The Town is a novel by the American author William Faulkner, published in 1957, about the fictional Snopes family of Mississippi. It is the second of the "Snopes" trilogy, following The Hamlet (1940) and completed by The Mansion (1959).
Each chapter is narrated from the point of view of one of three characters: Chick Mallison, Gavin Stevens, or V.K. Ratliff.
Flem moves into Jefferson; is cuckolded by de Spain. De Spain's election. Flem is made power-plant supervisor. Flem steals brass from the plant. Flem plays Tom Tom and Turl off against each other; Tom Tom cuckolds Turl. The firemen hide the brass in the water tower.
Eck Snopes saves a Varner Negro, breaking his neck in the process; he is "never in the world a Snopes." He changes jobs several times. Discussion of Snopes family structure, economy. I.O. Snopes comes to town and moves up (e.g., becomes schoolmaster). Children of Eck and I.O. The Snopes Hotel opens.
Jefferson gossips about Eula. The Cotillion Ball is planned; de Spain invited after some debate. De Spain squeals his tires; under Gavin's instigation, Chick and Gowan finally manage to pop one of his tires. De Spain sends Gowan a special corsage; the town experiences a corsage panic leading up to the ball. At the ball, Gavin challenges, fights, and is beaten by de Spain.
The Town (1950) is a novel written by American author Conrad Richter. It is the third installment of his trilogy The Awakening Land. The Trees (1940) and The Fields (1946) were the earlier portions of the series. The Town was awarded the Pulitzer Prize for Fiction in 1951.
In September 1966, his publisher Alfred A. Knopf reissued the trilogy for the first time as a single hardcover volume. According to the edition notice of this all-in-one version—which lists the original publication dates of the three books -- The Town was first published on 24 April 1950.
The Town, the third novel in Conrad Richter’s Awakening Land trilogy, continues the story of frontier woman Sayward (née Luckett) Wheeler and her family. At 280 pages, the book is considerably longer than the other books of the trilogy. The focus of this final book is on the dramatic changes to the town and region with rapid development and industrialization. The theme is dealing with change. Sayward lives through the development of her Ohio Valley settlement into a thriving town, with a variety of businesses and industry. She becomes wealthy by pioneer standards by selling off parcels of her own land to newcomers.
Kiss Land is the debut studio album by Canadian singer The Weeknd. The album was released in the United States on September 10, 2013, by XO and Republic Records. Kiss Land was supported by six singles: "Kiss Land", "Belong to the World", "Love in the Sky", "Live For", "Pretty" and "Wanderlust". The album's sole guest appearance comes from frequent collaborator Drake. The album's production was primarily handled by Danny Boy Styles, The Weeknd himself and Jason "DaHeala" Quenneville.
Upon its release, Kiss Land received generally positive reviews from music critics. At Metacritic, the album received an average score of 65, based on 31 reviews. The album debuted at number 2 on the Billboard 200, selling 95,000 copies in its first week. As of August 2015, the album has sold 273,000 copies in the US.
On March 17, 2013, The Weeknd announced his debut album would be titled Kiss Land. In July 2013, Amazon.com revealed that the album would be released on August 27, 2013. On July 22, 2013, it was announced that the album would be pushed back from August 27, 2013, until September 10, 2013. In July 2013, during an interview with Complex, The Weeknd described the album, saying:
On the Town may refer to:
On the Town is a musical with music by Leonard Bernstein and book and lyrics by Betty Comden and Adolph Green, based on Jerome Robbins' idea for his 1944 ballet Fancy Free, which he had set to Bernstein's music. The musical introduced several popular and classic songs, among them "New York, New York", "Lonely Town", "I Can Cook, Too" (for which Bernstein also wrote the lyrics), and "Some Other Time". The story concerns three American sailors on a 24-hour shore leave in New York City during wartime 1944. Each of the three sailors meets and quickly connects with a woman.
On the Town was first produced on Broadway in 1944 and was made into a film in 1949, although the film replaced all but three of the original Broadway songs with Hollywood-written substitutes. The show has enjoyed a number of major revivals. The musical integrates dance into its storytelling: Robbins made a number of ballets and extended dance sequences for the show, including the "Imaginary Coney Island" ballet.
