Vektor (film)
Vektor is a 2010 Croatian post-apocalyptic drama/thriller film, produced and directed by Ivan Rogar and written by Josip Facković. The film stars Facković, Danijela tepić, Alan Hrehorić and Tamara Kefelja. It was co-produced by Vedad Bašić and Ivan Blažun. The film is presented almost in black and white, and favors drama and a dark atmosphere over outright violence.. The soundtrack was made by Rogar and Facković's experimental industrial band Kult Of Red Pyramid.
Synopsis
The world is in chaos. A war for energents has emerged between the East and the West, creating massive climate changes by nuclear and biological warfare. After receiving a distressed phone call, Christine returns to her childhood home, hoping to find her father alive, accompanied by a lifetime friend and a secretive scientist. Strange things start to happen after they find a woman named Elena, amnesic and spattered with blood.
Production
The film was produced on a limited budget. It was shot using the Canon XL2 camcorder. The production lasted more than a year. The film was scheduled to be released on VOD and DVD in fall 2010. This is the third film directed by Ivan Rogar, following Daimonion and its sequel, Daimonion: Mother of God.
Vektor
Vektor may refer to:
Firearms
- Vektor CP1, a semi-automatic pistol made in South Africa during the late nineties by LIW
- Vektor SP1 and SP2, pistols made by LIW & DLS
- Vektor SS-77, a general purpose machine gun manufactured by LIW & DLS
- Vektor CR-21, a modern assault rifle made by LIW & DLS
- Vektor Y3 AGL, an automatic grenade launcher made by LIW & DLS
Film (band)
Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.
History
New wave years (1979-1981)
During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.
Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.
Film (Iranian magazine)
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
References
External links
Film (film)
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
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