UTP may refer to:
utp_ is the fourth collaboration between Alva Noto and Ryuichi Sakamoto. Ensemble Modern is featured on the CD as well.
When this set of pieces is played over for the second time, on the DVD, the lines undergo a re-harmonization, and the performance peaks with an enervated double-time section. Together with the visuals, this makes for a rich, steadily evolving continuum — Utopia in a surprisingly traditional sense.
—Phil Zampino, The Squid's Ear
U3 small nucleolar RNA-associated protein 15 homolog is a protein that in humans is encoded by the UTP15 gene.
An electrical cable is made of two or more wires running side by side and bonded, twisted, or braided together to form a single assembly, the ends of which can be connected to two devices, enabling the transfer of electrical signals from one device to the other. Cables are used for a wide range of purposes, and each must be tailored for that purpose. Cables are used extensively in electronic devices for power and signal circuits. Long-distance communication takes place over undersea cables. Power cables are used for bulk transmission of alternating and direct current power, especially using high-voltage cable. Electrical cables are extensively used in building wiring for lighting, power and control circuits permanently installed in buildings. Since all the circuit conductors required can be installed in a cable at one time, installation labor is saved compared to certain other wiring methods.
The term originally referred to a nautical line of specific length where multiple ropes, each laid clockwise, are then laid together anti-clockwise and shackled to produce a strong thick line, resistant to water absorption, that was used to anchor large ships. In mechanics, cables, otherwise known as wire ropes, are used for lifting, hauling, and towing or conveying force through tension. In electrical engineering cables are used to carry electric currents. An optical cable contains one or more optical fibers in a protective jacket that supports the fibers.
Cable were a British indie rock band originally from Derby, UK who released 3 albums in the late '90s: Down-Lift the Up-Trodden ('96), When Animals Attack ('97), and Sub-Lingual ('99), on Infectious Records. The band split up in 1999.
Formed in 1992 by Matt Bagguley and Darius Hinks, Cable were initially inspired by the art-rock leanings of indie-labels such as Touch and Go, Dischord, Blast First, Southern Records and Shimmy Disc, and also UK artists such as Spacemen 3 & My Bloody Valentine. The first settled line-up was Matt Bagguley (vocals/guitar), Darius Hinks (guitar), Pete Darrington (bass), Neil Cooper (drums) and throughout 1993 the band played regularly with underground acts from the U.S (such as Medicine, Polvo, Truman's Water, Rocket From The Crypt..) In early '94 their debut single "Sale of the Century" was released on 7", by Derby-based indie-label Krunch! Records. Radio 1 DJ John Peel played it immediately on his show saying it was the best thing he'd heard that week and phoned the band during the show to invite them to record a session. John Peel remained a loyal fan from that moment on, and altogether the band recorded 4 Peel Sessions.
Cable (Nathan Summers) is a fictional character appearing in American comic books published by Marvel Comics, most commonly in association with X-Force and the X-Men. Nathan Summers is the adult son of the X-Man Cyclops (Scott Summers) and Madelyne Pryor (Jean Grey's clone), and the half brother of Rachel Summers, from a possible future timeline, having being transported as an infant to the future, where he grew into a warrior, before returning to the present. The character first appeared as a newborn infant in Uncanny X-Men #201 (Jan. 1986), created by writer Chris Claremont, while Cable's adult identity was created by writer Louise Simonson and artist/co-writer Rob Liefeld, and first appeared in The New Mutants #87 (March 1990).
The character's first appearance was in The New Mutants #86 (Feb. 1990). He does not appear anywhere in the issue's story, but the "next issue" teaser includes a small drawing of the character. This was followed by a full appearance in The New Mutants #87 (March 1990). Though the artist Rob Liefeld is responsible for his visual design, name, and much of his personality, it is claimed that Cable also got some inspiration from editor Bob Harras. Liefeld explains the creation of the character: