This article is an orphan, as few or no other articles link to it. Please introduce links to this page from related articles; suggestions may be available. (December 2010) |
Uptown | |
---|---|
File:Final Poster-Uptown2.jpg Poster Artwork by J. Lynn Menzel |
|
Directed by | Brian Ackley |
Produced by | Princeton Holt Brian Ackley |
Written by | Brian Ackley Meissa Hampton Chris Riquinha |
Starring | Chris Riquinha Meissa Hampton Derek McAllister Deirdre Herlihy |
Music by | Dayva Segal Rosemary's Garden |
Studio | One Way or Another Productions |
Distributed by | Celebrity Video Distribution |
Release date(s) |
|
Running time | 75 minutes |
Country | United States |
Language | English |
Uptown is a 2009 independent drama film written and directed by Brian Ackley as his debut feature film, and the second film in the One Way or Another Productions' "Naked Series".[1]
Contents |
Uptown was shot in an 8 day period with 2 cameras, using only available light and "stolen" Manhattan locations, including scenes that take place in Central Park. After a 2-week production hiatus, it was discovered that one of the cameras had been damaged, rendering everything that was shot on it as unusable. Only a few of those "lost" scenes were reshot.[2]
Actor Chris Riquinha states that he previously worked with producer Princeton Holt on Holt's earlier film Cookies & Cream and that it was Holt who recommended him to writer/director Brian Ackley.[3]
According to the production company, after Uptown won several festival awards, and while the film was still in the festival circuit, the film was picked up for distribution.[4]
Ben (Chris Riquinha), an aspiring filmmaker, is an unmarried man living in New York. He enjoys the single life but feels his life is missing something. He meets Isabel (Meissa Hampton), a woman unhappy in her marriage who is seeking intimacy. The bond between the two grows as they have repeated liaisons "uptown".
The film was noted for its strong performances and its cinematography, although there was no specific cinematographer credited.[5]
Dave Nusair of Online Film Critics Society grants that while the director "generally does a nice job of capturing the awkwardness that's part and parcel with new relationships", the film itself "has been suffused with a pervasively uneventful atmosphere that ultimately proves oppressive." He points out that the director's low-key approach "wouldn't be quite so problematic had he managed to transform either of the central characters into fully-fleshed out, thoroughly compelling figures", and that his inability to do so ensured "that it becomes impossible to work up any interest or enthusiasm in Ben and Isabel's tentative romance," due to the "relentlessly superficial nature of their conversations". And toward sound quality, Nusair makes note that the director's use of actual locations drowned out much of the dialog.[6]
Conversely, The Independent Critic wrote that the in many such films, there is a tendency for a new filmmaker to "plunge headfirst into the depths of human emotion", but that "[w]isely, Brian Ackley avoids this potential temptation." He notes that "it is with intelligence, gentleness, grace and simplicity that Uptown explores the very real worlds" of its two protagonsts, and also coments on the "similarly intelligent and patient performances from the film's leads."[1]
James Wegg found that "Brian Ackley’s first feature is a beautifully crafted, superbly acted film that explores the symptoms, realities and emotions of a doomed but unstoppable relationship." He wrote that the "opening third of the film is a masterpiece of shotmaking," and that "Riquinha and Hampton make an endearing couple who convincingly reveal themselves gradually," giving their characters an "established unshakeable credibility".[7]
Pulpmovies offers positive commentarty on the film, writing "[n]othing is rushed, though, and the real strength of Uptown is in the utterly natural way in which the relationship between these two characters is handled. The film’s writers wisely avoid excessively dramatic set-pieces preferring, instead, to allow a steadily deepening relationship between Ben and Isabel to follow its natural – and very believable – course. This approach gives the film a very gentle pace which director, Brian Ackley does a great job of handling in a nicely understated fashion." Noting that is was "very much an actors’ film", the complimented the work of the leads Chris Riquinha and Meissa Hampton, writing "[n]ot only do they bring their characters to life in a manner that is sympathetic and believable but both of their performances also feel frighteningly familiar."[8]
Rogue Cinema wrote "Uptown is a cool little movie about men, women and the things we do when we're together. It's not a perfect movie, there are long stretches of conversation and walking that I felt a bit bored by, but overall, once you're drawn into the situation between these two star-crossed lovers, it'll have you wanting a happy ending."[9]
