Uptown (film)

Uptown is a 2009 independent drama film written and directed by Brian Ackley as his debut feature film, and the second film in the One Way or Another Productions' "Naked Series".

Production

Uptown was shot in an 8 day period with 2 cameras, using only available light and "stolen" Manhattan locations, including scenes that take place in Central Park. After a 2-week production hiatus, it was discovered that one of the cameras had been damaged, rendering everything that was shot on it as unusable. Only a few of those "lost" scenes were reshot.

Actor Chris Riquinha states that he previously worked with producer Princeton Holt on Holt's earlier film Cookies & Cream and that it was Holt who recommended him to writer/director Brian Ackley.

According to the production company, after Uptown won several festival awards, and while the film was still in the festival circuit, the film was picked up for distribution.

Plot

Ben (Chris Riquinha), an aspiring filmmaker, is an unmarried man living in New York. He enjoys the single life but feels his life is missing something. He meets Isabel (Meissa Hampton), a woman unhappy in her marriage who is seeking intimacy. The bond between the two grows as they have repeated liaisons "uptown".

Uptown (Billy Taylor album)

Uptown is a live album by American jazz pianist Billy Taylor featuring tracks recorded in 1960 and released on the Riverside label.

Reception

Allmusic awarded the album 3 stars stating "Although Taylor's activities as a highly articulate spokesman for jazz have sometimes overshadowed his playing, he shows throughout this fine CD reissue that he has long ranked among the best".

Track listing

All compositions by Billy Taylor except as indicated

Personnel

References

Uptown (André Previn album)

Uptown is a 1990 jazz album by André Previn, Mundell Lowe and Ray Brown.

Track listing

Personnel

Range (statistics)

In arithmetic, the range of a set of data is the difference between the largest and smallest values.

However, in descriptive statistics, this concept of range has a more complex meaning. The range is the size of the smallest interval which contains all the data and provides an indication of statistical dispersion. It is measured in the same units as the data. Since it only depends on two of the observations, it is most useful in representing the dispersion of small data sets.

Independent identically distributed continuous random variables

For n independent and identically distributed continuous random variables X₁, X₂, ..., X_n with cumulative distribution function G(x) and probability density function g(x) the range of the X_i is the range of a sample of size n from a population with distribution function G(x).

Distribution

The range has cumulative distribution function

Gumbel notes that the "beauty of this formula is completely marred by the facts that, in general, we cannot express G(x + t) by G(x), and that the numerical integration is lengthy and tiresome."

Range (music)

In music, the range of a musical instrument is the distance from the lowest to the highest pitch it can play. For a singing voice, the equivalent is vocal range. The range of a musical part is the distance between its lowest and highest note.

The terms sounding range, written range, designated range, duration range and dynamic range have specific meanings.

The sounding range refers to the pitches produced by an instrument, while the written range refers to the compass (span) of notes written in the sheet music, where the part is sometimes transposed for convenience. A piccolo, for example, typically has a sounding range one octave higher than its written range. The designated range is the set of notes the player should or can achieve while playing. All instruments have a designated range, and all pitched instruments have a playing range. Timbre, dynamics, and duration ranges are interrelated and one may achieve registral range at the expense of timbre. The designated range is thus the range in which a player is expected to have comfortable control of all aspects.

Range (particle radiation)

In passing through matter, charged particles ionize and thus lose energy in many steps, until their energy is (almost) zero. The distance to this point is called the range of the particle. The range depends on the type of particle, on its initial energy and on the material through which it passes.

For example, if the ionising particle passing through the material is a positive ion like an alpha particle or proton, it will collide with atomic electrons in the material via Coulombic interaction. Since the mass of the proton or alpha particle is much greater than that of the electron, there will be no significant deviation from the radiation's incident path and very little kinetic energy will be lost in each collision. As such, it will take many successive collisions for such heavy ionising radiation to come to a halt within the stopping medium or material. Maximum energy loss will take place in a head-on collision with an electron.

Since large angle scattering is rare for positive ions, a range may be well defined for that radiation, depending on its energy and charge, as well as the ionisation energy of the stopping medium. Since the nature of such interactions is statistical, the number of collisions required to bring a radiation particle to rest within the medium will vary slightly with each particle (i.e., some may travel further and undergo less collisions than others). Hence, there will be a small variation in the range, known as straggling.