Vanessa may refer to:
Vanessa (1868) is a painting by John Everett Millais in Sudley House, Liverpool. It is a fancy portrait depicting Jonathan Swift's correspondent Esther Vanhomrigh (1688-1723), who was known by that pseudonym.
Vanessa represents a major departure in Millais's art because he abandons fully for the first time the detailed finish that was still to be seen in Waking and Sleeping, exhibited in the previous year. Influenced by the work of Diego Velázquez and Joshua Reynolds, Millais paints with dramatic, visible brush strokes in vivid colours, creating what has been described as an "almost violently modern" handling of paint.
Esther Vanhomrigh is known as "Swift's Vanessa" because of the fictional name he gave her when he published their correspondence. The portrait is wholly imaginary. No actual image of Esther Vanhomrigh exists. She is holding a letter, presumably written to or from Swift. Her sad expression is related to the fraught nature of the relationship, which was broken up by Swift's relationship to another woman, Esther Johnson whom he called "Stella". Millais also painted a companion piece depicting Stella.
The King of Fighters fighting game series, produced by SNK Playmore, includes a wide cast of characters, some of which are taken from other SNK games. The story takes place in a fictional universe in which an annual series of 3-on-3 or 4-on-4 fighting tournaments are held.
The first game in the series introduces the initial main character of the series, Kyo Kusanagi, a young Japanese fighter who is the heir to a powerful group of martial artists having pyrokinetic abilities. Kyo fights against the Kusanagi clan's enemies, his rival Iori Yagami, and the god Orochi and its human followers, among others. The first four games in the series revolve about these fights, while The King of Fighters '99 introduces a new story arc, revolving around K′, a young man who seeks to destroy the mysterious NESTS organization because they kidnapped him at an early age and stripped him of his past memories, so that they could force him to be a fighter under their control. In The King of Fighters 2003, a new character named Ash Crimson enters the tournament, to steal the powers of the clans who sealed the Orochi in the past for an unknown reason. A new group of antagonists, known as Those From the Past, also appears in the series; they want to obtain Orochi's power for the purpose of giving it to their unknown master.
Debris or débris (UK: /ˈdɛbriː/ or /ˈdeɪbriː/; US: /dᵻˈbriː/) is rubble, wreckage, ruins, litter and discarded garbage/refuse/trash, scattered remains of something destroyed, discarded, or as in geology, large rock fragments left by a melting glacier etc. Depending on context, debris can refer to a number of different things. The first apparent use of the French word in English is in a 1701 description of the army of Prince Rupert upon its retreat from a battle with the army of Oliver Cromwell, in England.
In disaster scenarios, Tornado leave behind large pieces of houses and mass destruction overall. This debris also flies around the tornado itself when it's in progress. The tornado's winds capture debris it kicks up in it's wind orbit, and spins it inside it's vortex. The tornado's wind radius is larger than the funnel itself. In fact some studies suggest that in EF-5 tornadoes, the radius of the tornado could be classified as a new EF-6 tornado. Tsunamis and hurricanes also bring large amounts of debris. Such as Hurricane Katrina in 2005 and Hurricane Sandy in 2012. Earthquakes rock cities to rubble debris. Overall natural disasters can be very difficult to recover from. But in the end, we can always pull through what Mother Nature throws at us.
Debris is the debut album by electro-industrial project Ayria. It was released in 2003, along with a deluxe edition featuring a bonus disc and alternate packaging.
Debris is an in-yer-face play by Dennis Kelly. It was first produced at the Latchmere Theatre (now Theatre 503) in London in 2003, before being transferred to Battersea Arts Centre the next year.
A one-act play where a brother and sister try to make sense of their dysfunctional childhood. The pair lie about their past creating new elaborate past stories, the central narrative is of the brother, Michael, who finds a baby who he names Debris trying to keep him a secret and alive from his alcoholic father confiding only in Michelle his sister who is fascinated with their mother's death and gives several contradicting stories of how she died.
In the first scene the brother describes coming home to see his father who has committed suicide by crucifixion. Kelly has said "I was brought up a Catholic, so, like every decent Catholic, as a child I fantasised about being crucified - it must have come from there"
Kelly original had problems getting Debris produced until approaching Theatre 503 "The play had been rejected by pretty much every other theatre around but 503 saw something in the play and decided to abandon common sense and produce it. For me it was one of the most important moments in my life"