In submarine technology a vent is a valve fitted to the top of a submarine's ballast tanks to let air escape from the top of the ballast tank and be replaced by water entering through the opening(s) called "flood ports" or "floods" at the bottom of the tank. In earlier times, the openings at the bottom of the ballast tank were fitted with valves known as Kingston valves. These valves were eliminated in the U.S. Navy between the World Wars.
When on the surface a submarine's ballast tanks are filled with air which gives the vessel its buoyancy and in order for the submarine to submerge water is taken into the ballast tanks through the flood ports at the bottom of the tanks, effacing this excess buoyancy. As the ballast tanks contain air when on the surface it is necessary to allow this air to escape, so that water may then enter the tanks, and this air is allowed to escape via the opened vents in the top of the ballast tanks.
The vents which are used to allow water to enter the submarine's main ballast tanks when it submerges are the main vents and it is air escaping though these that accounts for the spray sometimes seen when submarines dive.
A vent is a vertical slit rising from the bottom hem of a jacket or a skirt, generally to allow for ease of movement.
In the case of jackets, vents were originally a sporting option, designed to make riding easier, so are traditional on hacking jackets, formal coats such as a morning coat, and, for reasons of pragmatism, overcoats. Today there are three styles of vent: the single-vented style (with one vent, either directly at the center or roughly 3 cm to the right); the ventless style; and the double-vented style (one vent on each side). Vents are convenient, particularly when using a pocket or sitting down, to improve the hang of the jacket, so are now used on most jackets. Single vents jackets are associated with Italian tailoring, while the double-vented style is typically British. (This is not the case with all types of jackets. For instance, dinner jackets traditionally take no vents.)
On skirts, vents are particularly associated with pencil skirts where they may be necessary for free movement, but they may also be added for reasons of style, as they have the effect of exposing more of the legs. The most common style is a single vent of a suitable length at the back of the skirt, but they may be located anywhere.
Vent is a dark comedy series produced for BBC Radio 4 in 2006. It is written by Nigel Smith. The producer is Gareth Edwards.
The story revolves around an unsuccessful writer named Ben Smith (Neil Pearson), who is in a coma. While his wife Mary (Fiona Allen) and his mother (Josie Lawrence) hash out their emotional issues at his bedside, he lives in a fantasy world with his 2-year-old daughter "Blitzkrieg" (real name Beatrice; Leslie Ash), miraculously grown up, and remembers incidents from his life. An imaginary sitcom, apparently written by Ben and concerning a coma ward in a hospital, plays in the background.
A second series of 6 episodes began broadcasting on BBC Radio 4 on 25 September 2007. A third series describing Ben's return home, still clinging to his fantasy life, began broadcasting on BBC Radio 4 on 24 November 2009.
While the flashbacks in the first series concern Ben and Mary's courtship, pursued somewhat reluctantly on Mary's part, the second series shows the slow process of recovery for Ben in parallel with their marriage, her pregnancy, and Ben's lapses of commitment. Ben's fantasy life revolves around him giving up total control of his fantasy world before returning to a real world where he has no control at all.
-ana (more frequently -iana) is a suffix of Latin origin, used in English to convert nouns, usually proper names, into mass nouns, as in Shakespeareana or Dickensiana, items or stories related to William Shakespeare or Charles Dickens, respectively.
The recognition of this usage as a self-conscious literary construction, typically as a book title, traces back at least to 1740, when it was mentioned in an edition of Scaligerana, a collection of table talk of Joseph Justus Scaliger, from around 150 years previously. By that period Scaliger was described as "the father, so to speak, of all those books published under the title of -ana".
As grammatical construction it is the neuter plural, nominative form of an adjective: so from Scaliger is formed first the adjective Scaligeranus (Scaligeran) which is then put into the form of an abstract noun Scaligerana (Scaligeran things). In Americana, a variant construction, the adjectival form already exists as Americanus, so it is simply a neuter plural (suffix –a on the stem American-); the case of Victoriana, things associated with the Victorian period, is superficially similar, but the Latin adjective form is Dog Latin.
Ana (July 4, 1995 - November 12, 2008) was a golden retriever search and rescue dog, known for having been the first graduate of the Search Dog Foundation's training program. Ana was one of the first search dogs to be deployed to the site of the World Trade Center.
Ana was born to a backyard breeder, and proved to be too active to work as an assistance dog. Bonnie Bergin, the Executive Director of the Assistance Dog Institute, decided that Ana might be better suited as a search and rescue dog, and suggested her to Wilma Melville, the head of the Search Dog Foundation. Ana was trained at a kennel in Gilroy, California, and, upon graduation, she was the first nationally certified Fire Department Disaster Search Canine and the first dog certified by the Search Dog Foundation.
Ana was assigned to the Sacramento, California Fire Department, where she was paired with fire captain Rick Lee.
Besides the World Trade Center search, Ana and Captain Lee were involved in several other searches, including the sites of collapsed buildings in Sacramento, and the aftermath of Hurricane Katrina.
Ana is a 1982 Portuguese independent docufictional and ethnofictional feature film, written, directed and edited by António Reis and Margarida Cordeiro. It was filmed in Trás-os-Montes like António Reis' previous film, Trás-os-Montes. The film was selected as the Portuguese entry for the Best Foreign Language Film at the 58th Academy Awards, but was not accepted as a nominee.
Ana was present at film festivals like the Venice Film Festival, the Berlin Film Festival, Rotterdam Film Festival, Hong Kong International Film Festival or the São Paulo International Film Festival.
The film was in exebition in Paris for three months.
In 2011, Ana was screened at the Jeonju International Film Festival, marking the beginning of the international rediscover of the work of António Reis and Margarida Cordeiro. In 2012, the film was screened in the United States at the Harvard Film Archive, the Anthology Film Archives, at the UCLA Film and Television Archives and at the Pacific Film Archive as part of The School of Reis program.
I know that you already take as read
I helped you and lost the back of my hand
I wished that we were enchanted
Girl now I take if for granted
Your love was staring me right in the heart
Why does our pride make us wait
While I was wondering where to start
You were there to show me all I had to learn
We were way off the mark
Must have been in the dark
Found you now
Finding light in the ease
With which we reach indecision
I guess we lived in the meantime
¡®till we remembered our first lines
We must have missed our turn
Still got a lot to learn
Found you now
So now we live a life of give and take
Day by day we don't control where it leads us
If we compare the first day we met
I must admit nothing's changed
I recognise only one regret
Life's embarrasements, unexpressed
Found you now, I've found you now