A stunt is an unusual and difficult physical feat or an act requiring a special skill, performed for artistic purposes usually on television, theatre, or cinema. Stunts are a feature of many action films. Before computer generated imagery special effects, these effects were limited to the use of models, false perspective and other in-camera effects, unless the creator could find someone willing to jump from car to car or hang from the edge of a skyscraper: the stunt performer or stunt double.
One of the most-frequently used practical stunts is stage combat. Although contact is normally avoided, many elements of stage combat, such as sword fighting, martial arts, and acrobatics required contact between performers in order to facilitate the creation of a particular effect, such as noise or physical interaction. Stunt performances are highly choreographed and may be rigorously rehearsed for hours, days and sometimes weeks before a performance. Seasoned professionals will commonly treat a performance as if they have never done it before, since the risks in stunt work are high, every move and position must be correct to reduce risk of injury from accidents. Examples of practical effects include tripping and falling down, high jumps, extreme sporting moves, acrobatics and high diving, spins, gainer falls, "suicide backflips," and other martial arts stunts.
A stunt in American football and Canadian football, sometimes called a twist, is a planned maneuver by a pair of players of the defensive team by which they exchange roles to better slip past blockers of the offensive team at the beginning of a play.
The purpose of a stunt is to confuse opposing blockers, which is an aid to the defense in rushing an opposing forward pass or kick. The main weakness of a stunt is that it is more vulnerable than average to running plays by the opposing team. In most cases, the defense will not use a play incorporating stunting if it expects a running play from the offense.
There are two main types of stunts. In one, a line player, who would otherwise try to charge forward, instead drops back, and a nearby linebacker or defensive back charges forward instead. In the other, which is known as cross-rushing, line players, instead of charging straight ahead, cross paths. One of them may follow a looping path that goes behind the other before moving forward (in which case the stunt is called a "loop"), or one may wait for the other to penetrate slightly first, and then cross behind, their paths angling across each other. In some variants, a rushing player will run around more than one rushing teammate.
A stunt is a difficult or unusual feat performed for film or theatre.
Stunt or Stunting may also refer to:
The idea of want can be examined from many perspectives. In secular societies want might be considered similar to the emotion desire, which can be studied scientifically through the disciplines of psychology or sociology. Want might also be examined in economics as a necessary ingredient in sustaining and perpetuating capitalist societies that are organised around principles like consumerism. Alternatively want can be studied in a non-secular, spiritual, moralistic or religious way, particularly by Buddhism but also Christianity, Islam and Judaism.
In economics, a want is something that is desired. It is said that every person has unlimited wants, but limited resources (Economics is based on the assumption that only limited resources are available to us from the infinite Universe). Thus, people cannot have everything they want and must look for the most affordable alternatives.
Wants are often distinguished from needs. A need is something that is necessary for survival (such as food and shelter), whereas a want is simply something that a person would like to have. Some economists have rejected this distinction and maintain that all of these are simply wants, with varying levels of importance. By this viewpoint, wants and needs can be understood as examples of the overall concept of demand.
Want is a repackaged double album by Canadian-American singer-songwriter Rufus Wainwright, released in the United Kingdom on November 28, 2005. It contains all the tracks from both Want One and Want Two, along with two bonus tracks: a cover of Leonard Cohen's "Chelsea Hotel No. 2" along with "In with the Ladies".
All songs written by Wainwright, unless otherwise noted.
Want is the second studio album by Colorado electronic duo 3OH!3. It is their first album with record label Photo Finish. The album was produced by Matt Squire and 3OH!3. The track "Punkbitch" was included on the Warped Tour 2008 Tour Compilation.
The album has received mixed reviews. It charted on the Billboard 200, reaching a peak position of #44. Want has thus far received over 1.2 million individual track downloads.
All songs written and produced by Sean Foreman and Nathaniel Motte and also produced by Matt Squire. "Don't Trust Me" and "Richman" co-written and co-produced by Benny Blanco.
In Want's 22nd week on the Billboard 200, it rose from a peak of number 87 to set a new peak of number 44. Want has sold over 455,000 copies in the United States as of July 2010.
Reasons flying through the winter sun
I wait for you but you don't hear me
Blood runs quicker when the sun is low
But I don't have more blood to give you
Pretty pictures on a dirty wall still
Make me think of nights together
Lying naked on Venice Beach
I thought we'd stay like that forever
You want me
You need me
Why can't you believe me?
You touch me
You bleed me
How could you deceive me?
You want me
You need me
Why can't you believe me?
You touch me
You bleed me
How could you fucking leave me?
You want me
Broken feather
shattered glass
Are symbols for the way you treat me
I write poems in the dark alone
Afraid to wake you
Make you angry
I'm a flower lost in your desert
While you try to blow me down
I know that you will love me someday
But why the fuck can't you love me now?
You want me
You need me
Why can't you believe me?
You touch me
You bleed me
How could you deceive me?
You want me
You need me
Why can't you believe me?
You touch me
You bleed me
How could you fucking deceive me?
You want me
You need me
Why can't you believe me?
You touch me
You bleed me
Why could you fucking leave me?
You want me
You need me
Why can you deceive me?
You want me
You bleed me
How could you deceive me?
You want me
You need me
Why can't you believe me?
You touch me
You bleed me
Why could you fucking leave me?
You want me
You need me
Why don't you believe me?
You touch me
You bleed me
How could you deceive me?
You want me
You need me
Why can't you believe me?
You touch me
You bleed me
Why the fuck did you fucking leave me?
You want me
You need me
Why can't you believe me?
You touch me