Author David Schleicher wrote that the film was "well paced and nicely shot, offering that diretor Brian Ackley "embraces the low-budget aesthetics of indie films. There’s nothing like filming in NYC, and Ackley takes full advantage of the natural setting," and that the filmmaker crafted "a meaningful and real film reminiscent of the early works of Richard Linklater and Nicole Holofcener." He praised the writing of the director and the two leads, commenting "The trio of writers have a sharp ear for realistic dialogue. There’s barely a false note to be found in Uptown, and the characters feel like people you know or want to know." He summarized his review by writing "Ackley and his stars have made a compellingly real film about real people in a real predicament. Authentic and honest without resorting to gritty gimmicks or generic clichés that sometimes plague indie films of this ilk, Uptown is a true find."[10]
Moving Arts Film Journal makes special note of the film being shot "guerrilla style with a skeleton crew in only nine days in various locations around New York City and New Jersey," and that "a sizable portion of the dialogue is improvised and Hollywood clichés are deliberately spurned in the pursuit of honesty." They compliment the results when writing, "The result is an original piece of work that portends an uncommon maturity in the filmmaker," and acknowledge that its low budget is revealed by "its production values, particularly in its cinematography and sound design," but that such may be forgiven by a viewer "as long as a human core is powerful enough to shine through," concluding "Luckily, Uptown has that core and delivers an intelligent, unique and honest narrative."[11]
![]() |
This section is empty. You can help by adding to it. |
Uptown had release on both DVD[12] and internet television on July 20, 2010.[4]
"Uptown" was the lead single in the U.S. to Prince's third album, Dirty Mind. Beginning with a lone drum intro, the track explodes into the keyboards of the chorus. The verses feature a more prominent funk guitar. The song breaks down to a more instrumental section toward the end that mainly consists of guitar, bass and drums with an occasional keyboard riff. The minimalist style of the song is representative of most of the Dirty Mind album. The song addresses the Uptown neighborhood of Minneapolis that was the city's hang-out spot for artists.
The song addresses prejudices and racism, referring to "Uptown" as a metaphor for an ideal place that is free of such things. Prince sings in the first person, and the song opens describing a chance meeting with an attractive woman who then asks in an offensive way if he is gay. The lyrics then rail against prejudice and racism as narrow minded, and exalt in an attitude and spirit that is free of such negativity. It is one of Prince's earliest efforts to blend political statements into his art.
Uptown is a live album by American jazz pianist Billy Taylor featuring tracks recorded in 1960 and released on the Riverside label.
Allmusic awarded the album 3 stars stating "Although Taylor's activities as a highly articulate spokesman for jazz have sometimes overshadowed his playing, he shows throughout this fine CD reissue that he has long ranked among the best".
All compositions by Billy Taylor except as indicated
Twins are two offspring produced by the same pregnancy. Twins can either be monozygotic ("identical"), meaning that they can develop from just one zygote that will then split and form two embryos, or dizygotic ("fraternal"), meaning that they can develop from two different eggs; each are fertilized by separate sperm cells.
In contrast, a fetus which develops alone in the womb is called a singleton, and the general term for one offspring of a multiple birth is multiple.
The twin birth rate in the United States rose 76% from 1980 through 2009, from 18.9 to 33.3 per 1,000 births. The Yoruba have the highest rate of twinning in the world, at 45–50 twin sets (or 90–100 twins) per 1,000 live births, possibly because of high consumption of a specific type of yam containing a natural phytoestrogen which may stimulate the ovaries to release an egg from each side.
In Central Africa there are 18–30 twin sets (or 36–60 twins) per 1,000 live births. In Latin America, South Asia, and Southeast Asia, the lowest rates are found; only 6 to 9 twin sets per 1,000 live births. North America and Europe have intermediate rates of 9 to 16 twin sets per 1,000 live births.
Twin (sometimes written as TWIN) is a Swedish record production and songwriting team, consisting of Niclas Molinder and Joacim Persson, who are working in the genres of pop, R&B and rock.
A twin is one of two offspring produced in the same pregnancy.
Twin may also refer to: