Utu (film)

Utu is a 1983 New Zealand movie directed and co-written by Geoff Murphy. Anzac Wallace, who had done little acting up until that point, takes the starring role of Te Wheke, a warrior who sets out to get vengeance after British forces kill his people. The cast also includes Bruno Lawrence and Kelly Johnson. Sometimes described as "a Maori Western", Utu was reputed to have one of the largest budgets for a New Zealand film up until that time.

The film screened out of competition at the 1983 Cannes Film Festival, and became the second most successful local movie released in New Zealand to that date. Positive reviews in America, including a rave review from Pauline Kael, helped win Murphy directing work in Hollywood.

Partly inspired by events from Te Kooti's War, the film tells of a Māori soldier setting out to get utu, or vengeance, on his former allies after the British army destroys his home village and kills his uncle. The film is set in the 1870s.

In 2013, partly thanks to the longtime existence of an alternative cut of the film aimed at international audiences, which Geoff Murphy had never been happy with, he completed work on a restored and recut version. Utu Redux, as it is known, premiered at the Wellington International Film Festival on 26 July 2013.

Film (band)

Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.

History

New wave years (1979-1981)

During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.

Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

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Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Utu (Māori concept)

Utu is a Māori concept of reciprocation, or balance.

To retain mana, both friendly and unfriendly actions require an appropriate response - hence utu covers both the reciprocation of kind deeds, and the seeking of revenge. In contemporary usage, the word is also used to mean 'cost', in the sense of monetary value.

Cultural references

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