VoIP spam or SPIT (Spam over Internet Telephony) are bulk unsolicited, automatically dialled, pre-recorded phone calls using the Voice over Internet Protocol (VoIP). Telephone spam is comparable to E-mail spam, but due to its synchronous character, different mitigation methods are needed.
Voice over IP systems, like e-mail and other Internet applications, are susceptible to abuse by malicious parties who initiate unsolicited and unwanted communications. Telemarketers, prank callers, and other telephone system abusers are likely to target VoIP systems increasingly, particularly if VoIP supplants conventional telephony. The VoIP technology provides convenient tools (e.g. Asterisk and SIPp) and low-priced possibilities to place a large number of Spam calls.
The underlying technology driving this threat is Session Initiation Protocol (SIP). This technology has received significant support from most major telecommunication vendors, and is showing signs of becoming the industry standard for voice, video and other interactive forms of communication such as instant messaging and gaming.
Spit (alternately known as Uncle Sam's) was a nightclub and music venue located on Hempstead Turnpike in Levittown, New York. The club opened in 1978 and closed in 1992. Some well-known bands performed at the club including Madonna, Blue Öyster Cult and Duran Duran. Some performances were broadcast on WLIR radio. The building was set fire in 1994 by the owners in attempt to collect insurance. They were charged and convicted of arson.
Spit! was the name of a British adult comic that was published during the 1990s.
It was one of many such comics similar to Viz, and was also considerably cruder and of lower production quality than its inspiration, many strips ending with sexual humour. As well as comic strips, it also included photo strips, joke articles, celebrity references, and adverts for phone lines and mail order products. One of its contributing writer/cartoonists was Allin Kempthorne who has since gone on to become a television and film actor and writer.
Untitled (Selections From 12) is a 1997 promotional-only EP from German band The Notwist which was released exclusively in the United States. Though the release of the EP was primarily to promote the band's then-current album 12, it contains one track from their 1992 second record Nook as well as the non-album cover of Robert Palmer's "Johnny and Mary". The version of "Torture Day" on this EP features the vocals of Cindy Dall.
Untitled is the first studio album by the British singer/songwriter Marc Almond's band Marc and the Mambas. It was released by Some Bizzare in September 1982.
Untitled was Almond's first album away from Soft Cell and was made concurrently with the latter's The Art of Falling Apart album. Almond collaborated with a number of artists for this album, including Matt Johnson of The The and Anni Hogan. The album was produced by the band, with assistance from Stephen Short (credited as Steeve Short) and Flood.
Jeremy Reed writes in his biography of Almond, The Last Star, that Untitled was "cheap and starkly recorded". He states that Almond received "little support from Phonogram for the Mambas project, the corporate viewing it as non-commercial and a disquieting pointer to the inevitable split that would occur within Soft Cell". An article in Mojo noted that "from the beginning, Almond and Ball had nurtured sideline projects, though only the former's - the 1982 double 12 inch set Untitled - attracted much attention, most of it disapproving." The article mentions that Almond "who preferred to nail a song in one or two takes" stated that it was all "about feel and spontaneity, otherwise it gets too contrived" when accused of singing flat.<ref name"mojo">Paytress, Mark. "We Are The Village Sleaze Preservation Society". Mojo (September 2014): 69. </ref>
Untitled is an outdoor 1977 stainless steel sculpture by American artist Bruce West, installed in Portland, Oregon, in the United States.
Bruce West's Untitled is installed along Southwest 6th Avenue between Washington and Stark streets in Portland's Transit Mall. It was one of eleven works chosen in 1977 to make the corridor "more people oriented and attractive" as part of the Portland Transit Mall Art Project. The stainless steel sculptures is 7 feet (2.1 m) tall. It was funded by TriMet and the United States Department of Transportation, and is administered by the Regional Arts & Culture Council.