Vengo (film)

Vengo is a 2000 French film by Tony Gatlif. It is the passionate story of a blood feud among Spanish Gypsies that centers on Caco, a proud man who must fight for his family's honor and safety. An ode to the artistry and magic of flamenco dancing and music, Vengo is a drama set against the compelling backdrop of two Andalusia gypsy families locked in an age-old struggle for power. The dramatic film also features a performance by the famed Spanish flamenco singer "La Caita" (Maria del Carmen Salazar) and many other performers. It was the closing film at the 57th (2000) Venice International Film Festival.

Cast and characters

References

External links

Vengo

Vengo may refer to:

Vengo (album)

Vengo is Chilean hip-hop artist Ana Tijoux's fourth solo studio album, released in March, 2014. Its debut single "Vengo" was released on Spin in January of the same year.Vengo was nominated for a Grammy Award for Best Latin Rock, Urban or Alternative Album at the 2015 Ceremony.

Reception

Critical response

A reviewer at NPR called it "virtually flawless", and MTV said it was "some of the most dazzling hip-hop this year".

Several reviewers noted the inclusion of Andean music elements, especially the pan flute. NPR's reviewer said it was "refreshing" and noted Andean music has been "often done a disservice by "world music" labels." Of the flute, the MTV reviewer said "it's a bit challenging to extricate the instrument from its associations with corny new age compilations ... Tijoux is attempting a tough task to take back and breathe new life into music that has a rich heritage, but has been commercialized and marginalized into schlock."

Reviewers also noted the progressive elements of the lyrics, including feminism, environmentalism, social justice and post-colonialism.

Film (band)

Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.

History

New wave years (1979-1981)

During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.

Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.