Dim

Dim may refer to:

The abbreviation dim may refer to:

Dim (album)

Dim is the fourth studio album by Japanese rock band The Gazette. It was released on July 15, 2009 in Japan. It includes the three lead up singles: "Guren", "Leech", and "Distress and Coma". The album scored #2 on the Oricon Daily Charts and #5 on the Oricon Weekly Charts, selling 37,797 copies in its first week.

Track List

All lyrics written by Ruki, all music composed by the GazettE.

The Limited Edition sold at Tower Records also came packaged with a Car Bumper Sticker, 5 Postcards and a Poster

References

External links

Five-dimensional space

A five-dimensional space is a space with five dimensions. If interpreted physically, that is one more than the usual three spatial dimensions and the fourth dimension of time used in relativitistic physics. It is an abstraction which occurs frequently in mathematics, where it is a legitimate construct. In physics and mathematics, a sequence of N numbers can be understood to represent a location in an N-dimensional space. Whether or not the actual universe in which we live is five-dimensional is a topic of debate.

Physics

Much of the early work on five dimensional space was in an attempt to develop a theory that unifies the four fundamental forces in nature: strong and weak nuclear forces, gravity and electromagnetism. German mathematician Theodor Kaluza and Swedish physicist Oskar Klein independently developed the Kaluza–Klein theory in 1921, which used the fifth dimension to unify gravity with electromagnetic force. Although their approaches were later found to be at least partially inaccurate, the concept provided a basis for further research over the past century.

Sadness

Sadness (also called heavy-heartedness) is emotional pain associated with, or characterized by feelings of disadvantage, loss, despair, grief, helplessness, disappointment and sorrow. An individual experiencing sadness may become quiet or lethargic, and withdraw themselves from others. Crying is often an indication of sadness.

Sadness is one of the "six basic emotions" described by Paul Ekman, along with happiness, anger, surprise, fear and disgust.

In childhood

Sadness is a common experience in childhood. Acknowledging such emotions can make it much easier for families to address more serious emotional problems, although some families may have a (conscious or unconscious) rule that sadness is "not allowed".Robin Skynner has suggested that this may cause problems, because with sadness "screened-off" we are left a bit shallow and manic.

Sadness is part of the normal process of the child separating from an early symbiosis with the mother and becoming more independent. Every time a child separates just a tiny bit more, he or she will have to cope with a small loss. If the mother cannot allow the minor distress involved, the child may never learn how to deal with sadness by themselves. Pediatrician T. Berry Brazelton argues that too much cheering a child up devalues the emotion of sadness for them; and Selma Fraiberg suggests that it is important to respect a child's right to experience a loss fully and deeply.

Sad (album)

Sad is the fourth Nels Cline Trio album. The album was recorded at New Zone Studio by Wayne Peet.

Track listing

Personnel

Sad (sura)

Sūrat Ṣād (Arabic: سورة ص‎, "The Letter Sad") is the 38th sura of the Qur'an with 88 ayat and 1 sajdah (39:24). Sad (ص) is the name of the eighteenth letter in the Arabic alphabet.

Saad was sent to Muhammad by God while he was coping with rejection from his tribe, the Quraysh, and struggling to keep his own faith. It recounts stories of previous prophets, describes the splendors of heaven, and warns of the monstrosities of hell. The sura dates to the 2nd Meccan Period, meaning it was revealed only five or six years into the development of Islam.

Historical context

Sura 38 substantiates Muhammad's role as Prophet through concrete examples of previous messengers of God and the evils that have befallen the people who did not heed sacred messages. Angelika Neurwirth terms these “retribution legends” (McAuliffe, 105). They “prove that divine justice is at work in history, the unjustly harassed being rewarded with salvation, the transgressors and unbelievers punished by annihilation” (McAuliffe, 106). Through regular reference to biblical characters and a self-assertive tone praising both Muhammad and God, the reader can attribute this sura to the 2nd Meccan Period, according to Noldeke’s chronology . The coherent text builds up to descriptions of both heaven and hell on the Day of Judgment. The wide scope of historical figures—ranging from Old Testament characters such as David, Solomon, and Job, to the devil of Islam, Iblis—were designed to resonate with a wide audience in the face of the disbelief among the Quaryash, Muhammad’s clan; as Ernst poignantly states, Muhammad was likely dealing with “religiously well-informed skeptics” . Like many contemporary passages, Sura 38 attempts to convert the reader to a monotheistic religion honoring Muhammad as Prophet by promising salvation for true believers on the Day of Judgment.