Skerik's Syncopated Taint Septet (also known as SST7) is a jazz ensemble formed in Seattle, Washington, in 2002.
Although uniquely merging jazz and funk, the music of Skerik's Syncopated Taint Septet can also include "New Orleans flavors", solid grooves, swing and hip hop, combined into something both appealing and undefinable. Their music has been self-described by Skerik as "...punk-jazz. Maybe a punk-jazz version of the Thelonious Monk Octet."
A theme in the music is a recognition that traditional jazz having reached a zenith in the early 1960s cannot be contained in reverence. The Syncopated Taint Septet is a synthesis of traditional music with current and experimental music forms. The project displays a band member equality with "leads being shared by everyone."
Their first album, Skerik's Syncopated Taint Septet, was recorded live at the Owl and Thistle in Seattle and was released in 2003. It was reviewed as occasionally loud, yet also having a "spirited [and] immediate musicianship." Although popularly associated with jam band music, an improvisational distinction can be made regarding the large musical vocabulary displayed by the band in the recording.
SST-1 (steady state superconducting tokamak) is a plasma confinement experimental device in the Institute for Plasma Research (IPR), an autonomous research institute under Department of Atomic Energy, India. It belongs to a new generation of tokamaks with the major objective being steady state operation of an advanced configuration ('D' Shaped) plasma. It has been designed as a medium-sized tokamak with superconducting magnets.
The SST-1 project will increase India's stronghold in a selected group of countries who are capable of conceptualizing and making a fully functional fusion based reactor device. The SST-1 System is housed in Institute for Plasma Research, Gandhinagar. The SST-1 mission has been chaired by eminent Indian plasma physicists like Prof. Y.C. Saxena, Dr. Chenna Reddy, and is headed by Dr. Subrata Pradhan.
Next stage of the SST-1 mission, the SST-2, dubbed as 'DEMO', has already been initiated.
Somatostatin, also known as growth hormone–inhibiting hormone (GHIH) or by several other names, is a peptide hormone that regulates the endocrine system and affects neurotransmission and cell proliferation via interaction with G protein-coupled somatostatin receptors and inhibition of the release of numerous secondary hormones. Somatostatin inhibits insulin and glucagon secretion.
Somatostatin has two active forms produced by alternative cleavage of a single preproprotein: one of 14 amino acids (shown in infobox to right), the other of 28 amino acids which is the short form with another 14 amino acids at one end.
Among the vertebrates, there exist six different somatostatin genes that have been named SS1, SS2, SS3, SS4, SS5, and SS6.Zebrafish have all 6. The six different genes along with the five different somatostatin receptors allows somatostatin to possess a large range of functions. Humans have only one somatostatin gene, SST.
Synonyms of somatostatin are as follows:
Untitled (Selections From 12) is a 1997 promotional-only EP from German band The Notwist which was released exclusively in the United States. Though the release of the EP was primarily to promote the band's then-current album 12, it contains one track from their 1992 second record Nook as well as the non-album cover of Robert Palmer's "Johnny and Mary". The version of "Torture Day" on this EP features the vocals of Cindy Dall.
Untitled is the first studio album by the British singer/songwriter Marc Almond's band Marc and the Mambas. It was released by Some Bizzare in September 1982.
Untitled was Almond's first album away from Soft Cell and was made concurrently with the latter's The Art of Falling Apart album. Almond collaborated with a number of artists for this album, including Matt Johnson of The The and Anni Hogan. The album was produced by the band, with assistance from Stephen Short (credited as Steeve Short) and Flood.
Jeremy Reed writes in his biography of Almond, The Last Star, that Untitled was "cheap and starkly recorded". He states that Almond received "little support from Phonogram for the Mambas project, the corporate viewing it as non-commercial and a disquieting pointer to the inevitable split that would occur within Soft Cell". An article in Mojo noted that "from the beginning, Almond and Ball had nurtured sideline projects, though only the former's - the 1982 double 12 inch set Untitled - attracted much attention, most of it disapproving." The article mentions that Almond "who preferred to nail a song in one or two takes" stated that it was all "about feel and spontaneity, otherwise it gets too contrived" when accused of singing flat.<ref name"mojo">Paytress, Mark. "We Are The Village Sleaze Preservation Society". Mojo (September 2014): 69. </ref>
Untitled is an outdoor 1975 sculpture by Lee Kelly, installed at Louisa Boren Park in Seattle, Washington, in the United States. The abstract, welded Cor-Ten steel piece measures approximately 19 feet (5.8 m) x 14 feet (4.3 m) x 10 feet (3.0 m). It was surveyed and deemed "treatment needed" by the Smithsonian Institution's "Save Outdoor Sculpture!" program in November 1994. The work is part of the Seattle One Percent for Art Collection and administered by the Seattle Arts Commission.
Will you be my lover?
Will you be the one?
Will you be like no other?
For how long?
Yes, I'll be your wild flower
Grown through the concrete
And born to the back beats of the stars
Yes, I am just a stupid guy
Crushed like a, a butterfly
Dead eye at the drive by in a car
And I flies on a windscreen
Like insects in glue
We could stick together
If you wanted to
Yes, I'll be your wild flower
Grown through the concrete streets
And born to the back beat of the stars
Yes, I am just a stupid guy
Crushed like a, a butterfly
Dead eye at the drive by in a car
Yeah, just a stupid guy
Crushed like a, a butterfly