Manes are the souls of deceased loved ones in Roman mythology.
Manes may refer to:
Manes is a band from Trondheim, Norway, formed in 1993. They started out as a two-piece band composed of Sargatanas and Cernunnus (or Cern). They have been signed to Candlelight Records, Hammerheart Records and the Italian experimental label Code666. The band's earlier works, up to and including Under Ein Blodraud Maane, were somewhat atypical Norwegian black metal and were highly lauded by fans of the genre. However, as of Vilosophe the band completely changed its sound to a hybrid of jazz, trip hop, electronica and metal with clean sung vocals and many progressive overtones. In spite of being highly acclaimed by critics this subsequent change of direction alienated most of their original fan base.
In 2004 they played at the Inferno Metal Festival.
In 2011 Manes released an official statement on their web site that they were calling it quits, although they would still release their final album, Be All End All, as well as an LP re-release of the debut Under Ein Blodraud Maane. In 2013, Manes announced their return on the official Facebook page and that the album Be All End All is still going to be released.
Untitled (Selections From 12) is a 1997 promotional-only EP from German band The Notwist which was released exclusively in the United States. Though the release of the EP was primarily to promote the band's then-current album 12, it contains one track from their 1992 second record Nook as well as the non-album cover of Robert Palmer's "Johnny and Mary". The version of "Torture Day" on this EP features the vocals of Cindy Dall.
Untitled is the first studio album by the British singer/songwriter Marc Almond's band Marc and the Mambas. It was released by Some Bizzare in September 1982.
Untitled was Almond's first album away from Soft Cell and was made concurrently with the latter's The Art of Falling Apart album. Almond collaborated with a number of artists for this album, including Matt Johnson of The The and Anni Hogan. The album was produced by the band, with assistance from Stephen Short (credited as Steeve Short) and Flood.
Jeremy Reed writes in his biography of Almond, The Last Star, that Untitled was "cheap and starkly recorded". He states that Almond received "little support from Phonogram for the Mambas project, the corporate viewing it as non-commercial and a disquieting pointer to the inevitable split that would occur within Soft Cell". An article in Mojo noted that "from the beginning, Almond and Ball had nurtured sideline projects, though only the former's - the 1982 double 12 inch set Untitled - attracted much attention, most of it disapproving." The article mentions that Almond "who preferred to nail a song in one or two takes" stated that it was all "about feel and spontaneity, otherwise it gets too contrived" when accused of singing flat.<ref name"mojo">Paytress, Mark. "We Are The Village Sleaze Preservation Society". Mojo (September 2014): 69. </ref>
Untitled is an outdoor 1977 stainless steel sculpture by American artist Bruce West, installed in Portland, Oregon, in the United States.
Bruce West's Untitled is installed along Southwest 6th Avenue between Washington and Stark streets in Portland's Transit Mall. It was one of eleven works chosen in 1977 to make the corridor "more people oriented and attractive" as part of the Portland Transit Mall Art Project. The stainless steel sculptures is 7 feet (2.1 m) tall. It was funded by TriMet and the United States Department of Transportation, and is administered by the Regional Arts & Culture Council.