Skepticism is a funeral doom metal band from Finland. Formed in 1991, they are regarded as one of the pioneers of the genre.
Starting out with a death metal sound on their first 7", Skepticism soon began to evolve into a more distinctive style, a combination of slow doom metal and death metal with prolific use of keyboards, especially using an organ sound. The keyboards intend to create a depressive sound, rather than the gothic sound that many metal bands using keyboards tend to focus on. This style was first heard on the Aeothe Kaear demo (1994), which was still up-tempo compared to the material that was to follow. The debut full-length Stormcrowfleet took that style a step further, consisting of six long and slow tracks with an average length of nearly ten minutes each.
After this, the band released its first 'pair', an EP and album which are thematically connected: Ethere (1997) and Lead and Aether (1998). In 1999, Aes was released, a one-track EP lasting almost 28 minutes, and another departure into different stylistic territory from the band. A variety of musical themes are explored before the song turns back upon itself and returns to the opening theme.
Untitled (Selections From 12) is a 1997 promotional-only EP from German band The Notwist which was released exclusively in the United States. Though the release of the EP was primarily to promote the band's then-current album 12, it contains one track from their 1992 second record Nook as well as the non-album cover of Robert Palmer's "Johnny and Mary". The version of "Torture Day" on this EP features the vocals of Cindy Dall.
Untitled is the first studio album by the British singer/songwriter Marc Almond's band Marc and the Mambas. It was released by Some Bizzare in September 1982.
Untitled was Almond's first album away from Soft Cell and was made concurrently with the latter's The Art of Falling Apart album. Almond collaborated with a number of artists for this album, including Matt Johnson of The The and Anni Hogan. The album was produced by the band, with assistance from Stephen Short (credited as Steeve Short) and Flood.
Jeremy Reed writes in his biography of Almond, The Last Star, that Untitled was "cheap and starkly recorded". He states that Almond received "little support from Phonogram for the Mambas project, the corporate viewing it as non-commercial and a disquieting pointer to the inevitable split that would occur within Soft Cell". An article in Mojo noted that "from the beginning, Almond and Ball had nurtured sideline projects, though only the former's - the 1982 double 12 inch set Untitled - attracted much attention, most of it disapproving." The article mentions that Almond "who preferred to nail a song in one or two takes" stated that it was all "about feel and spontaneity, otherwise it gets too contrived" when accused of singing flat.<ref name"mojo">Paytress, Mark. "We Are The Village Sleaze Preservation Society". Mojo (September 2014): 69. </ref>
Untitled is an outdoor 1977 stainless steel sculpture by American artist Bruce West, installed in Portland, Oregon, in the United States.
Bruce West's Untitled is installed along Southwest 6th Avenue between Washington and Stark streets in Portland's Transit Mall. It was one of eleven works chosen in 1977 to make the corridor "more people oriented and attractive" as part of the Portland Transit Mall Art Project. The stainless steel sculptures is 7 feet (2.1 m) tall. It was funded by TriMet and the United States Department of Transportation, and is administered by the Regional Arts & Culture Council.