The acre is a unit of land area used in the imperial and US customary systems. It is defined as the area of 1 chain (22 yards) by 1 furlong (220 yards), which is exactly equal to 1⁄640 of a square mile, 43,560 square feet, approximately 4,047 m2, or about 40% of a hectare.
The acre is commonly used in Antigua and BarbudaAustralia, American Samoa,The Bahamas,Belize, the British Virgin Islands, the Cayman Islands,Canada,Dominica, the Falkland Islands,Grenada,Ghana, Guam, the Northern Mariana Islands,India, Ireland, Jamaica,Montserrat,Myanmar, Pakistan, Samoa,St. Lucia,St. Helena,St. Kitts and Nevis,St. Vincent and the Grenadines,Turks and Caicos, the United Kingdom, the United States and the US Virgin Islands.
The international symbol of the acre is ac. The most commonly used acre today is the international acre. In the United States both the international acre and the slightly different US survey acre are in use. The most common use of the acre is to measure tracts of land. One international acre is defined as exactly 4,046.8564224 square metres.
Acre is a surname. People with the surname include:
Irish measure or plantation measure was a system of units of land measurement used in Ireland from the 16th century plantations until the 19th century, with residual use into the 20th century. The units were based on "English measure" but used a linear perch measuring 7 yards (6.4 m) as opposed to the English rod of 5.5 yards (5.0 m). Thus, linear units such as the furlong and mile, which were defined in terms of perches, were longer by a factor of 14:11 (~27% more) in Irish measure, while areas such as the rood or acre were larger by 196:121 (~62% more). After the Act of Union 1800, Ireland was part of the United Kingdom of Great Britain and Ireland, whose Parliament passed the Weights and Measures Act 1824, which established English measure in Ireland as "Imperial measure" or "statute measure". Imperial measure soon replaced Irish measure in the use of the Dublin Castle administration, but Irish measure persisted in local government, and longer still in private use. A third system, "Scotch measure" or "Cunningham measure", was also used in parts of Ulster.
Untitled (Selections From 12) is a 1997 promotional-only EP from German band The Notwist which was released exclusively in the United States. Though the release of the EP was primarily to promote the band's then-current album 12, it contains one track from their 1992 second record Nook as well as the non-album cover of Robert Palmer's "Johnny and Mary". The version of "Torture Day" on this EP features the vocals of Cindy Dall.
Untitled is the first studio album by the British singer/songwriter Marc Almond's band Marc and the Mambas. It was released by Some Bizzare in September 1982.
Untitled was Almond's first album away from Soft Cell and was made concurrently with the latter's The Art of Falling Apart album. Almond collaborated with a number of artists for this album, including Matt Johnson of The The and Anni Hogan. The album was produced by the band, with assistance from Stephen Short (credited as Steeve Short) and Flood.
Jeremy Reed writes in his biography of Almond, The Last Star, that Untitled was "cheap and starkly recorded". He states that Almond received "little support from Phonogram for the Mambas project, the corporate viewing it as non-commercial and a disquieting pointer to the inevitable split that would occur within Soft Cell". An article in Mojo noted that "from the beginning, Almond and Ball had nurtured sideline projects, though only the former's - the 1982 double 12 inch set Untitled - attracted much attention, most of it disapproving." The article mentions that Almond "who preferred to nail a song in one or two takes" stated that it was all "about feel and spontaneity, otherwise it gets too contrived" when accused of singing flat.<ref name"mojo">Paytress, Mark. "We Are The Village Sleaze Preservation Society". Mojo (September 2014): 69. </ref>
Untitled is an outdoor 1977 stainless steel sculpture by American artist Bruce West, installed in Portland, Oregon, in the United States.
Bruce West's Untitled is installed along Southwest 6th Avenue between Washington and Stark streets in Portland's Transit Mall. It was one of eleven works chosen in 1977 to make the corridor "more people oriented and attractive" as part of the Portland Transit Mall Art Project. The stainless steel sculptures is 7 feet (2.1 m) tall. It was funded by TriMet and the United States Department of Transportation, and is administered by the Regional Arts & Culture Council.
hopelessly drift in the eyes of the ghost again
down on my knees and my hands in the air again
pushing my face in the memory of you again
but i never know if it's real never know how i
wanted to feel never quite said what i wanted
to say to you never quite managed the words to
explain to you never quite knew how to make
them beleivable and now the time has gone
another time undone hopelessly fighting the
devil futility feeling the moster climb deeper
inside of me feeling him gnawing my heart away
hungrily i'll never lose this pain never dream of