Two shot
A two shot is a type of shot employed in the film industry in which the frame encompasses a view of two people (the subjects). The subjects do not have to be next to each other, and there are many common two-shots which have one subject in the foreground and the other subject in the background. It is very useful if the film is about two people.
The shots are also used to show the emotional reactions between the subjects. For instance, in the movie Stand By Me, this shot is used multiple times to show these emotions.
An "American two shot" shows the two heads facing each other in profile to the camera.
A "two shot west" is a melodramatic device used primarily in American soap operas. In a two shot west, one character will turn 180° and face away from the other character while they continue to talk, which enables both characters to appear together in a single shot facing the audience.
Similarly, a three shot has three people in the composition of the frame. In these shots the characters are given more importance; this type of image can also be seen in print advertising.
Shot
Shot may refer to:
SHOT is an acronym for:
Beverages
- Shooter (drink), a mixed alcoholic drink served in a shot glass
Music
Sport
Shot (ice hockey)
A shot in ice hockey is an attempt by a player to score a goal by striking or snapping the puck with their stick in the direction of the net.
Types of shots
There are four basic types of shots in ice hockey.
Shovel
The shovel shot is the simplest most basic shot in a shooter's arsenal. Its execution is simply a shoveling motion to push the puck in the desired direction, or flick of the puck (be it on the forehand, backhand, or in a spearing motion). Players typically resort to shovelling the puck to push loose pucks past a sprawling, or out-of-position goaltender. Therefore, the easiest move of all.
Wrist
The wrist shot is executed by positioning the puck toward the heel-middle of the blade. From that position the shooter rolls his back wrist quickly, while thrusting the puck forward with the bottom hand. As the blade propels the puck forward the movement of the wrist rolls the puck toward the end of the blade, causing the puck to spin. The tightness of the spin of the puck has an effect much like the spin a quarterback puts on their football pass, resulting in more accuracy. The puck is aimed with the follow-through of the shot, and will typically fly perfectly in the direction of the extension of the stick, resulting in an extremely accurate shot. At the same time, the stick flexes, so the moment the puck is released from the stick, the snap of the stick will propel the puck forward at high speeds. NHL players known for their wrist-shot include Alexander Ovechkin, Eric Staal, Marián Gáborík, Jeff Carter, Alexander Semin, Teemu Selänne, Alexei Kovalev, Pavel Datsyuk, Phil Kessel, Wayne Gretzky, Steven Stamkos, Peter Forsberg, Raymond Bourque, Phil Kessel and Ryan Kesler.
Injection (medicine)
An injection (often referred to as a "shot" in US English, or a "jab" in UK English) is an infusion method of putting fluid into the body, usually with a syringe and a hollow needle which is pierced through the skin to a sufficient depth for the material to be administered into the body. An injection follows a parenteral route of administration; that is, administration via a route other than through the digestive tract. Since the process inherently involves a small puncture wound to the body (with varying degrees of pain depending on injection type and location, medication type, needle gauge and the skill of the individual administering the injection), fear of needles is a common phobia.
There are several methods of injection or infusion used in humans, including intradermal, subcutaneous, intramuscular, intravenous, intraosseous, intraperitoneal, intrathecal, epidural, intracardiac, intraarticular, intracavernous, and intravitreal. Rodents used for research are often administered intracerebral, intracerebroventricular, or intraportal injections as well. Long-acting forms of subcutaneous/intramuscular injections are available for various drugs, and are called depot injections.
Podcasts:
-
by The Game
-
by UGK
-
by Pulley
-
by Cock Robin
-
by Hot Boys
-
by Vast
-
by Delerium
-
by Partners N Crime
-
by Prime Time
-
by Dbsk
-
by Profyle
-
by Jane Child
-
by Underground Kingz
-
by Step Into Liquid Soundtrack
-
by John Williamson
Da Shit
by: The Game[Intro:]
Now where's the shit?
The shit?
The shit!
N*gga whatsup man?
Come on kill that noise man, let's just get the shit,
Don't worry, you'll get the shit,
You'll be,
Knee deep in shit!
