Statement

Statement may refer to:

See also

Statement (logic)

In logic, a statement is either (a) a meaningful declarative sentence that is either true or false, or (b) that which a true or false declarative sentence asserts. In the latter case, a statement is distinct from a sentence in that a sentence is only one formulation of a statement, whereas there may be many other formulations expressing the same statement.

Philosopher of language, Peter Strawson advocated the use of the term "statement" in sense (b) in preference to proposition. Strawson used the term "Statement" to make the point that two declarative sentences can make the same statement if they say the same thing in different ways. Thus in the usage advocated by Strawson, "All men are mortal." and "Every man is mortal." are two different sentences that make the same statement.

In either case a statement is viewed as a truth bearer.

Examples of sentences that are (or make) statements:

Statement (computer science)

In computer programming, a statement is the smallest standalone element of an imperative programming language that expresses some action to be carried out. It is an instruction written in a high-level language that commands the computer to perform a specified action. A program written in such a language is formed by a sequence of one or more statements. A statement may have internal components (e.g., expressions).

Many languages (e.g. C) make a distinction between statements and definitions, with a statement only containing executable code and a definition declaring an identifier, while an expression evaluates to a value only. A distinction can also be made between simple and compound statements; the latter may contain statements as components.

Kinds of statements

The following are the major generic kinds of statements with examples in typical imperative languages:

Lenient statements

Untitled (Selections from 12)

Untitled (Selections From 12) is a 1997 promotional-only EP from German band The Notwist which was released exclusively in the United States. Though the release of the EP was primarily to promote the band's then-current album 12, it contains one track from their 1992 second record Nook as well as the non-album cover of Robert Palmer's "Johnny and Mary". The version of "Torture Day" on this EP features the vocals of Cindy Dall.

Track listing

Untitled (Marc and the Mambas album)

Untitled is the first studio album by the British singer/songwriter Marc Almond's band Marc and the Mambas. It was released by Some Bizzare in September 1982.

Background

Untitled was Almond's first album away from Soft Cell and was made concurrently with the latter's The Art of Falling Apart album. Almond collaborated with a number of artists for this album, including Matt Johnson of The The and Anni Hogan. The album was produced by the band, with assistance from Stephen Short (credited as Steeve Short) and Flood.

Jeremy Reed writes in his biography of Almond, The Last Star, that Untitled was "cheap and starkly recorded". He states that Almond received "little support from Phonogram for the Mambas project, the corporate viewing it as non-commercial and a disquieting pointer to the inevitable split that would occur within Soft Cell". An article in Mojo noted that "from the beginning, Almond and Ball had nurtured sideline projects, though only the former's - the 1982 double 12 inch set Untitled - attracted much attention, most of it disapproving." The article mentions that Almond "who preferred to nail a song in one or two takes" stated that it was all "about feel and spontaneity, otherwise it gets too contrived" when accused of singing flat.<ref name"mojo">Paytress, Mark. "We Are The Village Sleaze Preservation Society". Mojo (September 2014): 69. </ref>

Untitled (West)

Untitled is an outdoor 1977 stainless steel sculpture by American artist Bruce West, installed in Portland, Oregon, in the United States.

Description

Bruce West's Untitled is installed along Southwest 6th Avenue between Washington and Stark streets in Portland's Transit Mall. It was one of eleven works chosen in 1977 to make the corridor "more people oriented and attractive" as part of the Portland Transit Mall Art Project. The stainless steel sculptures is 7 feet (2.1 m) tall. It was funded by TriMet and the United States Department of Transportation, and is administered by the Regional Arts & Culture Council.

See also

References

External links