The Unborn may refer to:
The Unborn is a 2009 American horror film written and directed by David S. Goyer. The film stars Odette Yustman as a young woman who is tormented by a dybbuk and seeks help from a rabbi (Gary Oldman). The dybbuk seeks to use her death as a gateway to physical existence. The film is produced by Michael Bay and his production company Platinum Dunes. It was released in American theaters on January 9, 2009, by Rogue Pictures.
Casey Beldon has nightmarish hallucinations of strange-looking dogs in the neighbourhood and an evil child with bright blue eyes following her around. While babysitting Matty, her neighbor's son, she finds him showing his infant sibling its reflection in a mirror. Matty attacks Casey, smashing the mirror on her head, and tells her: "Jumby wants to be born now". She puts him to bed and leaves in shock.
Casey's friend Romy tells her of a superstition that newborns should not see their reflections in the mirror for at least a year because otherwise they will die soon. Casey's eyes begin to change color; a doctor asks if she is a twin, and explains the change as tetragametic chimerism and heterochromia, and that is completely normal. Her neighbor's infant dies, supporting the superstition.
Unborn is the tenth studio album by American death metal band Six Feet Under. The album was released on March 19, 2013.
Unborn features writing credits from guitarist Jari Laine of Torture Killer and features guest guitarist Ben Savage of Whitechapel. It is Six Feet Under's first album to feature bassist Jeff Hughell, the only one to feature guitarist Ola Englund and the last to feature guitarist Rob Arnold and drummer Kevin Talley. Chris Barnes' nephew Ryley Dipaola performed drums on the vinyl-only bonus track, "Illusions".
All lyrics written by Chris Barnes.
"Reveille" (US: /ˈrɛvəli/ REV-ə-lee; UK: /rəˈvæli/ rə-VAL-ee) is a bugle call, trumpet call or pipes call most often associated with the military; it is chiefly used to wake military personnel at sunrise. The name comes from réveille (or réveil), the French word for "wake up".
British Army Cavalry and Royal Horse Artillery regiments sound a call different from the infantry version shown below, known as "The Rouse" but often misnamed "Reveille", while the Scottish Regiments of the British Army sound a pipes call of the same name.
The tune used in the Commonwealth of Nations is different from the one used in the United States, but they are used in analogous ways: to ceremonially start the day.
In modern times, the U.S. military plays (or sounds) "Reveille" in the morning, generally near sunrise, though its exact time varies from base to base. On U.S. Army posts, the national flag is raised while "Reveille" is played; on board U.S. Navy, Marine Corps, and Coast Guard facilities, the flag is generally raised at 0800 (8 am) while "The Star Spangled Banner" or the bugle call "To the Colors" is played. On some U.S. military bases, "Reveille" is accompanied by a cannon shot. As "Reveille" is played (sounded), all U.S. Army personnel are required to come to attention and present a salute, either to the flag or in the direction of the music if the flag is not visible.
Reveille was a group within the British Conservative Party designed to pressure the party into a policy of imperialism and social reform.
The origins of the group lay in the frustration of some Conservatives with what they perceived as the Party's negative defence of the status quo under the leadership of Arthur Balfour in response to the Liberal government's People's Budget. On 30 August 1910 the Conservative MP Henry Page Croft published an article in The Morning Post headed “Reveille”. He said that a "sleeping sickness" had permeated the ranks of the party, that the prospect of a Canadian trade agreement with America was dangerous for British trade and industry and that what was needed was Imperial Preference.
Soon afterwards, fellow Conservatives asked Croft to organise a campaign throughout the country. Consequently, a considerable fund was raised and Conservative Associations in the major cities organised mass meetings for Reveille members. Soon there were 100 peers and MPs in the Reveille and there was a dinner held at Princes restaurant, Piccadilly, where Croft and Lord Willoughby de Broke spoke. Present were Acland Hood, the Conservative Chief Whip, and Percival Hughes, the Conservative Chief Agent. Willoughby de Broke outlined Reveille's programme:
Reveille was a popular British weekly tabloid newspaper during the Second World War and the post-war years.
Launched on 25 May 1940, it was originally the official newspaper of the Ex-Services' Allied Association. It was bought by the Mirror Group in 1947, after which it was printed and published by IPC Newspapers Ltd.
In the 1950s it increased its light-entertainment pages and would often run features on the Royalty.
During the 1960s and 1970s it became known as Reveille Magazine and would publish large double-page pop posters and also feature tasteful glamour models.
Author Rosemary Timperley wrote a great many articles for Reveille under her own name and pseudonyms.
In March 1973 it was renamed New Reveille, the title being reverted to Reveille in March 1975. By the end of 1975 Reveille had shrunk from its previous 40 page size and had dropped the short story feature, becoming more concerned with television, movies, and celebrities.
Its last issue appeared on 17 August 1979 and in September 1979 it merged with Tit-Bits magazine.
you better check your pulse,
i think the hearse went by
shut the fuck up and listen
before you're down to nothing without a pot to piss in
your missing the point that i'm mapping on this chart-
everything we could be, everything we're not
come on, give it all you got
all i've got is an excuse,
a noose for my hurt- feel it jerking me loose
been lathing abuse and it's breaking me up
i'm bordering final and enough's enough
you keep sucking on your own dick, your bound to break your neck
i think that i detect a sick sign of self respect
what did i expect, i expected so much more from myself
now why can't i open my eyes?
i think i'm fucking dead
we all fall, we all, we all fall down
we all fall, we're all falling, falling down
crucified, purified lullaby- unborn
dressed like a costume party, everybody in disguise
see the mask on your face but it won't hide your eyes
my demise marks my birth, unborn into light
now you wanna take me,
show me wrong from right?
well you can kiss my paraphilia
and you can kiss my sadicide
i wanna thank you for your welcome
let me carve the shit out from inside
it's only a dream, cry yourself back to sleep
let your mind seep down where all secrets keep
deep beneath the calm surface a serpents eyes open wide-
a breath of death in its lies
unborn-
unborn and i'm born again
that old man, damn, he sure can talk
he said that i fucked jesus in a trailer park
n' that ain't the truth, it was in the ritz hotel
i wore a condom so i wouldn't burn in hell
maybe i'm dead