Use

Use may refer to:

or to:

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USE

USE or U.S.E. can refer to:

See also

Mind (charity)

Mind is a mental health charity in England and Wales. Founded in 1946 as the National Association for Mental Health (NAMH), it celebrated its 60th anniversary in 2006.

Mind offers information and advice to people with mental health problems and lobbies government and local authorities on their behalf. It also works to raise public awareness and understanding of issues relating to mental health. Since 1982, it has awarded an annual prize for "Book of the Year" having to do with mental health, in addition to three other prizes

Over 180 local Mind associations (independent, affiliated charities) provide services such as supported housing, floating support schemes, care homes, drop-in centres and self-help support groups. Local Mind associations are often very different in size, make up and character—it is a common misconception that they all work to the same policy and procedural framework. Mind is a national brand but all local associations are unique, although they do all sign up to certain shared aims and ethical guidelines.

Mind (The Culture)

In Iain M. Banks' Culture series, most larger starships, some inhabited planets and all orbitals have their own Minds: sentient, hyperintelligent machines originally built by biological species, which have evolved, redesigned themselves, and become many times more intelligent than their original creators.

These Minds have become an indispensable part of the Culture, enabling much of its post-scarcity amenities by planning and automating society (controlling day-to-day administration with mere fractions of their mental power). The main feature of these Minds—in comparison to extremely powerful artificial intelligences in other fiction—is that the Minds are (by design and by extension of their rational, but "humanistic" thought processes) generally a very benevolent presence, and show no wish to supplant or dominate their erstwhile creators. Though this is commonly viewed in a utopian light, a view where the human members of the Culture amount to little more than pets is not unsupportable.

MiND: Media Independence

MiND: Media Independence is an internet and television service developed by Independence Media, the owners of television station WYBE in Philadelphia, Pennsylvania. Independence Media is a 501(c)(3) non-profit organization, and television station WYBE is among the largest independently owned and operated non-commercial broadcast television stations in the US.

The MiND service is not only member-supported, but mainly developed, produced and marketed by its members. MiND emphasizes community involvement and the sharing of ideas through television and internet video. MiND's slogan is, "television by the people, for the people."

Every MiND program is 5 minutes long.

In Philadelphia's broadcast version of MiND, international news, Philadelphia Stories and Korean dramas are among the few "long form" programs remaining on the schedule. The internet version of MiND does not include long-form programs.

All short-form (5-minute) programs seen on MiND are shown both on MiND's internet channel and on MiND's television channel. The internet broadcast is delayed up to 5 minutes (so that every 5-minute program is shown in complete form).

Respect (The Bill)

"Respect" is the two-part series finale of the United Kingdom's longest running police procedural television drama series, The Bill. The episodes were written by David Harsent and directed by Reza Moradi, and aired on ITV1 on 24 and 31 August 2010. The series finale, and the final scene, were specially written to include all 17 current cast members.

Background

The Bill was a long-running police drama set in and around the fictional Sun Hill police station in south London. The show's focus was on the work and lives of the officers, led by Superintendent Jack Meadows (Simon Rouse) and Inspector Dale "Smithy" Smith (Alex Walkinshaw). Much of the officers' time is spent on the fictional Jasmine Allen estate, the setting for much of "Respect".

Plot

Respect: Part I

Smithy is called to the Jasmine Allen Estate where he discovers a dying teenager, identified as Liam Martin, who has been stabbed by gang members. Investigations into his murder lead the team to Jasmine Harris (Faye Daveney), a previous informant of DC Mickey Webb (Chris Simmons). Investigations reveal that she lured Liam to where he was killed and she is arrested. In interview, Jasmine leads officers to Carlos Miller (Lewis Chase), who is arrested and claims that he killed Liam in self-defence. Jasmine is released on bail, against the advice of DC Webb, who believes that she is in danger from other gang members. Upon her return to the estate, a gang of boys forces Jasmine into a warehouse, where she is beaten and gang raped. A gunshot is heard, and the episode concludes with police arriving at the scene.

Respect (Robyn Hitchcock album)

Respect is the eleventh album by Robyn Hitchcock and his seventh with backing band, The Egyptians, released on A&M in 1993.

Background

"Respect" was the group's fourth and final studio album under contract to A&M, and Hitchcock's last record with the Egyptians. The album contains ten Hitchcock originals.

The album has a Hitchcock oil painting on its front cover entitled "Red Lemon Days", which was the original title for the album. The release includes a Hitchcock written short story, "Moose Mark and the Prince of Cones", in its inlay.

The album was written and recorded in the period following the death of Hitchcock's father, and several songs reflect this explicitly, particularly the opening track.

Recording

The album was recorded on a mobile recording unit at Hitchcock's then home in Yarmouth on the Isle of Wight. Hitchcock explained the decision by saying, "I've never really cared much for going in and recording in the studio, so it seemed like the easiest solution was to have the studio come to record with us." The band rehearsed at the house over the summer and then when it came time to record, the group and their respective wives, family and friends all stayed at the house while production took place. Most of the recording was done in the living room, where the furniture had been removed and carpets pulled up. The kitchen was chosen for the vocals because of its good acoustics.