Cres (pronounced [t͡srɛ̂ːs]; Italian: Cherso, German: Kersch, Latin: Crepsa, Greek: Χέρσος, Chersos) is an Adriatic island in Croatia. It is one of the northern islands in the Kvarner Gulf and can be reached via ferry from Rijeka, the island Krk or from the Istrian peninsula (line Brestova-Porozina).
With an area of 405.78 km2, Cres is the same size as the neighbouring island of Krk, although Krk has for many years been thought the largest of the islands. Cres has a population of 3,079 (2011).
Cres and the neighbouring island of Lošinj once used to be one island, but were divided by a channel and connected with a bridge at the town of Osor. Cres's only fresh water source is the Lake Vrana.
Cres has been inhabited since the Paleolithic time period and was later ruled by the Greeks and, since the 1st century B.C., the Roman Empire. After the fall of the Roman Empire the island was taken over and became a part of the Byzantine Empire, and remained this way for centuries. In the 7th century the Croats invaded Cres and the islands around it. They returned to the islands in the early 9th century (believed to be somewhere around 812).
Untitled (Selections From 12) is a 1997 promotional-only EP from German band The Notwist which was released exclusively in the United States. Though the release of the EP was primarily to promote the band's then-current album 12, it contains one track from their 1992 second record Nook as well as the non-album cover of Robert Palmer's "Johnny and Mary". The version of "Torture Day" on this EP features the vocals of Cindy Dall.
Untitled is the first studio album by the British singer/songwriter Marc Almond's band Marc and the Mambas. It was released by Some Bizzare in September 1982.
Untitled was Almond's first album away from Soft Cell and was made concurrently with the latter's The Art of Falling Apart album. Almond collaborated with a number of artists for this album, including Matt Johnson of The The and Anni Hogan. The album was produced by the band, with assistance from Stephen Short (credited as Steeve Short) and Flood.
Jeremy Reed writes in his biography of Almond, The Last Star, that Untitled was "cheap and starkly recorded". He states that Almond received "little support from Phonogram for the Mambas project, the corporate viewing it as non-commercial and a disquieting pointer to the inevitable split that would occur within Soft Cell". An article in Mojo noted that "from the beginning, Almond and Ball had nurtured sideline projects, though only the former's - the 1982 double 12 inch set Untitled - attracted much attention, most of it disapproving." The article mentions that Almond "who preferred to nail a song in one or two takes" stated that it was all "about feel and spontaneity, otherwise it gets too contrived" when accused of singing flat.<ref name"mojo">Paytress, Mark. "We Are The Village Sleaze Preservation Society". Mojo (September 2014): 69. </ref>
Untitled is an outdoor 1977 stainless steel sculpture by American artist Bruce West, installed in Portland, Oregon, in the United States.
Bruce West's Untitled is installed along Southwest 6th Avenue between Washington and Stark streets in Portland's Transit Mall. It was one of eleven works chosen in 1977 to make the corridor "more people oriented and attractive" as part of the Portland Transit Mall Art Project. The stainless steel sculptures is 7 feet (2.1 m) tall. It was funded by TriMet and the United States Department of Transportation, and is administered by the Regional Arts & Culture Council.