An itch is an unpleasant sensation that evokes the desire or reflex to scratch
Itch or Itching may also refer to:
Itch is the sixth album from Canadian singer and guitarist Kim Mitchell. The album was released in 1994. This would be the last album to date that Mitchell would collaborate with lyricist Pye Dubois. Dubois didn't contribute any lyrics to Mitchell's previous album Aural Fixations released two years before this album.
The King Blues are a punk rock band from London, England, credited for fusing ska and folk together with influences from punk rock and hardcore punk. Tariq Ali described the band's sounds as 'rough, radical music that should unsettle the rulers of this country. A new generation of musicians are challenging war-monger politicians and their courtiers'. Influences include Public Enemy, The Clash, The Specials, Black Flag and Minor Threat. Their third full-length album, Punk and Poetry, was released on 17 April 2011. Lead singer Jonny "Itch" Fox describes the music as 'a mixture of reggae, hip hop, folk, doo wop, punk rock.'
They announced their breakup on 3 April 2012.
They announced their reformation on 25 November 2015.
The King Blues began as a two-man ska outfit, consisting of Jonny "Itch" Fox on vocals and ukulele and Jamie Jazz on acoustic guitar and additional vocals. The band later expanded to include a second acoustic guitarist and bassist, before again expanding to include two full-time percussion members. Their sound was initially described as "soulful ska with raw folk and a punk rock attitude". or "conscious rude boy ska"
Untitled (Selections From 12) is a 1997 promotional-only EP from German band The Notwist which was released exclusively in the United States. Though the release of the EP was primarily to promote the band's then-current album 12, it contains one track from their 1992 second record Nook as well as the non-album cover of Robert Palmer's "Johnny and Mary". The version of "Torture Day" on this EP features the vocals of Cindy Dall.
Untitled is the first studio album by the British singer/songwriter Marc Almond's band Marc and the Mambas. It was released by Some Bizzare in September 1982.
Untitled was Almond's first album away from Soft Cell and was made concurrently with the latter's The Art of Falling Apart album. Almond collaborated with a number of artists for this album, including Matt Johnson of The The and Anni Hogan. The album was produced by the band, with assistance from Stephen Short (credited as Steeve Short) and Flood.
Jeremy Reed writes in his biography of Almond, The Last Star, that Untitled was "cheap and starkly recorded". He states that Almond received "little support from Phonogram for the Mambas project, the corporate viewing it as non-commercial and a disquieting pointer to the inevitable split that would occur within Soft Cell". An article in Mojo noted that "from the beginning, Almond and Ball had nurtured sideline projects, though only the former's - the 1982 double 12 inch set Untitled - attracted much attention, most of it disapproving." The article mentions that Almond "who preferred to nail a song in one or two takes" stated that it was all "about feel and spontaneity, otherwise it gets too contrived" when accused of singing flat.<ref name"mojo">Paytress, Mark. "We Are The Village Sleaze Preservation Society". Mojo (September 2014): 69. </ref>
Untitled is an outdoor 1977 stainless steel sculpture by American artist Bruce West, installed in Portland, Oregon, in the United States.
Bruce West's Untitled is installed along Southwest 6th Avenue between Washington and Stark streets in Portland's Transit Mall. It was one of eleven works chosen in 1977 to make the corridor "more people oriented and attractive" as part of the Portland Transit Mall Art Project. The stainless steel sculptures is 7 feet (2.1 m) tall. It was funded by TriMet and the United States Department of Transportation, and is administered by the Regional Arts & Culture Council.