UMA or Uma may refer to:
Parvati (Devanagari: पार्वती, IAST: Pārvatī) is the Hindu goddess of love, fertility and devotion. She is the goddess of divine strength and power. She is the gentle and nurturing aspect of the Hindu goddess Shakti. She is the mother goddess in Hinduism and has many attributes and aspects. Each of her aspects is expressed with a different name, giving her over 100 names in regional Hindu stories of India. Along with Lakshmi (goddess of wealth and prosperity) and Saraswati (goddess of knowledge and learning), she forms the trinity of Hindu goddesses.
Parvati is the wife of the Hindu deity Shiva - the destroyer, recycler and regenerator of universe and all life. She is the daughter of the mountain king Himavan and mother Mena. Parvati is the mother of Hindu deities Ganesha and Karttikeya. Her elder sister is the goddess Ganges. Some communities also believe her to be the adopted sister of Vishnu.
With Śiva, Pārvatī (Durga) is a central deity in the Saivism sect of Hinduism. In Hindu belief, she is the recreative energy and power of Śiva, and she is the cause of a bond that connects all beings and a means of their spiritual release. In Hindu temples dedicated to her and Śiva, she is symbolically represented as argha or yoni. She is found extensively in ancient Indian literature, and her statues and iconography grace ancient and medieval era Hindu temples all over South Asia and Southeast Asia.
Uma is an Indian film actress who appeared in regional Indian language films.
In 2006, she appeared in Sakthi Chidambaram's Kovai Brothers opposite Sibiraj, featuring as Sathyaraj's sister and also featured in Thodamaley alongside newcomers. She also acts in a few serials like Chikamma (the remake of the famous Tamil serial "Chithi" in Kannada) and Valli (a new Tamil Serial).
Uma was born to D. Rajendra Babu, a commercial director in Kannada films, and actress Sumithra, who appeared in regional Indian films. Her younger sister, Nakshatra, made her debut with the film Doo in 2011. Alongside films, she studied B.A, English literature in Indira Gandhi Open University.
She eventually married software engineer H. Dushyanth in Bangalore on 15 June 2006 and opted against signing any more films thereafter.
DDT (dichlorodiphenyltrichloroethane) is a colorless, crystalline, tasteless and almost odorless organochloride known for its insecticidal properties. DDT has been formulated in almost every conceivable form, including solutions in xylene or petroleum distillates, emulsifiable concentrates, water-wettable powders, granules, aerosols, smoke candles and charges for vaporizers and lotions.
First synthesized in 1874, DDT's insecticidal action was discovered by the Swiss chemist Paul Hermann Müller in 1939. It was then used in the second half of World War II to control malaria and typhus among civilians and troops. After the war, DDT was made available for use as an agricultural insecticide and its production and use duly increased. Müller was awarded the Nobel Prize in Physiology or Medicine "for his discovery of the high efficiency of DDT as a contact poison against several arthropods" in 1948.
In 1962, the book Silent Spring by American biologist Rachel Carson was published. It cataloged the environmental impacts of indiscriminate DDT spraying in the United States and questioned the logic of releasing large amounts of potentially dangerous chemicals into the environment without a sufficient understanding of their effects on ecology or human health. The book claimed that DDT and other pesticides had been shown to cause cancer and that their agricultural use was a threat to wildlife, particularly birds. Its publication was a seminal event for the environmental movement and resulted in a large public outcry that eventually led, in 1972, to a ban on the agricultural use of DDT in the United States. A worldwide ban on its agricultural use was later formalized under the Stockholm Convention on Persistent Organic Pollutants, but its limited use in disease vector control continues to this day and remains controversial, because of its effectiveness in reducing deaths due to malaria, which is countered by environmental and health concerns.
Denkmäler deutscher Tonkunst (literally "Monuments of German musical art") is a historical edition of music from Germany, covering the Baroque and Classical periods.
The edition comprises two series: the first appeared in sixty-five volumes between 1892 and 1931, and the second, which was subtitled Denkmäler der Tonkunst in Bayern (Monuments of musical art in Bavaria), in thirty-six volumes between 1900 and 1931. The first series was issued by a Prussian royal commission of celebrity musicians and musicologists in instalments through the music publishers Breitkopf & Härtel in Leipzig, and the second by the Society for the Publication of Monuments of Musical Art in Bavaria.
