Direct

Direct may refer to:

Computing

Mathematics

See also

Direct (EP)

Direct is the title of The 77s' second EP, released in 2002 on the band's own Fools of the World label.

Track listing

The band

Production notes

DIRECT

DIRECT was a late-2000s proposed alternative heavy lift launch vehicle architecture supporting NASA's Vision for Space Exploration, which would replace the space agency's planned Ares I and Ares V rockets with a family of Shuttle-Derived Launch Vehicles named "Jupiter".

DIRECT was advocated by a group of space enthusiasts who asserted that they represented a broader team of dozens of NASA and space industry engineers who actively worked on the proposal on an anonymous, voluntary basis in their spare time. September 2008, the DIRECT Team was said to consist of 69 members, 62 of whom were NASA engineers, NASA-contractor engineers, and managers from the Constellation Program. A small number of non-NASA members of the team publicly represented the group.

The project name "DIRECT" referred to a philosophy of maximizing the re-use of hardware and facilities already in place for the Space Shuttle program (STS), hence a "direct" transition. The DIRECT Team asserted that using this approach to develop and operate a family of high-commonality rockets would reduce costs and the gap between retirement of the Space Shuttle and the first launch of Orion, shorten schedules, and simplify technical requirements for future US human space efforts.

Vice

Vice is a practice, behavior, or habit generally considered immoral, sinful, criminal, rude, depraved, or degrading in the associated society. In more minor usage, vice can refer to a fault, a negative character trait, a defect, an infirmity, or a bad or unhealthy habit (such as an addiction to smoking). Vices are usually associated with a transgression in a person's character or temperament rather than their morality. Synonyms for vice include fault, sin, depravity, iniquity, wickedness, and corruption.

The opposite of vice is virtue.

Etymology

The modern English term that best captures its original meaning is the word vicious, which means "full of vice". In this sense, the word vice comes from the Latin word vitium, meaning "failing or defect".

(This meaning is completely separate from the word vice when used as an official title to indicate a deputy, substitute or subordinate, as in vice president, vice-chancellor or viceroy. The etymology of this usage derives from the Latin prefix vice-, meaning "in the place of".)

Vice (character)

Vice is a stock character of the medieval morality plays. While the main character of these plays was representative of every human being (and usually named Mankind, Everyman, or some other generalizing of humanity at large), the other characters were representatives of (and usually named after) personified virtues or vices who sought to win control of man's soul. While the virtues in a morality play can be seen as messengers of God, the vices were viewed as messengers of the Devil.

Over time, the morality plays began to include many lesser vices on stage and one chief vice figure, a tempter above all the others, who was called simply the Vice. Originally, the Vice was a serious role, but over time his part became largely comical. Scholar F.P. Wilson notes, “Whatever else the Vice may be, he is always the chief comic character”; this comic portrayal is explained thus: "In theory there is no reason why vice should not be put upon the stage with the same seriousness and sobriety as virtue: in practice, however, dramatists, and many a preacher, knew that men and women will not listen for long to unrelieved gravity”. In his Declaration of Popish Impostures from 1603, Bishop Harsnet wrote that "It was a pretty part in the old church plays, when the nimble Vice would skip up nimbly like a Jacke-an-apes into the Devil's necke, and ride the devil a course, and belabour him with his wooden dagger, till he made him roar, whereat the people would laugh to see the Devil so Vice-haunted.”

Vice (song)

"Vice" is the fifth single released by English rock band Razorlight, taken from their debut album Up All Night. It followed "Golden Touch" into the UK Top 20. The lyrics feature the word "love" spelled out in letters, the outro repeating this several times. Near the end of the song, Johnny Borrell gave out his then mobile phone number, allowing fans to call or text him.

The B-side to one format of the single is a cover of Outkast's "Hey Ya!," recorded with the London Community Gospel Choir (who also appeared on Blur's hit "Tender").

Track listings