Bookbinding

Bookbinding is the process of physically assembling a book from an ordered stack of paper sheets that are folded together into sections or sometimes left as a stack of individual sheets. The stack is then bound together along one edge by either sewing with thread through the folds or by a layer of flexible adhesive. For protection, the bound stack is either wrapped in a flexible cover or attached to stiff boards. Finally, an attractive cover is adhered to the boards and a label with identifying information is attached to the covers along with additional decoration. Book artists or specialists in book decoration can greatly expand the previous explanation to include book like objects of visual art with high value and artistic merit of exceptional quality in addition to the book's content of text and illustrations.

Bookbinding is a specialized trade that relies on basic operations of measuring, cutting, and gluing. A finished book depends on a minimum of about two dozen operations to complete but sometimes more than double that according to the specific style and materials. All operations have a specific order and each one relies on accurate completion of the previous step with little room for back tracking. An extremely durable binding can be achieved by using the best hand techniques and finest materials when compared to a common publisher's binding that falls apart after normal use.

Thorns, spines, and prickles

In plant morphology, thorns, spines, prickles, and in general spinose structures (as spinose teeth, spinose apical process) are all hard structures with sharp, stiff ends, generally with the same function of physically deterring animals from eating the plant material.

In common language the terms are used more or less interchangeably, but in botanical terms, thorns are derived from shoots (so they can be branched or not, they can have leaves or not, and they arise from a bud), spines are derived from leaves (the entire leaf or some part of the leaf that has vascular bundles inside, like the petiole or a stipule), and prickles are derived from the epidermis (so they can be found anywhere on the plant, and do not have vascular bundles inside so they can be removed more easily and cleanly than thorns and spines).

Leaf margins also may have teeth, and if those teeth are sharp, they are called spinose teeth on a spinose leaf margin (some authors consider them a kind of spine). On a leaf apex, if there is an apical process (generally an extension of the midvein), and if it is specially sharp, stiff, and spinelike, it can be called spinose or pungent apical process (again, some authors call them a kind of spine). When epidermis is covered with very long, stiff trichomes (more correctly called bristles in this case, for some authors a kind of prickle) is called hispid vestiture, if is covered with stinging trichomes it can be called urent vestiture.

Untitled (Selections from 12)

Untitled (Selections From 12) is a 1997 promotional-only EP from German band The Notwist which was released exclusively in the United States. Though the release of the EP was primarily to promote the band's then-current album 12, it contains one track from their 1992 second record Nook as well as the non-album cover of Robert Palmer's "Johnny and Mary". The version of "Torture Day" on this EP features the vocals of Cindy Dall.

Track listing

Untitled (Marc and the Mambas album)

Untitled is the first studio album by the British singer/songwriter Marc Almond's band Marc and the Mambas. It was released by Some Bizzare in September 1982.

Background

Untitled was Almond's first album away from Soft Cell and was made concurrently with the latter's The Art of Falling Apart album. Almond collaborated with a number of artists for this album, including Matt Johnson of The The and Anni Hogan. The album was produced by the band, with assistance from Stephen Short (credited as Steeve Short) and Flood.

Jeremy Reed writes in his biography of Almond, The Last Star, that Untitled was "cheap and starkly recorded". He states that Almond received "little support from Phonogram for the Mambas project, the corporate viewing it as non-commercial and a disquieting pointer to the inevitable split that would occur within Soft Cell". An article in Mojo noted that "from the beginning, Almond and Ball had nurtured sideline projects, though only the former's - the 1982 double 12 inch set Untitled - attracted much attention, most of it disapproving." The article mentions that Almond "who preferred to nail a song in one or two takes" stated that it was all "about feel and spontaneity, otherwise it gets too contrived" when accused of singing flat.<ref name"mojo">Paytress, Mark. "We Are The Village Sleaze Preservation Society". Mojo (September 2014): 69. </ref>

Untitled (West)

Untitled is an outdoor 1977 stainless steel sculpture by American artist Bruce West, installed in Portland, Oregon, in the United States.

Description

Bruce West's Untitled is installed along Southwest 6th Avenue between Washington and Stark streets in Portland's Transit Mall. It was one of eleven works chosen in 1977 to make the corridor "more people oriented and attractive" as part of the Portland Transit Mall Art Project. The stainless steel sculptures is 7 feet (2.1 m) tall. It was funded by TriMet and the United States Department of Transportation, and is administered by the Regional Arts & Culture Council.

See also

References

External links