Scraps may refer to:
Scraps was an American satirical magazine published annually, initially on December 1 and later on January 1st. Started in Boston in 1828 by the erstwhile actor David Claypoole Johnston, it was printed from engraved copper plates and sported four pages of cartoons in each issue. Some issues had alternative titles - such as Trollopania no. 5 for 1834, Fiddle,-D.D. no. 7 Nine numbers of the magazine were published between 1828 and 1849.
Johnston was the first American satirical artist to enjoy widespread popular appeal. He was regarded as the outstanding caricaturist of New England, and was the first American trained on native soil to achieve such a high degree of proficiency in the various disciplines related to lithography, etching, metal plate engraving, and wood engraving. He was raised in Philadelphia, and apprenticed to Francis Kearney from whom he learned the complexities of engraving and etching. His first lithograph appeared in the December 1825 issue of the Boston Monthly Magazine.
Scraps is an album by the rock band NRBQ (New Rhythm and Blues Quartet), released in 1972 on Kama Sutra Records, which also released their next album, Workshop. It is the group's first album with guitarist/vocalist Al Anderson, who would remain with the band for over twenty years. Anderson replaced previous guitarist Ken Sheehan. Anderson was prohibited from singing lead vocals on the album due to an existing contract as a solo artist with Vanguard Records. Frankie Gadler, the group's original vocalist, sings lead on most of the songs, although Joey Spampinato, credited as Jody St. Nicholas, sings on "Only You" featuring the use of a toy piano.
An unidentified flying object, or UFO, in its most general definition, is any apparent anomaly in the sky that is not identifiable as a known object or phenomenon. Culturally, UFOs are associated with claims of visitation by extraterrestrial life or government-related conspiracy theories, and have become popular subjects in fiction. While UFOs are often later identified, sometimes identification may not be possible owing to the usually low quality of evidence related to UFO sightings (generally anecdotal evidence and eyewitness accounts).
Stories of fantastical celestial apparitions have been told since antiquity, but the term "UFO" (or "UFOB") was officially created in 1953 by the United States Air Force (USAF) to serve as a catch-all for all such reports. In its initial definition, the USAF stated that a "UFOB" was "any airborne object which by performance, aerodynamic characteristics, or unusual features, does not conform to any presently known aircraft or missile type, or which cannot be positively identified as a familiar object." Accordingly, the term was initially restricted to that fraction of cases which remained unidentified after investigation, as the USAF was interested in potential national security reasons and/or "technical aspects" (see Air Force Regulation 200-2).
The Ufo (lit. UFO) was the first Acid House club in Berlin. It was the pioneer place for the Techno scene during the reunification. Club's residents and guests DJs included, among others, to Tanith, Jonzon, Rok, Dr. Motte, Mike van Dijk and the then 13-year-old Kid Paul.
The techno activists Achim Kohlenberger, Dimitri Hegemann and the former history student Carola Stoiber, founded the Ufo club in 1988 in West Berlin, in its first year it was located at the No. 6 Köpenicker Straße, in Kreuzberg, near Schlesisches Tor in the basement of an old residential building, that their electronic music label Interfisch had rented as headquarters. Originally they opened the club with the name Fischbüro'.
The basement room had a ladder for access and an improvised kitchen on the side of the building, it had a ceiling height of only about 6 ft 2.8in (1.90 meters) of space for up 100 people. In 1989, it hosted the after party celebration of the first Love Parade.
As the authorities discovered the club's illegal operation of acid house parties, the club moved and finally worked inside a former store building at the Großgörschenstraße in Schöneberg, just before the fall of the Wall in 1989. In the meantime, Ufo parties were set up in different places and the locations were usually given in hidden clues in the Saturday show The Big Beat hosted by Monika Dietl, from the SFB- teen radio station Radio 4U. In January 1990 the DJ Tanith established, his Wednesday regular show Cyberspace.
UFO is the third demo EP by Newton Faulkner. It was released on December 4, 2006 as a follow up to Full Fat. A studio recording of Teardrop (cover of the Massive Attack song) was later released as a single on Hand Built by Robots. The songs U.F.O and Feels Like Home are also included on this album.