Damaged may refer to:
Damaged was an Australian deathgrind band from Ballarat, Victoria, active from 1989 to 2004.
The band was formed by drummer Matt "Skitz" Sanders. Mat Silcock and Chris Hill were the two original guitarists, with bass player Jason Parker and singer James Ludbrook.
The band's first demo, The Art of Destroying Life, appeared in 1992; the next year they released their first album, Do Not Spit. In 1994 Damaged toured with Cannibal Corpse. Silcock left Damaged in 1996, and around the same time, due to a dispute with label Black Hole Records, Damaged disbanded. Hill joined Melbourne band Discordia; Sanders toured Europe as drummer with Sadistik Exekution and played in Abramelin.
The split only lasted a short time, since the band was approached by US label Rotten Records and offered a five album deal. Reforming without Silcock, Damaged released Token Remedies Research and finished the year with a performance at the Metal For The Brain festival. Early the following year, the band toured Australia with Entombed but the reunion was almost cut short when Ludbrook was fired in the middle of a tour a few months later. Brendan Birge from the Melbourne death metal band Earth joined Damaged as Ludbrook's replacement after a brief stint by Chris Wallace, but found the constant tensions within the group difficult and resigned in mid-1999. Parker also left and Damaged continued only as a recording project, with Sanders and Hill providing a track for the all-Australian double heavy metal CD Under the Southern Cross.
"Damaged" is a song by American recording group TLC. It was written by band member Tionne "T-Boz" Watkins and long time contributor Dallas Austin and recorded for the band's fourth studio album, 3D (2002), the latter also serving as its producer. A rock-influenced pop song, the lyrics of the record talk about being free and freedom from hurt and pain.
The song was released as the album's second international single and third US single from the album on March 7, 2003, and internationally on June 16, 2003. While not as commercially successful as leading single "Girl Talk", the song peaked at number 21 on the New Zealand Singles Chart and in the United States, reached the top twenty of Billboard's Pop Songs chart. On the Billboard Hot 100, "Damaged" peaked at number 53.
In the music video for the song, directed by Joseph Kahn, a young woman, (played by actress Justina Machado) works two jobs to support her family. One day she comes home and finds her boyfriend in bed with another girl. After confronting him, he hits her. She then finds herself stuck in an abusive relationship as well as trying to look after her child. She finds herself torn and unsure of what to do, eventually literally falling to pieces at the end of the video as she crumbles into hundreds of tiny jigsaw puzzle pieces. It shows other "damaged" women falling to pieces. The lead woman is shown to be put back together by her daughter, and she's happy now.
This is a list of fictional factions in Revelation Space. The human factions are found in the Revelation Space universe, the setting for a series of stories and novels by Welsh author Alastair Reynolds.
Spacefaring humanity is divided among these four main factions. While each of these factions has its roots in the Solar System, they have spread with humans to multiple other star systems. Demarchists controlled most major colony worlds, including Yellowstone, until the introduction of the Melding Plague. Conjoiners inhabited hollowed out asteroids on system peripheries, called Nests, before the move to the central Mother Nest in the Yellowstone system during the Conjoiner-Demarchist war. Ultras prefer living aboard the massive lighthugger ships, and are generally uncomfortable on terrestrial worlds. Skyjacks are comet and asteroid miners.
ULTra (Urban Light Transit) is a personal rapid transit system developed by the British engineering company ULTra Global PRT (formerly Advanced Transport Systems).
The first public system opened at London's Heathrow Airport in May 2011. It consists of 21 vehicles operating on a 3.9-kilometre (2.4 mi) route connecting Terminal 5 to its business passenger car park, just north of the airport. ULTra is in contention to develop an urban system in Amritsar, India projected to carry up to 100,000 passengers per day using 200 vehicles.
To reduce fabrication costs, ULTra uses largely off-the-shelf technologies, such as rubber tyres running on an open guideway. This approach has resulted in a system that ULTra believes to be economical; the company reports that the total cost (vehicles, infrastructure and control systems) is between £3 million and £5 million per kilometre of guideway.
The system was originally designed by Martin Lowson and his design team, Lowson having put £10 million into the project. He formed Advanced Transport Systems (ATS) in Cardiff to develop the system, and their site was later the location of its test track. ULTra has twice been awarded funding from the UK National Endowment for Science, Technology and the Arts (NESTA). Much of the original research on ULTra was done by the Aerospace Engineering department at the University of Bristol during the 1990s. Recently the company renamed itself "ULTra PRT Limited" to better reflect its primary business, and moved its corporate headquarters to Bristol.
Ultra was a Dutch post-punk movement of the early 1980s.
In contrast to other countries' post-punk movements, the Dutch version experimented with, among other things, toy instruments, chainsaws and de-tuned guitars. The movement's name comes from a series of concerts held under that name between September 1980 and March 1981 in Octopus, a youth club on an Amsterdam canal.
The events were organized by Wally van Middendorp (from the band Minny Pops and the Plurex record label), Rob Scholte (from the band The Young Lions) and Harold Schellinx (from the band The Young Lions, and editor of the music magazine Vinyl) .
The movement had an explicitly artsy aesthetic, and many of its participants were educated in art schools. Ultra was somewhat allied with the "modern music magazine" Vinyl, which not only acted as a voice for the movement, but also released the music of various Ultra bands on flexidisc, with every issue of the magazine accompanied by a free record.
The Ultra movement was primarily centred on Amsterdam bands, although its influence was felt in the whole of the country; affiliated bands from the 'provinces' (outside of Amsterdam) included Mekanik Kommando (Nijmegen) and Nasmak (Eindhoven). The music was mostly recorded on compact cassettes, but also on vinyl. The most representative compilation of the Ultra movement was the C-90 cassette "Ultra", released in 1981 on the Amsterdam label "Lebel PERIOD".