Sound post

In a string instrument, the sound post or soundpost is a small dowel inside the instrument under the treble end of the bridge, spanning the space between the top and back plates and held in place by friction. It serves as a structural support for an archtop instrument, transfers sound from the top plate to the back plate and alters the tone of the instrument by changing the vibrational modes of the plates.

The sound post is sometimes referred to as the âme, a French word meaning "soul". The bow has also been referred to as the soul of these instruments. The Italians use the same term, anima, for this.

Sound posts are used:

Sound post adjustment

The position of the sound post inside a violin is critical, and moving it by very small amounts (as little as 0.5mm or 0.25mm, or less) can make a big difference in the sound quality and loudness of an instrument. Specialized tools for standing up or moving a sound post are commercially available. Often the pointed end of an S-shaped setter is sharpened with a file and left rough, to grip the post a bit better.

American English

American English, or United States (U.S.) English, is the set of dialects of the English language native to the United States. English is the most widely spoken language in the United States and is the common language used by the federal government, considered the de facto language of the country because of its widespread use. English has been given official status by 30 of the 50 state governments. As an example, while both Spanish and English have equivalent status in the local courts of the Commonwealth of Puerto Rico, under federal law, English is the official language for any matters being referred to the United States District Court for the territory.

The use of English in the United States is a result of British colonization. The first wave of English-speaking settlers arrived in North America during the 17th century, followed by further migrations in the 18th and 19th centuries. Since then, American English has been influenced by the languages of West Africa, the Native American population, German, Dutch, Irish, Spanish, and other languages of successive waves of immigrants to the United States.

CEAM Modèle 1950

The CEAM Modèle 1950 was a prototype assault rifle chambered in the .30 Carbine round. It was developed by Centre d'Etudes et d'Armement de Mulhouse (CEAM) of France during the late 1940s/early 1950s, as a development of the German StG 45(M) assault rifle. The three initial prototypes, designated Modèle 1, were chambered in 7.92×33mm Kurz, 7.65×35mm (experimental French cartridges developed by Cartoucherie de Valence), and .30 Carbine. All succeeding prototypes (Modèle 1949, Modèle II, and the definitive Modèle 1950) were chambered in .30 Carbine. All versions of the design included a combined bipod/handguard and a folding buttstock. Due to economic considerations, with France fighting the Indochina War and being the second biggest NATO contributor, the weapon was cancelled. Co-designer Ludwig Vorgrimler then left for Spain, where he further developed the concept into the CETME rifle, which in turn was developed into the Heckler & Koch G3.

See also

Untitled (Selections from 12)

Untitled (Selections From 12) is a 1997 promotional-only EP from German band The Notwist which was released exclusively in the United States. Though the release of the EP was primarily to promote the band's then-current album 12, it contains one track from their 1992 second record Nook as well as the non-album cover of Robert Palmer's "Johnny and Mary". The version of "Torture Day" on this EP features the vocals of Cindy Dall.

Track listing

Untitled (Marc and the Mambas album)

Untitled is the first studio album by the British singer/songwriter Marc Almond's band Marc and the Mambas. It was released by Some Bizzare in September 1982.

Background

Untitled was Almond's first album away from Soft Cell and was made concurrently with the latter's The Art of Falling Apart album. Almond collaborated with a number of artists for this album, including Matt Johnson of The The and Anni Hogan. The album was produced by the band, with assistance from Stephen Short (credited as Steeve Short) and Flood.

Jeremy Reed writes in his biography of Almond, The Last Star, that Untitled was "cheap and starkly recorded". He states that Almond received "little support from Phonogram for the Mambas project, the corporate viewing it as non-commercial and a disquieting pointer to the inevitable split that would occur within Soft Cell". An article in Mojo noted that "from the beginning, Almond and Ball had nurtured sideline projects, though only the former's - the 1982 double 12 inch set Untitled - attracted much attention, most of it disapproving." The article mentions that Almond "who preferred to nail a song in one or two takes" stated that it was all "about feel and spontaneity, otherwise it gets too contrived" when accused of singing flat.<ref name"mojo">Paytress, Mark. "We Are The Village Sleaze Preservation Society". Mojo (September 2014): 69. </ref>

Untitled (West)

Untitled is an outdoor 1977 stainless steel sculpture by American artist Bruce West, installed in Portland, Oregon, in the United States.

Description

Bruce West's Untitled is installed along Southwest 6th Avenue between Washington and Stark streets in Portland's Transit Mall. It was one of eleven works chosen in 1977 to make the corridor "more people oriented and attractive" as part of the Portland Transit Mall Art Project. The stainless steel sculptures is 7 feet (2.1 m) tall. It was funded by TriMet and the United States Department of Transportation, and is administered by the Regional Arts & Culture Council.

See also

References

External links