The UK Independent Singles Breakers Chart and the UK Independent Album Breakers Chart are music charts based on UK sales of singles and albums released on independent record labels by musical artists who have never made the UK Top 40. It is compiled weekly by the Official Charts Company (OCC), and is first published on their official website on Friday evenings. The chart was first launched on 29 June 2009, and, according to Martin Talbot, managing director of the OCC, would have benefited acts such as Friendly Fires and Grizzly Bear.
The UK Indie Breakers Chart runs alongside the similar UK Indie Chart. The UK Indie Chart was created in 1978 by Cherry Red Records founder Iain McNay, and, like the breakers chart, lists only albums and singles released by independent record labels in the UK. Until June 2009, a single was classed as "indie" if it was shipped by a distribution service that was independent of the four major record companies: EMI, Sony Music Entertainment, Warner Music Group and Universal Music Group. Following discussion at the 2008 annual general meeting of the British Phonographic Industry, this definition was altered to include only releases from labels that were at least fifty per cent owned by a record company that was not one of the main four. This prevented major record companies from qualifying for the chart by outsourcing the shipping of their singles and albums to smaller distribution services. At the same time, the UK Indie Breakers Chart was also unveiled, with the objective that it would allow acts signed to independent labels to "reach the broader public". Any single or album released by an independent label can quality for the breakers charts, provided that the artist has never previously had a Top 20 hit in the mainstream charts.
Indie is a shortform of "independence" or "independent"; it may refer to:
The hipster subculture is composed of affluent or middle class young who reside primarily in gentrifying neighborhoods. It is broadly associated with indie and alternative music, a varied non-mainstream fashion sensibility (including vintage and thrift store-bought clothes), generally progressive political views, organic and artisanal foods, and alternative lifestyles. The subculture typically consists of white millennials living in urban areas. It has been described as a "mutating, trans-Atlantic melting pot of styles, tastes and behavior".
The term in its current usage first appeared in the 1990s and became particularly prominent in the 2010s, being derived from the term used to describe earlier movements in the 1940s. Members of the subculture typically do not self-identify as hipsters, and the word hipster is often used as a pejorative to describe someone who is pretentious, overly trendy or effete. Some analysts contend that the notion of the contemporary hipster is actually a myth created by marketing.
Indie 103.1 is a commercial radio station in Los Angeles, California, broadcasting over the World Wide Web. The format is alternative rock.
On December 25, 2003 at 11 PM, Indie 103.1 was first transmitted on the KDLD radio station. The first two songs to play were The Ramones "We Want The Airwaves" and The Clash "This Is Radio Clash" followed by a list of new songs that had never seen commercial airplay before, setting the tone for what would become a musically adventurous and rebellious radio station. The first employees were program director Michael Steele, music director Mark Sovel and TK.
For a month the station ran with no commercials or DJs and featured only the voices of listeners from phones messages left on the request line voice mail. Many of the phone messages were angry listeners yelling "You guys suck!" and "What happened to KDL the party station!"
The artwork for the Indie 103.1 logo was created by Obey Giant street artist Shepard Fairey, who would achieve fame as the designer of the Obama "Progress" and "Hope" posters.
Breakers may refer to:
The Dark Tower is a series of eight novels written by American author Stephen King, which incorporate multiple genres including fantasy, science fantasy, horror and western. Below are The Dark Tower characters that come into play as the series progresses.
Roland Deschain, son of Steven Deschain, was born in the Barony of Gilead, in In-World. Roland is the last surviving gunslinger, a man whose goal is finding and climbing to the top of the Dark Tower, purported to be the very center of existence, so that he may right the wrongs in his land. This quest is his obsession, monomania and geas to Roland: In the beginning the success of the quest is more important than the lives of his family and friends. He is a man who lacks imagination, and this is one of the stated reasons for his survival against all odds: he can not imagine anything other than surviving to find the Tower.
Edward Cantor "Eddie" Dean first appears in The Drawing of the Three, in which Roland encounters three doors that open into the New York City of our world in different times. Through these doors, Roland draws companions who will join him on his quest, as the Man In Black foretold. The first to be drawn is Eddie Dean, a drug addict and a first-time cocaine mule. Eddie lives with his older brother and fellow junkie Henry, whom Eddie reveres despite the corrupting influence Henry has had upon his life. Roland helps Eddie fight off a gang of mobsters for whom he was transporting the cocaine, but not before Eddie discovers that Henry has died from an overdose of heroin in the company of the aforementioned mobsters (after which the mobsters decide to chop off Henry's head). It is because of Eddie's heroin addiction that he is termed 'The Prisoner', and that is what is written upon the door from which Roland draws him.
"Breakers" is a song by indie rock band Local Natives, from the band's second studio album Hummingbird. The song was released as a single on October 23, 2012.
"Breakers" received positive reviews from most music critics. The song was chosen upon release as Pitchfork Media's "Best New Track". Ian Cohen noted that "you can hear the influence of tourmates Arcade Fire and the National in the drums and the production, which shift Local Natives away from the more wooly sounds of Gorilla Manor to something more streamlined and arena-filling." He also noted that "where those bands often sound like they're pushing back at the weight of society's ills and aging, Local Natives still retain their youthful vigor and identifiable quirks with swaying, full-bodied harmonies and a dynamic booster shot of a chorus."
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