A parallel series of volumes on Austrian composers, Denkmäler der Tonkunst in Österreich (Monuments of musical art in Austria), was begun in 1959, and as at 2015-10-25 is in progress at one hundred and fifteen volumes.
References to these editions in this article in common with general practice use the acronyms DdT, DTB, and DTO, and to the Münchener Digitalisierungs Zentrum Digitale Bibliothek with MDZ.
DDT (sometimes published as Dada Tennis, or Da-da Tennis) was a magazine of bizarre free-surrealist writings and graphics, which were chiefly created by its editor, Bill Paulauskas, who died in 2006. It was published by Paulauskas' Dream State Press, which he operated in New York City.
Its publication history is long and complex; it first grew out of freewheeling interactions on a computer bulletin-board site (BBS) called The Enterprise, in the late 1980s, then moved to Paulauskas' own Dreamworld BBS, before starting to appear in print form.
The magazine continued to exist in print form, on an erratic schedule; it also (for a few years in the early 1990s) was a multimedia computer disc designed for use in the Amiga computer. During its computer-disc phase the magazine was sometimes co-edited by the novelists James Chapman and Randie Lipkin, who were also contributors. Some of the work done at this time was later adapted theatrically by the DADAnewyork theatre troupe founded by the late John W. Wilson (an original Joffrey Ballet member and Dada scholar); these pieces were performed internationally to considerable confusion.
[Chester Bennington]
Together we made it
We made it even though we had our backs up against the wall
[Busta Rhymes:]
See ah niggas i survived the worst but my life is glorious
Betta know that i leaped every hurdle and i'm so victorious
Take a look, I'm a symbol of greatness now call a nigga Morpheus
As force securing the win and I believe I'm so notorious
You know that I've been buying my bread even though we rapping now (yes)
We use to live on the strip and you see a nigga higher level tramping now
Superceded everyone of my middle struggles and
Failure never ever has been an option
A nigga paper long like we was on the trap and we bout ta take the hood shoppin'
Get it!
[Chorus: Chester Bennington] (Busta Rhymes) *Mike Shinoda*
Together we made it (you see we did it niggas)
We made it even though we had our backs up against the wall (c'mon)
Forever we waited (haha!)
And they told us we were never going to get it
but we took it on the road (to the riches)
on the road (to the ghetto)
on the roooooad (in the projects to this bangin instrumental)
on the road (ride with me) *yeah, yeah*
on the road (you come and get it) *yeah, yeah*
on the roooooooad *yeah, yeah, yeah, yo!*
[Mike Shinoda:]
When it all got started we was steadily just getting rejected
And it seemed like nothing we could do would ever get us respected
At best we were stressed and the worst they probably said we're pathetic
Had all the pieces to that puzzle just no way to connect it
And I was fighting through every rhyme tightening up every line
Never resting the question if I was out of my mind
And it finally came time to do it or let it die
So put the chips on the table and told 'em to let it ride
Sing it!
[Chorus: Chester Bennington] (Busta Rhymes)
Together we made it (you see we did it niggas)
We made it even though we had our backs up against the wall (c'mon)
Forever we waited (haha!)
And they told us we were never going to get it
but we took it on the road (to the riches)
on the road (to the ghetto)
on the roooooad (in the projects to this bangin instrumental)
on the road (ride with me)
on the road (you come and get it)
on the roooooooad
[Busta Rhymes:]
Look in case you misunderstand exactly what I'm building
Shit that I could leave for my children (children) children (children)
Now I only wake up with a smile to see how far I've come
Fighting for sales on a strip to get the hustle from
From nights in jail on a bench using my muscles son
To counting money like Dre and Jimmy or Russell One
But now I live what I dream you see we finally did it
Let's make a toast to the hustle regardless how you did it
Sing it
[Chorus: Chester Bennington] (Busta Rhymes)
Together we made it (you see we did it niggas)
We made it even though we had our backs up against the wall (c'mon)
Forever we waited (haha!)
And they told us we were never going to get it
but we took it on the road (to the riches)
on the road (to the ghetto)
on the roooooad (in the projects to this bangin instrumental)
on the road (ride with me)
on the road (you come and get it)