In opera, verismo (meaning "realism", from Italian vero, meaning "true") was a post-Romantic operatic tradition associated with Italian composers such as Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano and Giacomo Puccini.
Verismo as an operatic genre had its origins in an Italian literary movement also called 'verismo' (see Verismo (literature)). The Italian literary movement of verismo, in turn, was related to the international literary movement of Naturalism as practiced by Émile Zola and others. Like naturalism, the verismo literary movement sought to portray the world with greater realism. In so doing, Italian verismo authors such as Giovanni Verga wrote about subject matter, such as the lives of the poor, that had not generally been seen as a fit subject for literature. A short story by Verga called Cavalleria rusticana ("Rustic Chivalry"), then developed into a play by the same author, became the source for what is usually considered to be the first verismo opera: Cavalleria rusticana by Mascagni, which premiered on 17 May 1890 at the Teatro Costanzi in Rome. Thus begun, the operatic genre of verismo produced a handful of notable works such as Pagliacci, which premiered at Teatro Dal Verme in Milan on 21 May 1892, and Puccini's Tosca (premiering at the Teatro Costanzi in Rome on 14 January 1900.) The genre peaked in the early 1900s, and lingered into the 1920s.
Verismo (meaning "realism", from Italian vero, meaning "true") was an Italian literary movement which peaked between approximately 1875 and the early 1900s. Giovanni Verga and Luigi Capuana were its main exponents and the authors of a verismo manifesto. Capuana published the novel Giacinta, generally regarded as the "manifesto" of Italian verismo. Unlike French naturalism, which was based on positivistic ideals, Verga and Capuana rejected claims of the scientific nature and social usefulness of the movement.
Literary verismo was begun between around 1875 and 1895 by a group of writers – mostly novelists and playwrights. It did not constitute a formal school, but it was still based on specific principles. Its birth was influenced by a positivist climate which put absolute faith in science, empiricism and research and which developed from 1830 until the end of the 19th century. It was also clearly based on naturalism, a literary movement which spread in France in the mid-19th century. Naturalist writers included Émile Zola and Guy de Maupassant – for them, literature should objectively portray society and humanity like a photograph, strictly representing even the humblest social class in even its most unpleasant aspects, with the authors analysing real modern life like scientists.
Verismo, which may be italicised in English as a foreign word, or not, means "realism" in Italian, and is used in English for 19th century realist movements in the arts in Italy:
Intro:
Mermaid [MMO], Serf [Protect Ya Neck baby]
Pearl baby [unknown]
Chorus: Big Sha
Freeze, freeze before you get fucked
Scream you get bucked
I seen skin bleed, don't play Hercules, you stuck
You wan't war? With the Outlaws?
That's hard luck
We leave behind pain, broken bones and raw cuts
[Trigga]
Aiyo dunn, we gots to take pace
Intervene and shake jake
Escape like a terrorist, straight out Kuwait
Do the knowledge, stay in college but keep the nines polished
Cuz when they want carnage, we demolish
Preparations silence seekin for termination
Good fella with the double M, nine milla
Reign, pop a top like champagne
Stay claim, thirty thirty cop a kid, in Ro' Range
It's all real, ain't nuthin sugar about the steel will
Amuse we toke twos and sip booze, tuck spliffs
Revealin the gift of the death wish
Now rulers, time hooters with the nine lugers
Bugs is Bunny, for the money, ain't nuthin funny
Hate to take a loss, yeah me and my Outlaws
Chorus
[Big Sha]
We engineers, executives prepare for warfare
Consecutive winds, fifty gun, fifty men
Handlin healthy, screamin for oxygen, he felt me
Enterin' the six feed while frank dimension
Hydrenaline was pumpin, yo his heartbeat was skippin
Paralize is weight liftin, how thirty eight slugs spittin
The final inning, raps free expodition
To ounce nobody on base, our lords is pinchin
Swingin left and right, combination hittin
Cruisin the strength by the minute, feelin fatigued and winded
Smell a foul scent and shit it
In that Superman suit he rented, can't believe he
still walkin lipped him
Snatch his top lip, pervent him from talkin strip him
Duct tape him, gag him
Can't tolerate the bitchin, drag him, behind the wall
Blow his whole face off with C4
Articulate moves is made, like a game of Spades I'm trump tight
You've and niggas die twice
Leave you bleedin from the side of your mouth
From tongue bites on the crime side
23rd and Serf side, carry gard and sent ya (Medallion Island)
Cuz times they take agenda
The same place, the same 38, on the same date, the 21st of November
Yeah yeah Freeze nigga freeze you aware to clear where where?
Chorus
[Pearl Handle]
Yo yo, aiyo Mp's and MR3's we drive steady
Rhyme ready at all time, gimme some Slot Time
It's my time, sippin cranberries from grape vines
Readin the headlines, between lines we plug time
Won't let the don shine, and in the front line, the bank's mine
Commitin the crime, crushin ya inzime
So freeze, if you movin the Breeze with 9 Millamees
That's straight cheese, I make y'all cats bleed
My rap speed is rapid, be slapped with bullets and spare clips
Sparrin shit, peep the membership, my ray ridiculous
Supreme rap to the Metropolis
It ain't no stoppin us
[Naisha]
We toke glasses, filled with Nebazelli bust magnums
Thug fashion under the Cayman Islands
Sit with dime chicks that eat salad, secret ambission
The crack porcerline, murder courses reinforments
Visualize the naucious, rap status, the shine like the sun fragment
My guns blazin, clean cut mixed with Asian
Caribbean sands, Devilish scam, the only prophet, him and his man
Sit her and watchin, it's game plan straight outta my hand
Naisha like opian, the best seller out in Japan, what