V. V. Vinayak (born: Gandrothu Veera Venkata Vinayak) is an Indian film director and screen writer known for his works exclusively in Telugu cinema. Vinayak made his film debut with the 2002 melodrama film Aadi starring NTR Jr., upon release the film received positive reviews, and became a box office hit.
Vinayak received the state Nandi Award for Best First Film of a Director for his work in the film. The film was subsequently remade in Tamil as Jai. In 2003, Vinayak directed two major box office hits Dil and Tagore starring Chiranjeevi. Tagore was screened at the 2006 IIFA Awards held in Dubai. In 2013, Vinayak directed a Short film to promote Organ Donation.
In chemistry, the volume fraction φi is defined as the volume of a constituent Vi divided by the volume of all constituents of the mixture V prior to mixing:
Being dimensionless, its unit is 1; it is expressed as a number, e.g., 0.18. It is the same concept as volume percent (vol%) except that the latter is expressed with a denominator of 100, e.g., 18%.
The volume fraction coincides with the volume concentration in ideal solutions where the volumes of the constituents are additive (the volume of the solution is equal to the sum of the volumes of its ingredients).
The sum of all volume fractions of a mixture is equal to 1:
The volume fraction (percentage by volume, vol%) is one way of expressing the composition of a mixture with a dimensionless quantity; mass fraction (percentage by weight, wt%) and mole fraction (percentage by moles, mol%) are others.
Volume percent is a common expression of a solution's concentration. It is the volume fraction expressed with a denominator of 100, and thus is defined as:
VV, V V, or v. v. may refer to:
A Veve (spelled Vévé or Vevé) is a religious symbol commonly used in different branches of voudou throughout the diaspora such as Vodou and is different than the petipembas used in Palo or ponto riscado's used in Quimbanda since they are all separate African religions. It acts as a "beacon" for the Loa, and will serve as a loa's representation during rituals.
The origin is unknown, though it is believed that the veve was derived from the beliefs of the Indigenous Taíno people. However, it may descend from the cosmogram of the Kongo people; or originated as the Nsibidi system of writing for the Igboid and Ekoid languages.
According to Milo Rigaud "The veves represent figures of the astral forces... In the course of Vodou ceremonies, the reproduction of the astral forces represented by the veves obliges the loas... to descend to earth."
Every Loa has his or her own unique veve, although regional differences have led to different veves for the same loa in some cases. Sacrifices and offerings are usually placed upon them, with food and drink being most commonly used.
Verification and validation are independent procedures that are used together for checking that a product, service, or system meets requirements and specifications and that it fulfills its intended purpose. These are critical components of a quality management system such as ISO 9000. The words "verification" and "validation" are sometimes preceded with "independent", indicating that the verification and validation is to be performed by a disinterested third party. "Independent verification and validation" can be abbreviated as "IV&V".
In practice, the usage of these terms varies. Sometimes they are even used interchangeably.
The PMBOK guide, a standard adopted by IEEE, defines them as follows in its 4th edition:
Viiv /ˈvaɪv/ was a platform initiative from Intel similar to Intel's Centrino and vPro. Initially (through release 1.7), it was a collection of computer technologies with a particular combination of Intel ingredients to support a "media PC" concept. Intel also provided the Media Server as the core software stack on the PC to support "media" distribution through the home.
Until 2007, Viiv was Intel's attempt to become the center of electronic-based home entertainment. Intel was repeating the marketing model for the very successful Centrino platform, which was their first branded platform. The Intel Viiv brand has been "de-emphasized" and comes after the CPU branding, similar to that of "Core 2 with Viiv inside", putting more focus on the CPU.
There will be no additional releases beyond 1.7.1 of the media server product.
Secondary dominant (also applied dominant, artificial dominant, or borrowed dominant) is an analytical label for a specific harmonic device that is prevalent in the tonal idiom of Western music beginning in the common practice period. In the tonal idiom, a song or piece of music has a tonic note and chord, which is based on the root of the key that the piece is in. The most important chords in a tonal song or piece are the tonic chord (labeled as I in harmonic analysis) and the dominant chord (V). In the key of C major, the tonic chord is C major and the dominant chord is G.
A secondary dominant refers to a dominant triad or seventh chord set to resolve to a degree that is not the tonic, with V(7)/V (V[7] of V), the dominant of the dominant, being the most frequently encountered example. The chord a secondary dominant progresses to can be thought of as a briefly tonicized chord; that is the chord that the secondary dominant resolves to, which sounds momentarily like a tonic to the listener. Tonicizations longer than a phrase can be regarded as modulations to a new key (or new tonic).
When lady luck has got me down with her high-speed attitude
I'm-a feeling kinda high I'm-a feeling kinda low
I feel so, I dunno like fast food
Someone spiked my latte and I'm just not in the mood
Need a little bit of this, need a little bit of that
Some chit chat and that's why I'm the dude
I got a feeling
Something's wrong
I dial your number
And then it's gone
I got a feeling
Something's whack
Before I count to three
You're here with me before the blues attack
Hip, hip to hip, cheek, cheek to cheek
Without you girl the future's bleak
Hip, hip to hip, cheek, cheek to cheek
I want you by my side
Hip, hip to hip, cheek, cheek to cheek
Yo're gone a day, it's like the week
Hip, hip to hip, cheek, cheek to cheek
I'm feeling good inside
When lady luck is dressed in black
And I'm dancing in my shoes
Try'na pull me to the left try'na pull me to the right
I just might, sit tight stay in my groove
I'm tired of people on my back
Making offers I can't refuse
I know that they believe I'm on my knees
But I know I won't ever leave yeah
I got a feeling
Something's wrong
I dial your number
And then it's gone
I got a feeling
Something's whack
Before I count to three
You're here with me before the blues attack
Hip, hip to hip, cheek, cheek to cheek
Without you girl the future's bleak
Hip, hip to hip, cheek, cheek to cheek
I want you by my side
Hip, hip to hip, cheek, cheek to cheek
You're gone a day, it's like the week
Hip, hip to hip, cheek, cheek to cheek
I'm feeling good inside
Twisted nation
Meet the generation
We don't need no education
The rhythm that you're giving me is changing my life
And baby if you said 'jump' I'd say 'how high'?
No dealing, stealing
Only free-wheeling
You're giving a religion for me to believe in
So rock me, shock me any way you know
But I guess I kinda like the status quo
I got a feeling
Something's wrong
I dial your number
And then it's gone
I got a feeling
Something's whack
Before I count to three
You're here with me before the blues attack
Hip, hip to hip, cheek, cheek to cheek
Without you girl the future's bleak
Hip, hip to hip, cheek, cheek to cheek
I want you by my side
Hip, hip to hip, cheek, cheek to cheek
You're gone a day, it's like the week
Hip, hip to hip, cheek, cheek to cheek