Professional wrestling has accrued a considerable nomenclature through its long existence. Much of it stems from the industry's origins in the days of carnivals and circuses, and the slang itself is often referred to as "carny talk." In the past, wrestlers used such terms in the presence of fans so as not to reveal the worked nature of the business. In recent years, widespread discussion on the Internet has popularized these terms. Many of the terms refer to the financial aspects of pro wrestling in addition to performance-related terms.
"Turn" is the fourth single from Indie band Travis' second studio album, The Man Who. The single peaked at the number eight position on the UK Singles Chart.
Two music videos were shot for the single. The first video, included on the group's Singles DVD, features Healy engaged in a push-up contest. This video was filmed in Hackney on a dis-used council estate. The estate has since been demolished. The second featured a staged performance by the band.
The British release of the single was accompanied by a cover of Britney Spears's hit single "...Baby One More Time". Spears herself heard the Travis version while shopping, and commented by saying it was 'a total shock' and was 'a very good cover'.
Turn is an album by American jazz saxophonist Roscoe Mitchell which was recorded in 2005 and released on the French RogueArt label. He leads a new quintet with longtime rhythm section Jaribu Shahid on bass and Tani Tabbal on drums, pianist Craig Taborn and new Art Ensemble of Chicago trumpeter Corey Wilkes.
In his review for AllMusic, Alain Drouot states "This is a remarkably focused and concise date featuring Mitchell's brand of atonal jazz mixed with his interests in other musical forms."
The All About Jazz review by Kurt Gottschalk says "As a whole, the group is comfortable together, ready to let the compositions stand and while Shahid and Tabal haven't been the most exciting parts of Mitchell's groups, here they sound better than ever."
KMFDM (from Kein Mitleid Für Die Mehrheit [sic], translated by the band as "no pity for the majority" [sic]) is an industrial band led by German multi-instrumentalist Sascha Konietzko, who founded the group in 1984 as a performance art project. KMFDM has released nineteen studio albums and two dozen singles, with sales of more than two million records worldwide.
The band has undergone many line-up changes and featured dozens of guest musicians. Its earliest incarnation included German drummer En Esch and British vocalist Raymond Watts, the latter of whom left and rejoined the group several times over its history. German guitarist Günter Schulz joined in 1990; both he and Esch continued with the band until KMFDM broke up in 1999. Konietzko resurrected KMFDM in 2002 (Esch and Schulz declined to rejoin), and by 2005 he had assembled a consistent line-up that included American singer Lucia Cifarelli, British guitarists Jules Hodgson and Steve White, and British drummer Andy Selway.
Critics consider KMFDM to be one of the first bands to bring industrial music to mainstream audiences, though Konietzko refers to the band's music as "The Ultra-Heavy Beat". The band incorporates heavy metal guitar riffs, electronic music, samples, and both male and female vocals in its music, which encompasses a variety of styles. KMFDM normally tours at least once after every major release, and band members are known for their accessibility to and interaction with fans, both online and at concerts. Members, singly or working with each other and others, have recorded under many other names, primarily Watts' Pig in 1988, Konietzko's Excessive Force in 1991, and Esch and Schulz's Slick Idiot in 2001.