Gash may refer to:
Gash is the debut EP by the neo-psychedelia band Pram. It was released in 1992 on Howl Records.
Originally a six song album, the EP was re-released in 1997 as a full-length record on the æ label. Five more tracks were added to the release.
All lyrics written by Rosie Cuckston, except "Inmate's Clothes" co-written by Sam Owen, all music composed by Pram.
Zatch Bell!, known in Japan as Konjiki no Gash!! (Japanese: 金色のガッシュ!!, Hepburn: Konjiki no Gasshu!!, lit. Golden Gash!!) is a shōnen manga series written and illustrated by Makoto Raiku. It was published in Shogakukan's Weekly Shōnen Sunday. The series follows Kiyo Takamine and his Mamodo (魔物, Mamono, lit. "demon") partner Zatch Bell as they try to win the tournament of Mamodo battles in order to make Zatch the king of the Mamodo world.
The manga was later adapted into a 150 episode anime TV series titled Konjiki no Gash Bell!! (金色のガッシュベル!!, Konjiki no Gasshu Beru!!, lit. Golden Gash Bell!!) by Toei Animation. The anime was directed by Tetsuji Nakamura. Konjiki no Gash Bell premiered on Fuji TV on April 6, 2003 and ran until March 23, 2006. In addition to an array of licensed merchandise, the series also spawned a series of video games, and two animated films.
One hundred Mamodo go to Earth every 1,000 years to battle to be the king of the Mamodo world. Each Mamodo needs a human partner in order to use his or her spell book, a book that seals the powers of the Mamodo. When read aloud, the spells are cast by the Mamodo producing many effects. If the spell book is burned, the Mamodo is forced to return to the Mamodo world, and they lose all claim to the position of the Mamodo king. While the spells in each book typically are different for each Mamodo, there are Mamodo that share spells, like Zatch Bell and his evil twin brother, Zeno Bell. The human and their Mamodo gain these spells through experience and hard work. The last Mamodo standing without their book burnt is the new Mamodo king.
Untitled (Selections From 12) is a 1997 promotional-only EP from German band The Notwist which was released exclusively in the United States. Though the release of the EP was primarily to promote the band's then-current album 12, it contains one track from their 1992 second record Nook as well as the non-album cover of Robert Palmer's "Johnny and Mary". The version of "Torture Day" on this EP features the vocals of Cindy Dall.
Untitled is the first studio album by the British singer/songwriter Marc Almond's band Marc and the Mambas. It was released by Some Bizzare in September 1982.
Untitled was Almond's first album away from Soft Cell and was made concurrently with the latter's The Art of Falling Apart album. Almond collaborated with a number of artists for this album, including Matt Johnson of The The and Anni Hogan. The album was produced by the band, with assistance from Stephen Short (credited as Steeve Short) and Flood.
Jeremy Reed writes in his biography of Almond, The Last Star, that Untitled was "cheap and starkly recorded". He states that Almond received "little support from Phonogram for the Mambas project, the corporate viewing it as non-commercial and a disquieting pointer to the inevitable split that would occur within Soft Cell". An article in Mojo noted that "from the beginning, Almond and Ball had nurtured sideline projects, though only the former's - the 1982 double 12 inch set Untitled - attracted much attention, most of it disapproving." The article mentions that Almond "who preferred to nail a song in one or two takes" stated that it was all "about feel and spontaneity, otherwise it gets too contrived" when accused of singing flat.<ref name"mojo">Paytress, Mark. "We Are The Village Sleaze Preservation Society". Mojo (September 2014): 69. </ref>
Untitled is an outdoor 1977 stainless steel sculpture by American artist Bruce West, installed in Portland, Oregon, in the United States.
Bruce West's Untitled is installed along Southwest 6th Avenue between Washington and Stark streets in Portland's Transit Mall. It was one of eleven works chosen in 1977 to make the corridor "more people oriented and attractive" as part of the Portland Transit Mall Art Project. The stainless steel sculptures is 7 feet (2.1 m) tall. It was funded by TriMet and the United States Department of Transportation, and is administered by the Regional Arts & Culture Council.