Useless (film)

Useless (simplified Chinese: 无用; traditional Chinese: 無用; pinyin: wú yòng) is a 2007 documentary film directed by Jia Zhangke. It is Jia's second full-length documentary film after 2006's Dong. The film follows China's fashion and clothing industry. The film was produced by Jia Zhangke's own Xstream Pictures, in association with the China Film Association and the Mixmind Art and Design Company.

External links

Useless

Useless may refer to:

See also

Useless (song)

"Useless" is Depeche Mode's thirty-fourth UK single, released on 20 October 1997, and the fourth and final single for the album Ultra. It was released with "Home" as a double A-side in the US due to "Useless" getting airplay on US radio stations before "Home" was announced.

"Useless" is an industrial rock track in the vein of "Barrel of a Gun", with more of a pop twist. The single remix, by Alan Moulder, changes the intro and has an updated beat (similar to the changes done to the 7" versions of "Walking In My Shoes" and "Condemnation"), and adds some extra synth during the chorus. It also contains more grainy vocals. The "The Kruder + Dorfmeister Session" is a very prominent remix by the DJ duo of the same name. On the US single, the single remix is replaced by the CJ Bolland Ultrasonar Edit.

There are no actual B-sides for "Useless", except for remixes and live versions of the song. Some versions of the CD single feature the videos for "Barrel of a Gun" and "It's No Good", accessible when the disc is inserted into a PC.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.