Tuxer Joch

The Tuxer Joch is a mountain pass in the Zillertal Alps at a height of 2,338 m (AA) that links the lower Zillertal valley with the Brenner route just north of the Brenner Pass. To the northeast just below the summit lies the Tuxer Joch-Haus.

History

In early times there was a busy bridle path over the Tuxer Joch from the Brenner route into the Zillertal valley. As early as prehistoric times the saddle was known to humans. Finds of tools made of hornstein and south Alpine flints indicate that the Tuxer Joch was crossed by Stone Age peoples. A decorative pin from the Bronze Age was found at the pass. Farmers drove their cattle over the saddle, and farmers and traders also crossed the pass bearing local products. Occasionally funeral processions also passed this way, because the village of Tux once belonged to the parish of Schmirn on the other side of the saddle, so the dead had to be carried there. Later this parochial structure was changed, but the secular administrative arrangement was not altered until 1926. But the Tuxer Tal had long been oriented towards the Zillertal and when it was subsequently linked by a road in the 19th century, the Tuxer Joch lost its importance for local traffic and has since acted merely as a transit path for walkers.

Joch

Joch (Catalan: Jóc) is a commune in the Pyrénées-Orientales department in southern France.

Geography

Joch is located in the canton of Vinça and in the arrondissement of Prades.

Population

See also

References

Jōchō

Jōchō (定朝; died 1057 AD), also known as Jōchō Busshi, was a Japanese sculptor of the Heian period. He popularized the yosegi technique of sculpting a single figure out of many pieces of wood, and he redefined the canon used to create Buddhist imagery. His style spread across Japan and defined Japanese sculpture for the next 150 years. Today, art historians cite Jōchō as "the first of a new kind of master sculptor" and "one of the most innovative artists Japan has ever produced."

Career

Jōchō trained at the Kōfuku-ji, a temple in Nara. By 1020, he was an artist of some renown with a studio in Kyoto. At this time, Fujiwara no Michinaga, the greatest of the Fujiwara regents of the Heian period, commissioned him to decorate the Hōjōji, a temple that Fujiwara had founded. Jōchō's efforts there earned him the title Hokkyō (Master of the Dharma Bridge) in 1022, a rare accolade for a sculptor.

Jōchō later worked on sculpture for the Kōfuku-ji. This work earned him an even higher title, Hōgen (Master of the Dharma Eye). He or his school may also have sculpted nine wooden Amida figures at Jōruri-ji, a temple at Tomino-o.

Jochū Tengin

Jochū Tengin (如仲天誾, also 恕仲天誾; 1363-1437) was a Sōtō Zen monk. He received dharma transmission from Baisan Monpon and is considered a patriarch by the Sōtō school.

By the time of Jochū, the institution and organization of the Keizan line of Sōtō Zen was complete. His disciples, Kisan Shōsan and Shingan Dōkū, started separate dharma lineages that are honored in different temples within the school.

References