Twins in mythology

Twins appear in the mythologies of many cultures around the world. In some they are seen as ominous and in others they are seen as auspicious. Twins in mythology are often cast as two halves of the same whole, sharing a bond deeper than that of ordinary siblings, or otherwise shown as fierce rivals. Twins can represents some "other" aspect of the Self, a doppelgänger or a shadow. Often the twin is the "evil twin" , or one may be human and one semi-divine. The twin may be a brother, or a soul-mate, such as the "civilized" Gilgamesh and the "wild" Enkidu.

Many cultures have mythic or folkloric explanations for how twins are conceived. In Greek mythology, some twins were conceived when a woman slept with both a mortal and a god on the same day. One of her offspring thereafter had godlike qualities, and the other was an ordinary mortal, such as Heracles and his twin brother Iphicles. In several Native American cultures women avoided eating twin fruits like double almonds and bananas because it was thought to increase the likelihood of twins. In other cultures, twins were attributed to superior virility of the father.

The Color Changin' Click

The Color Changin' Click, was a Hip hop music group formed in 1997 by 50/50 Lil' Twin and Chamillionaire. The group split up in 2005.

Biography

Chamillionaire and Paul Wall

Friends since childhood, Paul and Chamillionaire broke into the music industry by doing promotions for various southern hip-hop entities such as Cash Money Records. Eventually, they got jobs doing promotions for Swishahouse. While there, they recorded a demo for Swishahouse that gained a lot of attention, and soon people wanted to know who made it. Paul and Chamillionaire kept asking Swishahouse CEO Michael 5000 Watts to let them get a couple of verses on some mixtapes. However, they were constantly put to the side for other artists, and when they did get a chance to perform, they weren't getting paid well. Eventually, Paul and Chamillionaire decided to break out on their own and left Swishahouse.

The pair signed with Paid in Full Entertainment, a record label owned by the Madd Hatta, and released Get Ya Mind Correct in 2002. It was an instant hit in Houston, selling over 150,000 copies independently and getting nominated by the Source as one of the finalists for the indie album of the year in 2002.

Boom

Boom may refer to:

Objects

Other common meanings

Arts and entertainment

Music

Performers

Boom! (TV series)

Boom! is an American reality television series that aired on Spike TV in 2005 and was hosted by Kourtney Klein. It featured a group of demolition experts using explosives to destroy objects such as trailers, houses, boats and cars. Often, the suggestions on what should be blown up were sent in by home viewers via a "BOOM! Mailbag". Each episode covered obtaining the materials (such as the item to be destroyed), cleaning, gutting, and rigging the thing with explosives, and then making the final countdown and pushing the detonator, and watching the devastation.

References

External links

Boom! (film)

Boom! is a 1968 British drama film starring Elizabeth Taylor, Richard Burton and Noël Coward, directed by Joseph Losey, and adapted from the play The Milk Train Doesn't Stop Here Anymore by Tennessee Williams.

Plot

Flora 'Sissy' Goforth (Taylor, in a part written for an older woman) is a terminally ill woman living with a coterie of servants in a large mansion on a secluded island. Into her life comes a mysterious man, Christopher Flanders, nicknamed "Angelo Del Morte" (played by then-husband Burton, in a part intended for a very young man). The mysterious man may or may not be "The Angel of Death".

The interaction between Goforth and Flanders forms the backbone of the plot, with both of the major characters voicing lines of dialogue that carry allegorical and Symbolist significance. Secondary characters chime in, such as "the Witch of Capri" (Coward). The movie mingles respect and contempt for human beings who, like Goforth, continue to deny their own death even as it draws closer and closer. It examines how these characters can enlist and redirect their fading erotic drive into the reinforcement of this denial.