"Town" is a song by Northern Uproar, released from their album Northern Uproar. It reached number 48 on the UK Singles Chart in 1996.
A Town in the context of New Jersey local government refers to one of five types and one of eleven forms of municipal government. While Town is often used as a shorthand to refer to a Township, the two are not the same.
The Town Act of 1895 allowed any municipality or area with a population exceeding 5,000 to become a Town through a petition and referendum process. Under the 1895 Act, a newly incorporated town was divided into at least three wards, with two councilmen per ward serving staggered two-year terms, and one councilman at large, who also served a two-year term. The councilman at large served as chairman of the town council.
The Town Act of 1988 completely revised the Town form of government and applied to all towns incorporated under the Town Act of 1895 and to those incorporated by a special charter granted by the Legislature prior to 1875. Under the 1988 Act, the mayor is also the councilman at large, serving a term of two years, unless increased to three years by a petition and referendum process. The Council under the Town Act of 1988 consists of eight members serving staggered two-year terms with two elected from each of four wards. One councilman from each ward is up for election each year. Towns with different structures predating the 1988 Act may retain those features unless changed by a petition and referendum process.
Now when I say 2-0, you say -
Nah, you know the rest
This is our scene
Our music, our movement, the history lives through us
I write to the beat and let life play the guitar
strings
Despite the drama, there's respect and camaderie
Every time one of my friends is mentioned in my
philosophy
It's a rite of passage, I'm not trying to be corny
I got love for Sportin' Life, Alpha P, Massline, and
Onry
Every time somebody steps out on the road
They bring a little Northwest soul with them, amen
Alright then, just so you know
I try to carry that everytime that I rock a show
So, turn my sound up
Ricochet off our mountains
It's Good Medicine that Chief Seattle would of been
proud of
Sends our city, town pride, heart, blood, sweat, tears,
I-5,
North, South side, vibe, live, ride down these city
blocks
And never will be stopped
They tryin' to shut down the clubs that my city rocks
Now Mr. Mayor why would you enforce an ordinance?
Music, it saves lives, these kids out here are
supporting it
And through the art form we've learned the importance
of community
Truth to the youth so they know what's up
Yup, and as a public school student
I learned from my teachers, but became through my music
Take that away, that's a vital
14 Fathoms Deep, Do the Math, Tribal
My greatest teachers: Beasope and Bida
Wordsayer was my mayor and things have changed
But I carry the torch and what I do with that flame
Is lit everytime that I step on the stage
The skyline is etched in my veins
You can never put that out, no matter how hard it rains
That's right, when you put on a show
And watch the people seat in between the creases and
the doors
Hitting the melly or sneaking in 'cause they're broke
Now leaving in between sets because they're needing to
smoke
The reason being whatever
The scene from Beacon to Everett
is in need of less ego when we kick it alright
I get on stage, style, share my whole life
Try to reach 'em at the bar where they're drinking
Miller Lite
But the kids in the front, they bring out the passion,
dude
Make noise throughout the show and not only when we ask
'em to
I watch the older cats jaded in the back
Hands clasped, forgot when they weren't too cool to be
a fan, damn
Hatin' at the concert
You don't remember RKCNDY, watching Heiro, or vibing
out to Alkaholiks
I know it's not the same, it never will be
But my, my, my, my city's filthy
And we've been truly dope since Supreme was up on
Broadway in the dookie rope
Mean muggin' in Sir Mixalot's video
Back when Scene was rockin' house parties on the floor
JMG's, Sit N' Spin, and The Paradox
Back when Mark introduced Geo to Sabz
So much has changed here, so much has not
I was just a kid hopin' I could earn my spot
Try to get some props
Meet a promoter who'll give me a shot
To let me get up on stage and get the crowd to rock
Read a page out my notebook
What I thought would be respected, they would connect
with it
Now looking over the city's the only thing that keeps
me calm
Scattered thoughts jotted down by this pen in my palm
It's like my city stands still, the world looks on