperer (9 October 1881 – 11 February 1960) worked as a commercial apprentice, a journalist and eventually a Professor of Literature, specialising in the French Enlightenment at the Technische Universität Dresden. His diaries detailing his life under successive German states—the German Empire, the Weimar Republic, Nazi Germany and the German Democratic Republic—were published in 1995. His recollections on the Third Reich have since become standard sources; extensively quoted by Saul Friedlander,[1] Michael Burleigh[2] and Richard J. Evans.[3]
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Klemperer was born in Landsberg an der Warthe (now Gorzów Wielkopolski, Poland) to a Jewish family. His father was a rabbi (Dr. Wilhelm Klemperer, wife Henriette born Frankel), cousin to conductor Otto Klemperer and brother to the surgeon Georg Klemperer, a personal physician to Lenin. He was a second cousin of actor Werner Klemperer through Otto, Werner's father.
Victor Klemperer attended several Gymnasien. He was a student of philosophy, Romance and German studies at universities in Munich, Geneva, Paris and Berlin from 1902 to 1905 and later worked as a journalist and writer in Berlin until he continued his studies in Munich from 1912. He completed his doctorate (on Montesquieu) in 1913 and was habilitated under the supervision of Karl Vossler in 1914. From 1914 to 1915, Klemperer lectured in Naples, after which he became a decorated military volunteer of World War I.
Despite his conversion to Protestantism in 1912 and his strong identification with German culture, Klemperer's life started to worsen considerably after the Nazi rise to power in 1933.
He kept a diary, which, from 1933 through the end of the war, provides an exceptional historical and humane account of day-to-day life under the tyranny of the Third Reich. Two of the three published volumes of his diaries, "I shall bear witness" and "To the bitter end," concern this period. This diary also insightfully details the Nazis' perversion of the German language for propaganda purposes, which Klemperer would use as the basis for his later book LTI - Lingua Tertii Imperii.
Chiefly, Klemperer's diary chronicles the daily life of restricted Jews during the Nazi terror, including the onset of a succession of prohibitions concerning many aspects of everyday existence (e.g., finances, transportation, medical care, the maintenance and use of household help, food and diet, and the possession of appliances, newspapers, and other items). Particularly harrowing are accounts of 'suicides', household searches, and evacuations of friends, mostly to Theresienstadt. In one May 1942 passage, the Klemperers are forced to put down their household cat, a tomcat named Maschel, because of a restriction on pets. In addition, the diary hints at the profound paucity of information Klemperer and his fellow victims had available to them concerning the nature of atrocities being conducted in places such as Theresienstadt following transports and evacuations.
From 1935, under the Nuremberg Laws of Citizenship and Race, Klemperer was stripped of his academic title, job, citizenship and freedom and eventually forced to work in a factory and as a day laborer. (In some passages, Klemperer writes of being made to work shoveling snow with a bad heart.) Since his wife, Eva, was "Aryan," Klemperer dodged deportation for most of the war, but in 1940 he was rehoused under miserable conditions in a ghetto (Judenhaus), where he was routinely questioned, mistreated and humiliated by the Gestapo. In the diary, the much-feared Gestapo is seen carrying out daily, humiliating and brutal house searches, delivering beatings, hurling insults, and robbing inhabitants of coveted foodstuffs and other household items.
On 13 February 1945, the day preceding the night bombing of Dresden, he assisted in delivering notices of deportation to some of the last remaining members of the Jewish community in Dresden. Fearful that he too would soon be sent to his death, he used the confusion created by Allied bombings that night to remove his yellow star, join a refugee column, and escape into American-controlled territory. He and his wife survived and Klemperer's diary narrates their return (largely on foot through Bavaria and Eastern Germany) to their house in Dölzschen, on the outskirts of Dresden. They managed to reclaim the house, which had been "aryanised" under the Nazis.
Klemperer went on to become a significant post-war cultural figure in East Germany, lecturing at the universities of Greifswald, Berlin and Halle. He became a delegate of the Cultural Union in the GDR Parliament (Volkskammer) in 1950.
Klemperer's diary was published in 1995 as Tagebücher (Berlin, Aufbau). It was an immediate literary sensation and rapidly became a bestseller in Germany. An English translation has appeared in three volumes: I Will Bear Witness (1933 to 1941), To The Bitter End (1942 to 1945) and The Lesser Evil (1945 to 1959).
In 1995, Victor Klemperer was posthumously awarded the Geschwister-Scholl-Preis for his work, Ich will Zeugnis ablegen bis zum letzten. Tagebücher 1933–1945.
In 2000, Herbert Gantschacher wrote, together with Katharina and Jürgen Rostock, the documentary play Chronicle 1933-1945 by using original documents from the biographies of Robert Ley and Victor Klemperer. The first performance took place in 2000 in the documentation centre at the planned "Strength Through Joy" beach resort Prora of the island of Rügen in Germany.[4]
In 2003, Stan Neumann (Stan Neumann in French wikipedia) directed a documentary based on Klemperer's diaries, La langue ne ment pas (Language does not lie), which considers the importance of Klemperer’s observations and the role of the witness in such situations, and reflects on how we must vigilantly observe how those in power manipulate language.
Klemperer is a German-language occupational surname literally meaning "tinker". It is suggested that in the case of the conductor's immediate family the original name was Klopper - one who knocks on doors to get people to go to Synagogue - and was later changed to the better sounding Klemperer which rhymes with Emperor.
The surname may refer to: