Vagabond (French: Sans toit ni loi, "without roof nor law") is a 1985 French drama film directed by Agnès Varda, featuring Sandrine Bonnaire. It describes the story of a young woman, a vagabond, who wanders through French wine country one winter. The film was the 36th highest grossing film of the year with a total of 1,080,143 admissions in France.
The film begins with the contorted body of the woman, covered in frost. From this image, an unseen and unheard interviewer (the voice of Varda herself) puts the camera on the last men to see her and the ones who found her. The action then flashes back to the woman, Mona (Sandrine Bonnaire) walking along the roadside, hiding from the police and trying to get a ride. Along her journey she meets and takes up with other vagabonds such as herself as well as a Tunisian vineyard worker, a family of goat farmers, a professor researching trees, and a maid who envies what she perceives to be a beautiful and passionate lifestyle. Mona explains to one of her temporary companions that at one time she had an office job in Paris and did very well for herself, but she became unsettled with the way she was living – choosing instead to wander the country free from any responsibility, picking up what she could to survive as she goes. Throughout the film, Mona's condition seems to become progressively worse until she finally falls where we first saw her, frozen and entrenched in her misery in a ditch.
A vagrant or a vagabond is a person, often in poverty, who wanders from place to place without a home or regular employment or income. Other synonyms include "tramp," "hobo," and "drifter". A vagrant could be described as being "a person without a settled home or regular work who wanders from place to place and lives by begging"; vagrancy is the condition of such persons.
Both "vagrant" and "vagabond" ultimately derive from Latin word vagari "wander." The term "vagabond" is derived from Latin vagabundus. In Middle English, "vagabond" originally denoted a criminal.
In settled, ordered communities, vagrants have been historically characterised as outsiders, embodiments of otherness, objects of scorn or mistrust, or worthy recipients of help and charity. Some ancient sources show vagrants as passive objects of pity, who deserve generosity and the gift of alms. Others show them as subversives, or outlaws, who make a parasitical living through theft, fear and threat. Some fairy tales of medieval Europe have beggars cast curses on anyone who was insulting or stingy towards them. In Tudor England, some of those who begged door-to-door for "milk, yeast, drink, pottage" were thought to be witches.
Hobo is a sans serif typeface. It is unique in having virtually no straight lines and no descenders. It was created by Morris Fuller Benton and issued by American Type Founders in 1910. A light version, Light Hobo, was released in 1915. Matrices were offered for mechanical composition by Intertype. Hobo possesses uniquely organic and art nouveau-style features. The lower case letters provided the basis for Robert Wiebking's Advertisers Gothic of 1917.
There are several theories regarding the font's name, and in fact it is widely recognized as one of the more interesting mysteries in typographic history. One theory states that its name came from a story stating that it was sketched in the early 1900s, sent to the foundry nameless, and progressed so little for so long, that it was called "that old hobo". Hobo, originally called Adface, was finally patented in 1915 along with Light Hobo. The prevailing bow-legged shape of the letterforms inspired another long-held theory that it was so named because they resembled those of a bow-legged hobo.
Vagabond were a UK band and signed to the newly reformed Geffen Records UK.
The band released their debut album, You Don't Know the Half of It on 17 August 2009. You Don't Know the Half of It was produced by Xenomania, who have previously worked with Girls Aloud, Sugababes, Cher, Gabriella Cilmi and Kylie Minogue. The Guardian featured Vagabond as "New Band Of The Day" on 20 February 2009, and the newspaper also declared "They could be the world's biggest new band."
"Sweat (Until The Morning)" was released as the first single from the album as a free download on 8 June 2009, followed by "Don't Wanna Run No More" which was released on 3 August 2009. You Don't Know The Half Of It was released on 17 August 2009.
Vagabond have been touring in the UK in 2009 and in addition to doing their own headline shows, have supported artists such as James Morrison, McFly and The Script. Vagabond also performed at the Glastonbury, T in the Park and V music festivals in the UK. On February 16, 2010 the band announced they had split amicably.
Film is a monthly Polish magazine devoted to cinema. It has been in publication since 1946, originally as a bimonthly publication. The founders were Jerzy Giżycki, Zbigniew Pitera, Tadeusz Kowalski, and Leon Bukowiecki.
Since September 2012, the editor-in-chief has been Tomasz Raczek. Previous editors have included Maciej Pawlicki, Lech Kurpiewski, Igor Zalewski and Robert Mazurek, Agnieszka Różycka, Marcin Prokop and Jacek Rakowiecki.
In January 2007, Film was purchased by Platforma Mediowa Point Group (PMPG).
Official website (Polish)
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.