[Chorus: (The Game)]
I'm a G, you can't see me,
That must be, why you're talkin' (Shut your mouth bitch)
I'm the shit, and you know,
It, never stops, there's no stoppin' (It don't stop *****z)
Light a lo', blow a smoke, oh,
As I cruise, streets of Compton
(Roll out the six fo, six trey, glass house, '57 Chevelot, tell them *****z)
[Verse 1:]
I let the whole world know that I can't be stopped,
Even without Doc I'm still from the (Streets of Compton),
Yeah ***** I said it, and I'ma stay on top,
Like a hoodrat with bomb ass cock,
Run up in 'em like these rap *****z, I ain't gotta clap *****z,
End your career with one line like that *****z,
Hit the switch front and back, make it bounce,
Let it jump, Killa-for-ni-a is where I'm from,
3 wheelin' with the ass out, smoke chronic 'til I pass out,
All the way to my ***** Daz house,
He always gotta big bad bitch from Long Beach,
She a known freak and she gotta long reach,
She gon' touch it, suck it, fuck it, never back down,
'specially when Al Green in the background,
Now bitch hit the weed and turn that ass round,
It's time to bring back Chronic into Doggystyle,
Westcoast *****z still holdin' shit down,
[Chorus: (The Game)]
I'm a G, you can't see me,
That must be, why you're talkin' (Shut your mouth bitch)
I'm the shit, and you know,
It, never stops, there's no stoppin' (It don't stop *****z)
Light a lo', blow a smoke, oh,
As I cruise, streets of Compton
(Roll out the six fo, six trey, glass house, '57 Chevelot, tell them *****z)
[Verse 2:]
I'm back on the cover of the Source and the XXL,
Floatin' all through the (Streets of Compton),
I got more bitches, more plaques, more beef, and more straps,
That's what the fuck I call "Gangsta rap",
I was the Aftermath remedy 'til friends turn enemies,
Streets kept me laced like bloods dipped in hennesse,
You *****z act like the Game can't roll 'em out,
One man show still sell a motherfucker out,
We know Dre still sell a motherfucker out,
'cus everybody here from the (Streets of Compton),
We got crip *****z, blood *****z, assays, asians,
Red and blue laces, tattoos on faces,
I kept you *****z waiting had to take you back to the basics,
Switch the Impala from gold to chrome Daitons,
Everytime your bitch hear my voice she masturbating,
I run though hoes like Walter Payton on the daily,
I got your main bitch swallowing my babies,
[Chorus: (The Game)]
I'm a G, you can't see me,
That must be, why you're talkin' (Shut your mouth bitch)
I'm the shit, and you know,
It, never stops, there's no stoppin' (It don't stop *****z)
Light a lo', blow a smoke, oh,
As I cruise, streets of Compton
(Roll out the six fo, six trey, glass house, '57 Chevelot, tell them *****z)
I'm the Westcoast Rakim, got you *****z blocked in,
Glass house parked sideways on the stock rims,
New school, old school mentality,
Translation - Four pumps and twelve batteries,
Hydraulics make the world go round,
Your girl go down, chronic make your girl slow down,
For she end up like superhead, giving superhead,
Every ***** in the industry now fuck superhead,
And I might just fuck her too,
If I ever catch her sliding or riding through the (Streets of Compton),
Rolling down Green Leaf smoking on that green leaf,
With a Mac 10 like I was born on Queen's Street,
Murder MCs like I was born in Queen's Bridge,
That how I show you palm *****z where the King is,
And you don't wanna play chess on a time clock,
I'm in the Hall Of Fame next to Snoop, behind 'Pac,
I got the whole motherfucking world locked,
[Chorus: (The Game)]
I'm a G, you can't see me,
That must be, why you're talkin' (Shut your mouth bitch)
I'm the shit, and you know,
It, never stops, there's no stoppin' (It don't stop *****z)
Light a lo', blow a smoke, oh,
As I cruise, streets of Compton
(Roll out the six fo, six trey, glass house, '57 Chevelot, tell them *****z)
[Outro:]
Everybody wanna know what the fuck is going on,
Am I signed to Aftermath? Interscope? What's up with Geffen?
I'ma just say it like this:
One day I walked in the motherfuckin' house,
And all my shit was gone.