DATAR, short for Digital Automated Tracking and Resolving, was a pioneering computerized battlefield information system. DATAR combined the data from all of the sensors in a naval task force into a single "overall view" that was then transmitted back to all of the ships and displayed on plan-position indicators similar to radar displays. Commanders could then see information from everywhere, not just their own ship's sensors.
Development on DATAR was started by the Royal Canadian Navy in partnership with Ferranti Canada (later known as Ferranti-Packard) in 1949. The system proved too costly for the post-war Navy to develop alone, and when the Royal Navy and the United States Navy declined to share in the program it was ended. Both would then go on to start development of similar systems to fill this same role, the RN's Comprehensive Display System and the USN's Naval Tactical Data System.
In 1948, the Canadian Defence Research Board (DRB) sent a letter to various Canadian electronics firms informing them of their intention to start a number of projects that would partner the military, academia and private companies. A copy of the letter was sent to Ferranti Canada, then a small distributor of Ferranti's United Kingdom electrical equipment. The letter was forwarded to the then-CEO of Ferranti in the UK, Vincent Ziani de Ferranti, who became excited at the prospect of enlarging their Canadian operations largely funded by the government. At a meeting in October 1948 de Ferranti was disappointed to learn that while the DRB was equally excited, the amount of money they had to offer was basically zero.
DATAR is a computerized battlefield information system.
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Giuseppe Fortunino Francesco Verdi (Italian: [dʒuˈzɛppe ˈverdi]; 10 October 1813 – 27 January 1901) was an Italian composer of operas.
Verdi was born near Busseto to a provincial family of moderate means, and developed a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Bellini, Donizetti and Rossini, whose works significantly influenced him, becoming one of the pre-eminent opera composers in history.
In his early operas Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera Nabucco (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi however did not seek to ingratiate himself with popular movements and as he became professionally successful was able to reduce his operatic workload and sought to establish himself as a landowner in his native region. He surprised the musical world by returning, after his success with the opera Aida (1871), with three late masterpieces: his Requiem (1874), and the operas Otello (1887) and Falstaff (1893).
Verdi is Andrea Bocelli's seventh studio album and fourth classical album, of Verdi's most famous arias, released in 2000. The Israel Philharmonic Orchestra, conducted by Zubin Mehta, accompanied Bocelli for the album. The album was certified Gold in the US by the Recording Industry Association of America and in Switzerland by IFPI of Switzerland, Platinum in Canada by the Canadian Recording Industry Association, and Double Platinum in the Netherlands by the Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers.
Verdi refers to Giuseppe Verdi (1813–1901), Italian opera composer.
Verdi may also refer to:
The acronym VERDI may refer to:
Fame is but a fruit tree, so very unsound
It can never flourish, till its stalk is in the ground
So men of fame, can never find a way
Till time has flown far from their dying day
Forgotten while you're here, remembered for a while
A much updated ruin from a much outdated style
Life is but a memory, happened long ago
Theater full of sadness, for a long forgotten show
Seems so easy, just to let it go on by
Till you stop and wonder, why you never wondered why
Safe in the womb of an everlasting night
You find the darkness can give the brightest light
Safe in your place deep in the earth
That's when they'll know what you were really worth
Forgotten while you're here, remembered for a while
A much updated ruin from a much outdated style
Fame is but a fruit tree, so very unsound
It can never flourish, till its stalk is in the ground
So men of fame, can never find a way
Till time has flown far from their dying day
Fruit tree, fruit tree, no-one knows you but the rain and the air
Don't you worry, they'll stand and stare when you're gone
Fruit tree, fruit tree, open your eyes to another year