DATAR
DATAR, short for Digital Automated Tracking and Resolving, was a pioneering computerized battlefield information system. DATAR combined the data from all of the sensors in a naval task force into a single "overall view" that was then transmitted back to all of the ships and displayed on plan-position indicators similar to radar displays. Commanders could then see information from everywhere, not just their own ship's sensors.
Development on DATAR was started by the Royal Canadian Navy in partnership with Ferranti Canada (later known as Ferranti-Packard) in 1949. The system proved too costly for the post-war Navy to develop alone, and when the Royal Navy and the United States Navy declined to share in the program it was ended. Both would then go on to start development of similar systems to fill this same role, the RN's Comprehensive Display System and the USN's Naval Tactical Data System.
History
In 1948, the Canadian Defence Research Board (DRB) sent a letter to various Canadian electronics firms informing them of their intention to start a number of projects that would partner the military, academia and private companies. A copy of the letter was sent to Ferranti Canada, then a small distributor of Ferranti's United Kingdom electrical equipment. The letter was forwarded to the then-CEO of Ferranti in the UK, Vincent Ziani de Ferranti, who became excited at the prospect of enlarging their Canadian operations largely funded by the government. At a meeting in October 1948 de Ferranti was disappointed to learn that while the DRB was equally excited, the amount of money they had to offer was basically zero.
DATAR (disambiguation)
DATAR is a computerized battlefield information system.
DATAR may also refer to:
Untitled (Selections from 12)
Untitled (Selections From 12) is a 1997 promotional-only EP from German band The Notwist which was released exclusively in the United States. Though the release of the EP was primarily to promote the band's then-current album 12, it contains one track from their 1992 second record Nook as well as the non-album cover of Robert Palmer's "Johnny and Mary". The version of "Torture Day" on this EP features the vocals of Cindy Dall.
Track listing
Untitled (Marc and the Mambas album)
Untitled is the first studio album by the British singer/songwriter Marc Almond's band Marc and the Mambas. It was released by Some Bizzare in September 1982.
Background
Untitled was Almond's first album away from Soft Cell and was made concurrently with the latter's The Art of Falling Apart album. Almond collaborated with a number of artists for this album, including Matt Johnson of The The and Anni Hogan. The album was produced by the band, with assistance from Stephen Short (credited as Steeve Short) and Flood.
Jeremy Reed writes in his biography of Almond, The Last Star, that Untitled was "cheap and starkly recorded". He states that Almond received "little support from Phonogram for the Mambas project, the corporate viewing it as non-commercial and a disquieting pointer to the inevitable split that would occur within Soft Cell". An article in Mojo noted that "from the beginning, Almond and Ball had nurtured sideline projects, though only the former's - the 1982 double 12 inch set Untitled - attracted much attention, most of it disapproving." The article mentions that Almond "who preferred to nail a song in one or two takes" stated that it was all "about feel and spontaneity, otherwise it gets too contrived" when accused of singing flat.<ref name"mojo">Paytress, Mark. "We Are The Village Sleaze Preservation Society". Mojo (September 2014): 69.</ref>
Untitled (West)
Untitled is an outdoor 1977 stainless steel sculpture by American artist Bruce West, installed in Portland, Oregon, in the United States.
Description
Bruce West's Untitled is installed along Southwest 6th Avenue between Washington and Stark streets in Portland's Transit Mall. It was one of eleven works chosen in 1977 to make the corridor "more people oriented and attractive" as part of the Portland Transit Mall Art Project. The stainless steel sculptures is 7 feet (2.1 m) tall. It was funded by TriMet and the United States Department of Transportation, and is administered by the Regional Arts & Culture Council.
