I Created Disco is the debut studio album by Scottish recording artist Calvin Harris, released on 15 June 2007 by Columbia Records. It was preceded by the singles "Acceptable in the 80s" and "The Girls", which reached numbers ten and three on the UK Singles Chart, respectively.
The album debuted at number eight on the UK Albums Chart with first-week sales of 16,121 copies. On 23 May 2008, it was certified gold by the British Phonographic Industry (BPI).I Created Disco had sold 223,845 copies in the United Kingdom by November 2014.
Writing and recording for I Created Disco started in 2006 when Harris moved back to his hometown of Dumfries, Scotland, after living in London for two years. All recording and producing for the album took place on an Amiga computer with audio tracker OctaMED in Harris's home studio, called Calvinharrisbeats Studio. All fourteen tracks on the album were written, produced and performed solely by Harris.
Preceding the release of the album, Columbia released two singles, "Acceptable in the 80s" and "The Girls", and Harris and his band supported both Faithless and Groove Armada on their live arena tours in the second quarter of 2007. The album cover was also used to promote the fourth generation iPod Nano in yellow.
Vegas is a one-off collaborative album between British solo-artist Terry Hall - formerly of the 2 Tone and ska revival band The Specials - with Dave Stewart formerly of Eurythmics. The duo working with Eurythmics assistants engineer and drummer Olle Romo and engineer Manu Guiot recorded under the group name Vegas. Vegas includes the singles "Possessed", "She" and "Walk into the Wind". Of the three only "Possessed" charted in the UK Top 40. Receiving positive reviews the album was released on CD, Cassette and vinyl LP by the major record label RCA/BMG in October 1992, but failed to chart. The album has since been deleted.
The album was written by Hall and Stewart with the exception of the musical standard "She". No performer credits are provided, Allmusic speculates that Vegas is almost certainly a Dave Stewart production. Dave Stewart likely was responsible for the lion's share of the musical backing with assistance from Romo and Guiot and Hall contributing his vocal.
Following the album's commercial failure the group split. Hall subsequently launched a solo-career, releasing Home in 1994. Stewart also returned to solo-work, releasing Greetings from the Gutter in 1994. The pair re-united in 1997 to support Bob Dylan during his Never Ending Tour for a pair of concerts in Japan.
"Vegas" is the fourth single by English Britpop band Sleeper, written by the band's vocalist and guitarist Louise Wener. It was the fourth and final single to be released from their debut album Smart in March 1994 (see 1994 in British music). The single peaked at #33 on the UK Singles Chart.
The single version, also used in the video, is a completely re-recorded version of the song originally featured on the album. This version features saxophone credited to Morgan C. Hoax- an anagram of Graham Coxon from Blur who recorded his contribution after Sleeper supported Blur on tour.
This is a list of fictional concepts in Artemis Fowl, a novel series by Eoin Colfer.
A high-tech, fairy-manufactured guided missile, also known as a "bio-bomb" or a "blue-rinse" because of its blue colour. Once detonated, it employs the radioactive energy source Solinium 2 (an element not yet discovered by humans), destroying all living tissue in the area while leaving landscape and buildings untouched. It was used on Fowl Manor in Artemis Fowl, and, later, in Artemis Fowl: The Opal Deception, Opal Koboi manufactures a larger missile-guided bio-bomb and a compact bio-bomb with a plasma screen that can only be blocked by the rigid polymer of a LEP helmet.
The Book of the People is the Fairy bible, known by the fairies themselves simply as the Book. It is written in Gnommish, the fairy language. As it contains the history of the People and their life teachings, Artemis Fowl manages to secure a copy from an alcoholic fairy in Ho Chi Minh City and use it to kidnap Holly Short, and to decode Gnommish. The first few lines are included in the first book.
Tales from the Crypt Presents: Ritual is the third and final film spin-off from the HBO television series Tales from the Crypt, following Demon Knight and Bordello of Blood. The film was released in 2002 and stars Tim Curry, Jennifer Grey, and Craig Sheffer with Avi Nesher directing. It is based on the film I Walked With a Zombie.
Dr. Alice Dodgson (Jennifer Grey) is fired from a hospital due to her involvement in the death of a patient. With few options, she decides to take a job as a nurse in Jamaica caring for Wesley Claybourne (Daniel Lapaine), a young man apparently suffering from encephalitis. Alice falls in love with Wesley, but she fears that she and Wesley are the targets of a voodoo cult. She befriends Caro (Kristen Wilson), a local girl. Caro advises Alice that any recrimination from the Voodoo community will only come as a result of her interference with their practices. Tension mounts as Alice suffers additional unexplained phenomena. Caro is revealed as the cause of the strange goings-on; she is seeking revenge against Wesley because their father killed Caro's mother and rejected Caro as his daughter, denying her an inheritance. Caro attempts to paralyze Alice and turn her into a zombie, but Alice is only partially paralyzed. Alice causes Caro's plan to backfire, and Caro is turned into a zombie instead. Alice and Wesley abandon Jamaica and move to the United States. The local Police Chief takes Caro into his home and puts her in his bed.
Ritual is an album of contemporary classical music written by Keith Jarrett and performed by on solo piano by Dennis Russell Davies which was recorded and released on the ECM label in 1977.
The Allmusic review by Richard S. Ginell awarded the album 3 stars noting "Ritual has several of the characteristics of Jarrett's solo improvisations -- the repetitive vamps and ostinatos, wistful lyricism, ruminative episodes developing organically out of what preceded them -- but without the jazzy/bluesy feeling that runs through the solo concerts. Also, the piece begins in a mournful way unusual for the usually optimistic Jarrett. In any case, it is a thoughtful, absorbing composition, thoroughly tonal harmonically, played with assured technique and appropriate use of classical expressive devices by Davies. Classical listeners as well as Jarrett devotees will find much to savor here".