Ud (cuneiform)

The cuneiform ud sign, also ut, and with numerous other syllabic uses, as well as multiple sumerogramic uses is a common sign for the mid 14th-century BC Amarna letters and the Epic of Gilgamesh. The sign is constructed upon the single vertical stroke , with various positionings of two wedge-strokes at the left, sometimes approximately centered, or often inscribed upwards to the left, the second wedge-stroke (or 'angled line-stroke'), occasionally inscribed/ligatured upon the first. The wedge-strokes can have any size, are often smaller than the vertical, but as an example, Amarna letter EA 256, can be almost as large as the vertical.

In the Epic of Gilgamesh, sign ud is listed as used for the following linguistic elements:

Sumerograms

The usage numbers for each linguistic element in the Epic of Gilgamesh are as follows:lah--(2), par--(5), pir--(4), tam--(32), tú--(46), ud--(30), ut--(95), uṭ-(7), BABBAR-(1), UD-(75), UTU-(58).

Ù (cuneiform)

The cuneiform ù sign ('u, no. 3'), is found in both the 14th century BC Amarna letters and the Epic of Gilgamesh. Its use is as a conjunction, (translated as for example: and, but, else, until, etc.), but rarely it is substituted for alphabetic u, but that vowel u is typically represented by 'u, no. 2', (u prime), ú; occasionally 'u, no. 1', (u (cuneiform)), , (mostly used for a conjunction, and numeral 10), is also substituted for the "alphabetic u".

The use of ù is often as a "stand-alone" conjunction, for example between two listed items, but it is used especially as a segue in text, (example Amarna letters), when changing topics, or when inserting segue-pausing positions. In the Amarna letters, it is also commonly immediately followed by a preposition: a-na, or i-na, used as "...And, to....", or "...And, in...."; also "...But, for....", etc. This usage with a preposition is also a better example of the segue usage.

Of the three u's, by graphemic analysis (Buccellati, 1979), the commonness is as follows:

Cuneiform script

Cuneiform script is one of the earliest systems of writing, distinguished by its wedge-shaped marks on clay tablets, made by means of a blunt reed for a stylus. The name cuneiform itself simply means "wedge shaped", from the Latin cuneus "wedge" and forma "shape," and came into English usage probably from Old French cunéiforme.

Emerging in Sumer in the late fourth millennium BCE (the Uruk IV period), cuneiform writing began as a system of pictograms. In the third millennium, the pictorial representations became simplified and more abstract as the number of characters in use grew smaller, from about 1000 in the Early Bronze Age to about 400 in Late Bronze Age (Hittite cuneiform). The system consists of a combination of logophonetic, consonantal alphabetic and syllabic signs.

The original Sumerian script was adapted for the writing of the Akkadian, Eblaite, Elamite, Hittite, Luwian, Hattic, Hurrian, and Urartian languages, and it inspired the Ugaritic alphabet and Old Persian cuneiform. Cuneiform writing was gradually replaced by the Phoenician alphabet during the Neo-Assyrian Empire. By the second century CE, the script had become extinct, and all knowledge of how to read it was lost until it began to be deciphered in the 19th century.

Cuneiform bones

There are three cuneiform bones in the human foot:

They are located between the navicular bone and the first, second and third metatarsal bones and are medial to the cuboid bone.

Structure

There are three cuneiform bones: