Tunnel Vision is the second studio album by West Coast underground hip hop collective Tunnel Rats, released on October 25, 2001, through Uprok Records. Featuring a brash, aggressive sound, the album drew admiration from critics and proved highly influential for the Christian hip hop movement.
Tunnel Vision features an aggressive, underground sound. Jason Young of RapReviews.com noted that the collective consists of blacks, whites, and Latinos, men and women, thus offering a diverse sound. Young said that on the album's title track, rapper Macho channels an "early-90's LL Cool J" sound, and considered the decision to change tempo for the track's bridge was "pure genius." Of rapper Raphi, Young mentioned that he "does his best Slim Shady impersonation on his solo joint, 'Motivate', albeit with some decidedly un-Eminem lyrics."Exclaim!'s Thomas Quinlan's called "Motivate" "Timbaland-influenced", "Human Race" as mariachi sounding of "Human Race" and considered "Remember" a "testimonial track". Anthony DeBarros of CCM Magazine described Tunnel Vision as hip hop "and occasional R&B", and felt that while Tunnel Rats did not break any new musical ground, the collective had "a knack for using studio tools effectively." He explained that "Zane’s 'Change' floats over a shimmering electric piano, and 'For the Heads' evokes a jazzy nostalgia with an acoustic piano loop and simulated record-groove clicks and pops."
Tunnel vision (also known as Kalnienk vision) is the loss of peripheral vision with retention of central vision, resulting in a constricted circular tunnel-like field of vision.
Tunnel vision can be caused by:
Tunnel vision or tunnelvision may refer to:
TunnelVision (also known as Tunnel Vision) is a satirical 1976 comedy anthology film featuring Roger Bowen, Chevy Chase, John Candy, Howard Hesseman, Joe Flaherty, Laraine Newman, Betty Thomas, Phil Proctor, Al Franken, Ron Silver, Tom Davis, and Michael Overly, with appearances by noted voiceover artists Ernie Anderson and Danny Dark. It was directed by Neal Israel and Bradley R. Swirnoff and produced by Joe Roth.
Although the title is repeatedly displayed in the film as being spelled "TunnelVision," it is frequently identified as "Tunnel Vision" in home video reissues and critical reviews.
The plot of the movie revolves around a new television network called TunnelVision which is notably free of censorship and has thus become the most-watched channel in television history. In the then-future year of 1985, the president of TunnelVision (Proctor) is under Senate investigation led by a Senator (Hesseman) who wishes to shut down the channel due to its perceived widespread negative effects on the population of the United States. The bulk of the movie consists of commercials, shorts, and trailers for fictional movies that are usually not connected to one another. These are being shown during a Congressional Oversight Committee hearing as a representative day of TunnelVision programming. At the end of the film, the committee finds in favor of TunnelVision, but the network president is shot and killed by a crazed French chef who had been a running gag throughout the segments.